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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #931190 it is the complementary color #6CEE6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #931190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #931190 shade: #98118B, #A9239E, #BA35B1, #CB47C4 and #DC59D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #931190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #931190 shade: #931190, #82007D, #71006A, #600057 and #4F0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #931190 shade: #92118F, #92116C, #921149, #921126 and #921111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #931190 shade: #92118F, #721192, #4F1192, #2C1192 and #111192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #931190 shade matches the following richer shades: #92118F and #9F039B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #931190 shade: #92118F, #841E82, #772B75, #6A3869 and #5D455C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #931190 shade: #4F1192, #711192, #92118F, #92116D and #92114B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #931190 shade: #480846, #6D0C6A, #92118F, #B615B3 and #DB19D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #931190 shade: #931190, #922D11 and #119260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #931190 shade: #931190, #8F9211 and #118F92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #931190 shade: #931190, #922D11, #119213 and #117692

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #931190 shade: #931190, #925311, #119213 and #114F92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

Complementary color

CMYK 55 / 0 / 53 / 7

HEX #6CEE6F

RGB 108 238 111

HSL 121.38, 0.79%, 0.68%

LAB 84.73, -60.66, 50.25

 

CMYK 0 / 89 / 9 / 40

HEX #98118B

RGB 152 17 139

HSL 305.78, 0.8%, 0.33%

LAB 35.87, 62.54, -33.39

 

CMYK 0 / 79 / 7 / 34

HEX #A9239E

RGB 169 35 158

HSL 304.93, 0.66%, 0.4%

LAB 41.38, 64.84, -36.03

 

CMYK 0 / 72 / 5 / 27

HEX #BA35B1

RGB 186 53 177

HSL 304.06, 0.56%, 0.47%

LAB 47.18, 66.03, -37.98

 

CMYK 0 / 65 / 3 / 20

HEX #CB47C4

RGB 203 71 196

HSL 303.18, 0.56%, 0.54%

LAB 53.16, 66.49, -39.44

 

CMYK 0 / 60 / 2 / 14

HEX #DC59D7

RGB 220 89 215

HSL 302.29, 0.65%, 0.61%

LAB 59.22, 66.49, -40.56

 

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

CMYK 0 / 100 / 4 / 49

HEX #82007D

RGB 130 0 125

HSL 302.31, 1%, 0.25%

LAB 29.98, 58.83, -34.27

 

CMYK 0 / 100 / 6 / 56

HEX #71006A

RGB 113 0 106

HSL 303.72, 1%, 0.22%

LAB 25.42, 52.8, -29.58

 

CMYK 0 / 100 / 9 / 62

HEX #600057

RGB 96 0 87

HSL 305.63, 1%, 0.19%

LAB 20.73, 46.61, -24.7

 

CMYK 0 / 100 / 14 / 69

HEX #4F0044

RGB 79 0 68

HSL 308.35, 1%, 0.15%

LAB 15.9, 40.22, -19.58

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 0 / 88 / 26 / 43

HEX #92116C

RGB 146 17 108

HSL 317.67, 0.79%, 0.32%

LAB 33.12, 57.02, -18.31

 

CMYK 0 / 88 / 50 / 43

HEX #921149

RGB 146 17 73

HSL 333.95, 0.79%, 0.32%

LAB 31.79, 53.31, 2.45

 

CMYK 0 / 88 / 74 / 43

HEX #921126

RGB 146 17 38

HSL 350.23, 0.79%, 0.32%

LAB 31, 51.03, 24.47

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 22 / 88 / 0 / 43

HEX #721192

RGB 114 17 146

HSL 285.12, 0.79%, 0.32%

LAB 29.55, 56.77, -48.22

 

CMYK 46 / 88 / 0 / 43

HEX #4F1192

RGB 79 17 146

HSL 268.84, 0.79%, 0.32%

LAB 24.12, 51.64, -57.3

 

CMYK 70 / 88 / 0 / 43

HEX #2C1192

RGB 44 17 146

HSL 252.56, 0.79%, 0.32%

LAB 20.09, 48.14, -64.1

 

CMYK 88 / 88 / 0 / 43

HEX #111192

RGB 17 17 146

HSL 240, 0.79%, 0.32%

LAB 18.34, 46.75, -67.05

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 0 / 98 / 3 / 38

HEX #9F039B

RGB 159 3 155

HSL 301.54, 0.96%, 0.32%

LAB 37.49, 68.07, -40.53

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 0 / 77 / 2 / 48

HEX #841E82

RGB 132 30 130

HSL 301.18, 0.63%, 0.32%

LAB 32.8, 53.77, -32.9

 

CMYK 0 / 64 / 2 / 53

HEX #772B75

RGB 119 43 117

HSL 301.58, 0.47%, 0.32%

LAB 31.66, 43.19, -26.68

 

CMYK 0 / 47 / 1 / 58

HEX #6A3869

RGB 106 56 105

HSL 301.2, 0.31%, 0.32%

LAB 31.61, 30.11, -19.29

 

CMYK 0 / 26 / 1 / 64

HEX #5D455C

RGB 93 69 92

HSL 302.5, 0.15%, 0.32%

LAB 32.6, 14.74, -9.61

 

CMYK 46 / 88 / 0 / 43

HEX #4F1192

RGB 79 17 146

HSL 268.84, 0.79%, 0.32%

LAB 24.12, 51.64, -57.3

 

CMYK 23 / 88 / 0 / 43

HEX #711192

RGB 113 17 146

HSL 284.65, 0.79%, 0.32%

LAB 29.38, 56.61, -48.5

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 0 / 88 / 25 / 43

HEX #92116D

RGB 146 17 109

HSL 317.21, 0.79%, 0.32%

LAB 33.17, 57.15, -18.88

 

CMYK 0 / 88 / 49 / 43

HEX #92114B

RGB 146 17 75

HSL 333.02, 0.79%, 0.32%

LAB 31.85, 53.48, 1.22

 

CMYK 0 / 89 / 3 / 72

HEX #480846

RGB 72 8 70

HSL 301.88, 0.8%, 0.16%

LAB 15.45, 36.36, -21.77

 

CMYK 0 / 89 / 3 / 57

HEX #6D0C6A

RGB 109 12 106

HSL 301.86, 0.8%, 0.24%

LAB 25.43, 49.67, -29.61

 

CMYK 0 / 88 / 2 / 43

HEX #92118F

RGB 146 17 143

HSL 301.4, 0.79%, 0.32%

LAB 34.99, 61.98, -37.31

 

CMYK 0 / 88 / 2 / 29

HEX #B615B3

RGB 182 21 179

HSL 301.12, 0.79%, 0.4%

LAB 43.85, 73.5, -44.49

 

CMYK 0 / 89 / 2 / 14

HEX #DB19D7

RGB 219 25 215

HSL 301.24, 0.8%, 0.48%

LAB 52.58, 84.72, -51.09

 

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

CMYK 0 / 69 / 88 / 43

HEX #922D11

RGB 146 45 17

HSL 13.02, 0.79%, 0.32%

LAB 34.04, 41.21, 39.42

 

CMYK 88 / 0 / 34 / 43

HEX #119260

RGB 17 146 96

HSL 156.74, 0.79%, 0.32%

LAB 53.52, -44.55, 17.59

 

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

CMYK 2 / 0 / 88 / 43

HEX #8F9211

RGB 143 146 17

HSL 61.4, 0.79%, 0.32%

LAB 58.45, -15.28, 59.27

 

CMYK 88 / 2 / 0 / 43

HEX #118F92

RGB 17 143 146

HSL 181.4, 0.79%, 0.32%

LAB 53.86, -29.46, -10.57

 

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

CMYK 0 / 69 / 88 / 43

HEX #922D11

RGB 146 45 17

HSL 13.02, 0.79%, 0.32%

LAB 34.04, 41.21, 39.42

 

CMYK 88 / 0 / 87 / 43

HEX #119213

RGB 17 146 19

HSL 120.93, 0.79%, 0.32%

LAB 52.65, -55.01, 51.56

 

CMYK 88 / 19 / 0 / 43

HEX #117692

RGB 17 118 146

HSL 193.02, 0.79%, 0.32%

LAB 45.84, -16.44, -22.78

 

CMYK 0 / 88 / 2 / 42

HEX #931190

RGB 147 17 144

HSL 301.38, 0.79%, 0.32%

LAB 35.24, 62.33, -37.53

 

CMYK 0 / 43 / 88 / 43

HEX #925311

RGB 146 83 17

HSL 30.7, 0.79%, 0.32%

LAB 41.75, 21.58, 45.77

 

CMYK 88 / 0 / 87 / 43

HEX #119213

RGB 17 146 19

HSL 120.93, 0.79%, 0.32%

LAB 52.65, -55.01, 51.56

 

CMYK 88 / 46 / 0 / 43

HEX #114F92

RGB 17 79 146

HSL 211.16, 0.79%, 0.32%

LAB 33.53, 7.56, -42.18

 

Description

Color code: HEX #931190 | qconv.com Color code: HEX #931190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 17 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 17 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 2 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 2% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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