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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9328BA it is the complementary color #6CD745. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9328BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9328BA shade: #9828B5, #A93AC8, #BA4CDB, #CB5EEE and #DC70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9328BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9328BA shade: #9328BA, #8216A7, #710494, #600081 and #4F006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9328BA shade: #9227B9, #B927B8, #B92791, #B9276A and #B92742

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9328BA shade: #9227B9, #6A27B9, #4327B9 and #2727B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9328BA shade matches the following richer shades: #9227B9, #9A15CB and #A302DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9328BA shade: #9227B9, #8939A6, #814B94, #785D82 and #706F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9328BA shade: #4227B9, #6827B9, #8F27B9, #B627B9 and #B92794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9328BA shade: #5C1875, #772097, #9227B9, #A935D4 and #B857DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9328BA shade: #9328BA, #B92733 and #27B955

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9328BA shade: #9328BA, #B98F27 and #27B98F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9328BA shade: #9328BA, #B92733, #50B927 and #27B9AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9328BA shade: #9328BA, #B94627, #50B927 and #2799B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

Complementary color

CMYK 50 / 0 / 68 / 16

HEX #6CD745

RGB 108 215 69

HSL 103.97, 0.65%, 0.56%

LAB 77.41, -56.41, 60

 

CMYK 16 / 78 / 0 / 29

HEX #9828B5

RGB 152 40 181

HSL 287.66, 0.64%, 0.43%

LAB 40.46, 63.87, -51.39

 

CMYK 16 / 71 / 0 / 22

HEX #A93AC8

RGB 169 58 200

HSL 286.9, 0.56%, 0.51%

LAB 46.49, 64.54, -52.67

 

CMYK 15 / 65 / 0 / 14

HEX #BA4CDB

RGB 186 76 219

HSL 286.15, 0.67%, 0.58%

LAB 52.64, 64.61, -53.55

 

CMYK 15 / 61 / 0 / 7

HEX #CB5EEE

RGB 203 94 238

HSL 285.42, 0.81%, 0.65%

LAB 58.86, 64.31, -54.18

 

CMYK 14 / 56 / 0 / 0

HEX #DC70FF

RGB 220 112 255

HSL 285.31, 1%, 0.72%

LAB 64.98, 63.41, -53.72

 

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

CMYK 22 / 87 / 0 / 35

HEX #8216A7

RGB 130 22 167

HSL 284.69, 0.77%, 0.37%

LAB 34.21, 62.32, -53.32

 

CMYK 24 / 97 / 0 / 42

HEX #710494

RGB 113 4 148

HSL 285.42, 0.95%, 0.3%

LAB 28.74, 59.38, -50.78

 

CMYK 26 / 100 / 0 / 49

HEX #600081

RGB 96 0 129

HSL 284.65, 1%, 0.25%

LAB 23.91, 54.06, -46.92

 

CMYK 28 / 100 / 0 / 57

HEX #4F006E

RGB 79 0 110

HSL 283.09, 1%, 0.22%

LAB 19.17, 47.9, -42.58

 

CMYK 21 / 79 / 0 / 27

HEX #9227B9

RGB 146 39 185

HSL 283.97, 0.65%, 0.44%

LAB 39.69, 63.84, -55.04

 

CMYK 0 / 79 / 1 / 27

HEX #B927B8

RGB 185 39 184

HSL 300.41, 0.65%, 0.44%

LAB 45.94, 71.1, -44.07

 

CMYK 0 / 79 / 22 / 27

HEX #B92791

RGB 185 39 145

HSL 316.44, 0.65%, 0.44%

LAB 43.96, 65.48, -23.94

 

CMYK 0 / 79 / 43 / 27

HEX #B9276A

RGB 185 39 106

HSL 332.47, 0.65%, 0.44%

LAB 42.47, 61.06, -2.2

 

CMYK 0 / 79 / 64 / 27

HEX #B92742

RGB 185 39 66

HSL 348.9, 0.65%, 0.44%

LAB 41.47, 57.97, 21.5

 

CMYK 21 / 79 / 0 / 27

HEX #9227B9

RGB 146 39 185

HSL 283.97, 0.65%, 0.44%

LAB 39.69, 63.84, -55.04

 

CMYK 43 / 79 / 0 / 27

HEX #6A27B9

RGB 106 39 185

HSL 267.53, 0.65%, 0.44%

LAB 34.02, 57.13, -64.51

 

CMYK 64 / 79 / 0 / 27

HEX #4327B9

RGB 67 39 185

HSL 251.51, 0.65%, 0.44%

LAB 29.78, 52.08, -71.64

 

CMYK 79 / 79 / 0 / 27

HEX #2727B9

RGB 39 39 185

HSL 240, 0.65%, 0.44%

LAB 27.81, 49.71, -74.97

 

CMYK 21 / 79 / 0 / 27

HEX #9227B9

RGB 146 39 185

HSL 283.97, 0.65%, 0.44%

LAB 39.69, 63.84, -55.04

 

CMYK 24 / 90 / 0 / 20

HEX #9A15CB

RGB 154 21 203

HSL 283.85, 0.81%, 0.44%

LAB 40.76, 72.99, -63.77

 

CMYK 26 / 99 / 0 / 13

HEX #A302DD

RGB 163 2 221

HSL 284.11, 0.98%, 0.44%

LAB 42.84, 79.78, -70.71

 

CMYK 21 / 79 / 0 / 27

HEX #9227B9

RGB 146 39 185

HSL 283.97, 0.65%, 0.44%

LAB 39.69, 63.84, -55.04

 

CMYK 17 / 66 / 0 / 35

HEX #8939A6

RGB 137 57 166

HSL 284.04, 0.49%, 0.44%

LAB 39.58, 51.06, -44.01

 

CMYK 13 / 49 / 0 / 42

HEX #814B94

RGB 129 75 148

HSL 284.38, 0.33%, 0.44%

LAB 40.96, 35.74, -31.08

 

CMYK 8 / 28 / 0 / 49

HEX #785D82

RGB 120 93 130

HSL 283.78, 0.17%, 0.44%

LAB 43.41, 18.2, -16.48

 

CMYK 0 / 1 / 0 / 56

HEX #706F70

RGB 112 111 112

HSL 300, 0%, 0.44%

LAB 46.95, 0.59, -0.42

 

CMYK 64 / 79 / 0 / 27

HEX #4227B9

RGB 66 39 185

HSL 251.1, 0.65%, 0.44%

LAB 29.69, 51.98, -71.79

 

CMYK 44 / 79 / 0 / 27

HEX #6827B9

RGB 104 39 185

HSL 266.71, 0.65%, 0.44%

LAB 33.77, 56.83, -64.94

 

CMYK 23 / 79 / 0 / 27

HEX #8F27B9

RGB 143 39 185

HSL 282.74, 0.65%, 0.44%

LAB 39.23, 63.3, -55.8

 

CMYK 2 / 79 / 0 / 27

HEX #B627B9

RGB 182 39 185

HSL 298.77, 0.65%, 0.44%

LAB 45.5, 70.66, -45.4

 

CMYK 0 / 79 / 20 / 27

HEX #B92794

RGB 185 39 148

HSL 315.21, 0.65%, 0.44%

LAB 44.09, 65.87, -25.55

 

CMYK 21 / 79 / 0 / 54

HEX #5C1875

RGB 92 24 117

HSL 283.87, 0.66%, 0.28%

LAB 24.36, 44.7, -38.57

 

CMYK 21 / 79 / 0 / 41

HEX #772097

RGB 119 32 151

HSL 283.87, 0.65%, 0.36%

LAB 32.23, 54.32, -46.9

 

CMYK 21 / 79 / 0 / 27

HEX #9227B9

RGB 146 39 185

HSL 283.97, 0.65%, 0.44%

LAB 39.69, 63.84, -55.04

 

CMYK 20 / 75 / 0 / 17

HEX #A935D4

RGB 169 53 212

HSL 283.77, 0.65%, 0.52%

LAB 46.62, 68.67, -59.36

 

CMYK 16 / 60 / 0 / 14

HEX #B857DB

RGB 184 87 219

HSL 284.09, 0.65%, 0.6%

LAB 54.16, 59.24, -51.16

 

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

CMYK 0 / 79 / 72 / 27

HEX #B92733

RGB 185 39 51

HSL 355.07, 0.65%, 0.44%

LAB 41.22, 57.2, 30.42

 

CMYK 79 / 0 / 54 / 27

HEX #27B955

RGB 39 185 85

HSL 138.9, 0.65%, 0.44%

LAB 66.36, -58.45, 39.96

 

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

CMYK 0 / 23 / 79 / 27

HEX #B98F27

RGB 185 143 39

HSL 42.74, 0.65%, 0.44%

LAB 61.75, 6.06, 57.35

 

CMYK 79 / 0 / 23 / 27

HEX #27B98F

RGB 39 185 143

HSL 162.74, 0.65%, 0.44%

LAB 67.36, -47.09, 10.85

 

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

CMYK 0 / 79 / 72 / 27

HEX #B92733

RGB 185 39 51

HSL 355.07, 0.65%, 0.44%

LAB 41.22, 57.2, 30.42

 

CMYK 57 / 0 / 79 / 27

HEX #50B927

RGB 80 185 39

HSL 103.15, 0.65%, 0.44%

LAB 66.94, -55.11, 59.7

 

CMYK 79 / 0 / 7 / 27

HEX #27B9AC

RGB 39 185 172

HSL 174.66, 0.65%, 0.44%

LAB 68.1, -39.46, -4.01

 

CMYK 21 / 78 / 0 / 27

HEX #9328BA

RGB 147 40 186

HSL 283.97, 0.65%, 0.44%

LAB 40.02, 63.89, -55.08

 

CMYK 0 / 62 / 79 / 27

HEX #B94627

RGB 185 70 39

HSL 12.74, 0.65%, 0.44%

LAB 45.42, 44.87, 41.73

 

CMYK 57 / 0 / 79 / 27

HEX #50B927

RGB 80 185 39

HSL 103.15, 0.65%, 0.44%

LAB 66.94, -55.11, 59.7

 

CMYK 79 / 17 / 0 / 27

HEX #2799B9

RGB 39 153 185

HSL 193.15, 0.65%, 0.44%

LAB 58.71, -19.83, -25.44

 

Description

Color code: HEX #9328BA | qconv.com Color code: HEX #9328BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 40 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 40 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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