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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93317D it is the complementary color #6CCE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93317D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93317D shade: #983178, #A9438B, #BA559E, #CB67B1 and #DC79C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93317D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93317D shade: #93317D, #821F6A, #710D57, #600044 and #4F0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93317D shade: #91307B, #913061, #913047 and #913030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93317D shade: #91307B, #8C3091, #723091, #583091 and #3E3091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93317D shade matches the following richer shades: #91307B, #A12084, #B0118C and #C00195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93317D shade: #91307B, #814072, #714F6A, #625F61 and #526F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93317D shade: #723091, #8C3091, #91307C, #913062 and #913048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93317D shade: #531B46, #722661, #91307B, #B03A95 and #C44FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93317D shade: #93317D, #915830 and #30917F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93317D shade: #93317D, #7C9130 and #307C91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93317D shade: #93317D, #915830, #309145 and #306891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93317D shade: #93317D, #917530, #309145 and #304B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

Complementary color

CMYK 48 / 0 / 37 / 19

HEX #6CCE82

RGB 108 206 130

HSL 133.47, 0.5%, 0.62%

LAB 75.42, -45.17, 29.13

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 0 / 60 / 18 / 34

HEX #A9438B

RGB 169 67 139

HSL 317.65, 0.43%, 0.46%

LAB 44.68, 50.16, -19.42

 

CMYK 0 / 54 / 15 / 27

HEX #BA559E

RGB 186 85 158

HSL 316.63, 0.42%, 0.53%

LAB 51.16, 49.71, -20.6

 

CMYK 0 / 49 / 13 / 20

HEX #CB67B1

RGB 203 103 177

HSL 315.6, 0.49%, 0.6%

LAB 57.63, 49.08, -21.54

 

CMYK 0 / 45 / 11 / 14

HEX #DC79C4

RGB 220 121 196

HSL 314.55, 0.59%, 0.67%

LAB 64.06, 48.37, -22.33

 

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

CMYK 0 / 76 / 18 / 49

HEX #821F6A

RGB 130 31 106

HSL 314.55, 0.61%, 0.32%

LAB 31.27, 49.14, -20.15

 

CMYK 0 / 88 / 23 / 56

HEX #710D57

RGB 113 13 87

HSL 315.6, 0.79%, 0.25%

LAB 25.22, 47.44, -17.41

 

CMYK 0 / 100 / 29 / 62

HEX #600044

RGB 96 0 68

HSL 317.5, 1%, 0.19%

LAB 19.66, 43.92, -13.43

 

CMYK 0 / 100 / 38 / 69

HEX #4F0031

RGB 79 0 49

HSL 322.78, 1%, 0.15%

LAB 14.87, 37.61, -7.66

 

CMYK 0 / 67 / 15 / 43

HEX #91307B

RGB 145 48 123

HSL 313.61, 0.5%, 0.38%

LAB 37.05, 49.19, -21.7

 

CMYK 0 / 67 / 33 / 43

HEX #913061

RGB 145 48 97

HSL 329.69, 0.5%, 0.38%

LAB 35.98, 45.51, -6.96

 

CMYK 0 / 67 / 51 / 43

HEX #913047

RGB 145 48 71

HSL 345.77, 0.5%, 0.38%

LAB 35.18, 42.64, 8.55

 

CMYK 0 / 67 / 67 / 43

HEX #913030

RGB 145 48 48

HSL 0, 0.5%, 0.38%

LAB 34.7, 40.86, 22.58

 

CMYK 0 / 67 / 15 / 43

HEX #91307B

RGB 145 48 123

HSL 313.61, 0.5%, 0.38%

LAB 37.05, 49.19, -21.7

 

CMYK 3 / 67 / 0 / 43

HEX #8C3091

RGB 140 48 145

HSL 296.91, 0.5%, 0.38%

LAB 37.36, 51.62, -34.84

 

CMYK 21 / 67 / 0 / 43

HEX #723091

RGB 114 48 145

HSL 280.82, 0.5%, 0.38%

LAB 33.43, 45.28, -41.34

 

CMYK 39 / 67 / 0 / 43

HEX #583091

RGB 88 48 145

HSL 264.74, 0.5%, 0.38%

LAB 29.99, 39.3, -47.05

 

CMYK 57 / 67 / 0 / 43

HEX #3E3091

RGB 62 48 145

HSL 248.66, 0.5%, 0.38%

LAB 27.25, 34.11, -51.64

 

CMYK 0 / 67 / 15 / 43

HEX #91307B

RGB 145 48 123

HSL 313.61, 0.5%, 0.38%

LAB 37.05, 49.19, -21.7

 

CMYK 0 / 80 / 18 / 37

HEX #A12084

RGB 161 32 132

HSL 313.49, 0.67%, 0.38%

LAB 38.33, 60.09, -25.07

 

CMYK 0 / 90 / 20 / 31

HEX #B0118C

RGB 176 17 140

HSL 313.58, 0.82%, 0.38%

LAB 40.45, 67.53, -26.48

 

CMYK 0 / 99 / 22 / 25

HEX #C00195

RGB 192 1 149

HSL 313.51, 0.99%, 0.38%

LAB 43.36, 73.54, -27.2

 

CMYK 0 / 67 / 15 / 43

HEX #91307B

RGB 145 48 123

HSL 313.61, 0.5%, 0.38%

LAB 37.05, 49.19, -21.7

 

CMYK 0 / 50 / 12 / 49

HEX #814072

RGB 129 64 114

HSL 313.85, 0.34%, 0.38%

LAB 37.02, 35.04, -16.34

 

CMYK 0 / 30 / 6 / 56

HEX #714F6A

RGB 113 79 106

HSL 312.35, 0.18%, 0.38%

LAB 38.1, 19.09, -9.91

 

CMYK 0 / 3 / 1 / 62

HEX #625F61

RGB 98 95 97

HSL 320, 0.02%, 0.38%

LAB 40.64, 1.6, -0.72

 

CMYK 26 / 0 / 20 / 56

HEX #526F59

RGB 82 111 89

HSL 134.48, 0.15%, 0.38%

LAB 44.07, -15.49, 8.88

 

CMYK 21 / 67 / 0 / 43

HEX #723091

RGB 114 48 145

HSL 280.82, 0.5%, 0.38%

LAB 33.43, 45.28, -41.34

 

CMYK 3 / 67 / 0 / 43

HEX #8C3091

RGB 140 48 145

HSL 296.91, 0.5%, 0.38%

LAB 37.36, 51.62, -34.84

 

CMYK 0 / 67 / 14 / 43

HEX #91307C

RGB 145 48 124

HSL 312.99, 0.5%, 0.38%

LAB 37.09, 49.35, -22.25

 

CMYK 0 / 67 / 32 / 43

HEX #913062

RGB 145 48 98

HSL 329.07, 0.5%, 0.38%

LAB 36.01, 45.63, -7.54

 

CMYK 0 / 67 / 50 / 43

HEX #913048

RGB 145 48 72

HSL 345.15, 0.5%, 0.38%

LAB 35.21, 42.74, 7.94

 

CMYK 0 / 67 / 16 / 67

HEX #531B46

RGB 83 27 70

HSL 313.93, 0.51%, 0.22%

LAB 20.3, 31.68, -14.02

 

CMYK 0 / 67 / 15 / 55

HEX #722661

RGB 114 38 97

HSL 313.42, 0.5%, 0.3%

LAB 28.97, 40.54, -18.13

 

CMYK 0 / 67 / 15 / 43

HEX #91307B

RGB 145 48 123

HSL 313.61, 0.5%, 0.38%

LAB 37.05, 49.19, -21.7

 

CMYK 0 / 67 / 15 / 31

HEX #B03A95

RGB 176 58 149

HSL 313.73, 0.5%, 0.46%

LAB 44.84, 57.45, -25.12

 

CMYK 0 / 60 / 13 / 23

HEX #C44FAA

RGB 196 79 170

HSL 313.33, 0.5%, 0.54%

LAB 52.1, 57.25, -26.08

 

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

CMYK 0 / 39 / 67 / 43

HEX #915830

RGB 145 88 48

HSL 24.74, 0.5%, 0.38%

LAB 43.08, 19.68, 32.62

 

CMYK 67 / 0 / 12 / 43

HEX #30917F

RGB 48 145 127

HSL 168.87, 0.5%, 0.38%

LAB 54.46, -32.46, 1.34

 

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

CMYK 14 / 0 / 67 / 43

HEX #7C9130

RGB 124 145 48

HSL 72.99, 0.5%, 0.38%

LAB 56.83, -21.72, 47.11

 

CMYK 67 / 14 / 0 / 43

HEX #307C91

RGB 48 124 145

HSL 192.99, 0.5%, 0.38%

LAB 48.37, -16.34, -18.24

 

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

CMYK 0 / 39 / 67 / 43

HEX #915830

RGB 145 88 48

HSL 24.74, 0.5%, 0.38%

LAB 43.08, 19.68, 32.62

 

CMYK 67 / 0 / 52 / 43

HEX #309145

RGB 48 145 69

HSL 132.99, 0.5%, 0.38%

LAB 53.29, -44.93, 32.05

 

CMYK 67 / 28 / 0 / 43

HEX #306891

RGB 48 104 145

HSL 205.36, 0.5%, 0.38%

LAB 42.11, -4.78, -27.92

 

CMYK 0 / 67 / 15 / 42

HEX #93317D

RGB 147 49 125

HSL 313.47, 0.5%, 0.38%

LAB 37.63, 49.64, -22.02

 

CMYK 0 / 19 / 67 / 43

HEX #917530

RGB 145 117 48

HSL 42.68, 0.5%, 0.38%

LAB 50.64, 2.92, 41.06

 

CMYK 67 / 0 / 52 / 43

HEX #309145

RGB 48 145 69

HSL 132.99, 0.5%, 0.38%

LAB 53.29, -44.93, 32.05

 

CMYK 67 / 48 / 0 / 43

HEX #304B91

RGB 48 75 145

HSL 223.3, 0.5%, 0.38%

LAB 33.36, 13.83, -41.79

 

Description

Color code: HEX #93317D | qconv.com Color code: HEX #93317D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 49 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 49 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 15 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 15% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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