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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9305AD it is the complementary color #6CFA52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9305AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9305AD shade: #9805A8, #A917BB, #BA29CE, #CB3BE1 and #DC4DF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9305AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9305AD shade: #9305AD, #82009A, #710087, #600074 and #4F0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9305AD shade: #9305AD, #AD0599, #AD056C, #AD053F and #AD0512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9305AD shade: #9305AD, #6505AD, #3805AD, #0B05AD and #0505AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9305AD shade matches the following richer shades: #9305AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9305AD shade: #9305AD, #89139E, #7F2290, #753081 and #6B3F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9305AD shade: #3705AD, #6405AD, #9105AD, #AD059C and #AD056F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9305AD shade: #4F025D, #710485, #9305AD, #B506D5 and #D30DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9305AD shade: #9305AD, #AD0A05 and #05AD4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9305AD shade: #9305AD, #AD9105 and #05AD91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9305AD shade: #9305AD, #AD0A05, #21AD05 and #05A7AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9305AD shade: #9305AD, #AD3D05, #21AD05 and #0575AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

Complementary color

CMYK 57 / 0 / 67 / 2

HEX #6CFA52

RGB 108 250 82

HSL 110.71, 0.94%, 0.65%

LAB 88.05, -67.98, 66.27

 

CMYK 10 / 97 / 0 / 34

HEX #9805A8

RGB 152 5 168

HSL 294.11, 0.94%, 0.34%

LAB 37.14, 68.72, -49

 

CMYK 10 / 88 / 0 / 27

HEX #A917BB

RGB 169 23 187

HSL 293.41, 0.78%, 0.41%

LAB 42.21, 72.16, -51.96

 

CMYK 10 / 80 / 0 / 19

HEX #BA29CE

RGB 186 41 206

HSL 292.73, 0.67%, 0.48%

LAB 47.6, 74.36, -54.2

 

CMYK 10 / 74 / 0 / 12

HEX #CB3BE1

RGB 203 59 225

HSL 292.05, 0.73%, 0.56%

LAB 53.23, 75.6, -55.87

 

CMYK 10 / 68 / 0 / 4

HEX #DC4DF4

RGB 220 77 244

HSL 291.38, 0.88%, 0.63%

LAB 59.03, 76.16, -57.12

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 16 / 100 / 0 / 40

HEX #82009A

RGB 130 0 154

HSL 290.65, 1%, 0.3%

LAB 31.99, 63.6, -49.04

 

CMYK 16 / 100 / 0 / 47

HEX #710087

RGB 113 0 135

HSL 290.22, 1%, 0.26%

LAB 27.46, 57.67, -44.77

 

CMYK 17 / 100 / 0 / 55

HEX #600074

RGB 96 0 116

HSL 289.66, 1%, 0.23%

LAB 22.82, 51.58, -40.4

 

CMYK 19 / 100 / 0 / 62

HEX #4F0061

RGB 79 0 97

HSL 288.87, 1%, 0.19%

LAB 18.03, 45.31, -35.9

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 0 / 97 / 12 / 32

HEX #AD0599

RGB 173 5 153

HSL 307.14, 0.94%, 0.35%

LAB 40.07, 70.07, -35.05

 

CMYK 0 / 97 / 38 / 32

HEX #AD056C

RGB 173 5 108

HSL 323.21, 0.94%, 0.35%

LAB 37.98, 64.71, -10.41

 

CMYK 0 / 97 / 64 / 32

HEX #AD053F

RGB 173 5 63

HSL 339.29, 0.94%, 0.35%

LAB 36.65, 61.16, 16.63

 

CMYK 0 / 97 / 90 / 32

HEX #AD0512

RGB 173 5 18

HSL 355.36, 0.94%, 0.35%

LAB 36.05, 59.52, 42.9

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 42 / 97 / 0 / 32

HEX #6505AD

RGB 101 5 173

HSL 274.29, 0.94%, 0.35%

LAB 29.14, 62.81, -65.4

 

CMYK 68 / 97 / 0 / 32

HEX #3805AD

RGB 56 5 173

HSL 258.21, 0.94%, 0.35%

LAB 23.56, 59.29, -74.81

 

CMYK 94 / 97 / 0 / 32

HEX #0B05AD

RGB 11 5 173

HSL 242.14, 0.94%, 0.35%

LAB 20.82, 57.99, -79.46

 

CMYK 97 / 97 / 0 / 32

HEX #0505AD

RGB 5 5 173

HSL 240, 0.94%, 0.35%

LAB 20.67, 57.93, -79.71

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 13 / 88 / 0 / 38

HEX #89139E

RGB 137 19 158

HSL 290.94, 0.79%, 0.35%

LAB 34.5, 62.47, -47.35

 

CMYK 12 / 76 / 0 / 44

HEX #7F2290

RGB 127 34 144

HSL 290.73, 0.62%, 0.35%

LAB 33.29, 53.86, -40.85

 

CMYK 9 / 63 / 0 / 49

HEX #753081

RGB 117 48 129

HSL 291.11, 0.46%, 0.35%

LAB 32.88, 42.61, -32.3

 

CMYK 7 / 45 / 0 / 55

HEX #6B3F73

RGB 107 63 115

HSL 290.77, 0.29%, 0.35%

LAB 33.81, 28.47, -22.17

 

CMYK 68 / 97 / 0 / 32

HEX #3705AD

RGB 55 5 173

HSL 257.86, 0.94%, 0.35%

LAB 23.47, 59.24, -74.97

 

CMYK 42 / 97 / 0 / 32

HEX #6405AD

RGB 100 5 173

HSL 273.93, 0.94%, 0.35%

LAB 28.99, 62.71, -65.65

 

CMYK 16 / 97 / 0 / 32

HEX #9105AD

RGB 145 5 173

HSL 290, 0.94%, 0.35%

LAB 36.26, 68.48, -53.47

 

CMYK 0 / 97 / 10 / 32

HEX #AD059C

RGB 173 5 156

HSL 306.07, 0.94%, 0.35%

LAB 40.23, 70.48, -36.6

 

CMYK 0 / 97 / 36 / 32

HEX #AD056F

RGB 173 5 111

HSL 322.14, 0.94%, 0.35%

LAB 38.09, 65.01, -12.13

 

CMYK 15 / 98 / 0 / 64

HEX #4F025D

RGB 79 2 93

HSL 290.77, 0.96%, 0.19%

LAB 17.9, 43.96, -33.45

 

CMYK 15 / 97 / 0 / 48

HEX #710485

RGB 113 4 133

HSL 290.7, 0.94%, 0.27%

LAB 27.55, 56.6, -43.38

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 15 / 97 / 0 / 16

HEX #B506D5

RGB 181 6 213

HSL 290.72, 0.95%, 0.43%

LAB 45.3, 80.43, -61.98

 

CMYK 15 / 95 / 0 / 3

HEX #D30DF7

RGB 211 13 247

HSL 290.77, 0.94%, 0.51%

LAB 52.79, 89.7, -68.9

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 0 / 94 / 97 / 32

HEX #AD0A05

RGB 173 10 5

HSL 1.79, 0.94%, 0.35%

LAB 36.2, 58.74, 48.3

 

CMYK 97 / 0 / 55 / 32

HEX #05AD4E

RGB 5 173 78

HSL 146.07, 0.94%, 0.35%

LAB 62.06, -58.2, 38.09

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 0 / 16 / 97 / 32

HEX #AD9105

RGB 173 145 5

HSL 50, 0.94%, 0.35%

LAB 60.91, -1.27, 64.36

 

CMYK 97 / 0 / 16 / 32

HEX #05AD91

RGB 5 173 145

HSL 170, 0.94%, 0.35%

LAB 63.31, -43.89, 3.92

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 0 / 94 / 97 / 32

HEX #AD0A05

RGB 173 10 5

HSL 1.79, 0.94%, 0.35%

LAB 36.2, 58.74, 48.3

 

CMYK 81 / 0 / 97 / 32

HEX #21AD05

RGB 33 173 5

HSL 110, 0.94%, 0.35%

LAB 61.84, -61.79, 61.86

 

CMYK 97 / 3 / 0 / 32

HEX #05A7AD

RGB 5 167 173

HSL 182.14, 0.94%, 0.35%

LAB 62.24, -32.96, -13.33

 

CMYK 15 / 97 / 0 / 32

HEX #9305AD

RGB 147 5 173

HSL 290.71, 0.94%, 0.35%

LAB 36.61, 68.78, -52.89

 

CMYK 0 / 65 / 97 / 32

HEX #AD3D05

RGB 173 61 5

HSL 20, 0.94%, 0.35%

LAB 41.58, 43.79, 51.26

 

CMYK 81 / 0 / 97 / 32

HEX #21AD05

RGB 33 173 5

HSL 110, 0.94%, 0.35%

LAB 61.84, -61.79, 61.86

 

CMYK 97 / 32 / 0 / 32

HEX #0575AD

RGB 5 117 173

HSL 200, 0.94%, 0.35%

LAB 46.67, -6.3, -37.35

 

Description

Color code: HEX #9305AD | qconv.com Color code: HEX #9305AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 5 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 5 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 97 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 97% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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