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Color name
HEX #92FA8D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92FA8D it is the complementary color #6D0572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92FA8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92FA8D shade: #97FA88, #A8FF9B, #B9FFAE, #CAFFC1 and #DBFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92FA8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92FA8D shade: #92FA8D, #81E87A, #70D667, #5FC454 and #4EB241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92FA8D shade: #93FA8E, #B0FA8E, #CDFA8E, #EAFA8E and #FAEC8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92FA8D shade: #93FA8E, #8EFAA6, #8EFAC3, #8EFAE0 and #8EF6FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92FA8D shade matches the following richer shades: #93FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92FA8D shade: #93FA8E, #9BF097, #A4E7A1, #ADDDAA and #B5D4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92FA8D shade: #CDFA8E, #B0FA8E, #93FA8E, #8EFAA5 and #8EFAC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92FA8D shade: #47F73F, #6DF866, #93FA8E, #B9FBB6 and #DFFDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92FA8D shade: #92FA8D, #8EEAFA and #FA8EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92FA8D shade: #92FA8D, #8E93FA and #FA8E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92FA8D shade: #92FA8D, #8EEAFA, #F48EFA and #FA9E8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92FA8D shade: #92FA8D, #8EC9FA, #F48EFA and #FABE8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

Complementary color

CMYK 4 / 96 / 0 / 55

HEX #6D0572

RGB 109 5 114

HSL 297.25, 0.92%, 0.23%

LAB 25.49, 52.39, -34.68

 

CMYK 40 / 0 / 46 / 2

HEX #97FA88

RGB 151 250 136

HSL 112.11, 0.92%, 0.76%

LAB 90.2, -50.4, 45.58

 

CMYK 34 / 0 / 39 / 0

HEX #A8FF9B

RGB 168 255 155

HSL 112.2, 1%, 0.8%

LAB 92.67, -44.73, 39.68

 

CMYK 27 / 0 / 32 / 0

HEX #B9FFAE

RGB 185 255 174

HSL 111.85, 1%, 0.84%

LAB 93.84, -36.54, 31.96

 

CMYK 21 / 0 / 24 / 0

HEX #CAFFC1

RGB 202 255 193

HSL 111.29, 1%, 0.88%

LAB 95.13, -28.03, 24.29

 

CMYK 14 / 0 / 17 / 0

HEX #DBFFD4

RGB 219 255 212

HSL 110.23, 1%, 0.92%

LAB 96.55, -19.3, 16.74

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

CMYK 44 / 0 / 47 / 9

HEX #81E87A

RGB 129 232 122

HSL 116.18, 0.71%, 0.69%

LAB 83.85, -51.32, 44.17

 

CMYK 48 / 0 / 52 / 16

HEX #70D667

RGB 112 214 103

HSL 115.14, 0.58%, 0.62%

LAB 77.59, -51.35, 45.4

 

CMYK 52 / 0 / 57 / 23

HEX #5FC454

RGB 95 196 84

HSL 114.11, 0.49%, 0.55%

LAB 71.25, -51.26, 46.62

 

CMYK 56 / 0 / 63 / 30

HEX #4EB241

RGB 78 178 65

HSL 113.1, 0.47%, 0.48%

LAB 64.84, -50.96, 47.72

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 30 / 0 / 43 / 2

HEX #B0FA8E

RGB 176 250 142

HSL 101.11, 0.92%, 0.77%

LAB 91.48, -41.72, 44.58

 

CMYK 18 / 0 / 43 / 2

HEX #CDFA8E

RGB 205 250 142

HSL 85, 0.92%, 0.77%

LAB 93.15, -31.66, 47.02

 

CMYK 6 / 0 / 43 / 2

HEX #EAFA8E

RGB 234 250 142

HSL 68.89, 0.92%, 0.77%

LAB 95.08, -20.92, 49.86

 

CMYK 0 / 6 / 43 / 2

HEX #FAEC8E

RGB 250 236 142

HSL 52.22, 0.92%, 0.77%

LAB 92.69, -7.9, 47.14

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 43 / 0 / 34 / 2

HEX #8EFAA6

RGB 142 250 166

HSL 133.33, 0.92%, 0.77%

LAB 90.26, -48.51, 30.83

 

CMYK 43 / 0 / 22 / 2

HEX #8EFAC3

RGB 142 250 195

HSL 149.44, 0.92%, 0.77%

LAB 90.81, -43.24, 16.8

 

CMYK 43 / 0 / 10 / 2

HEX #8EFAE0

RGB 142 250 224

HSL 165.56, 0.92%, 0.77%

LAB 91.46, -37.17, 2.75

 

CMYK 43 / 2 / 0 / 2

HEX #8EF6FA

RGB 142 246 250

HSL 182.22, 0.92%, 0.77%

LAB 91.04, -29.22, -11.39

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 35 / 0 / 37 / 6

HEX #9BF097

RGB 155 240 151

HSL 117.3, 0.75%, 0.77%

LAB 87.74, -42.81, 35.1

 

CMYK 29 / 0 / 30 / 9

HEX #A4E7A1

RGB 164 231 161

HSL 117.43, 0.59%, 0.77%

LAB 85.81, -34.37, 27.55

 

CMYK 22 / 0 / 23 / 13

HEX #ADDDAA

RGB 173 221 170

HSL 116.47, 0.43%, 0.77%

LAB 83.7, -25.21, 20.08

 

CMYK 15 / 0 / 15 / 17

HEX #B5D4B4

RGB 181 212 180

HSL 118.13, 0.27%, 0.77%

LAB 81.95, -16.33, 12.43

 

CMYK 18 / 0 / 43 / 2

HEX #CDFA8E

RGB 205 250 142

HSL 85, 0.92%, 0.77%

LAB 93.15, -31.66, 47.02

 

CMYK 30 / 0 / 43 / 2

HEX #B0FA8E

RGB 176 250 142

HSL 101.11, 0.92%, 0.77%

LAB 91.48, -41.72, 44.58

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 43 / 0 / 34 / 2

HEX #8EFAA5

RGB 142 250 165

HSL 132.78, 0.92%, 0.77%

LAB 90.25, -48.68, 31.31

 

CMYK 43 / 0 / 22 / 2

HEX #8EFAC2

RGB 142 250 194

HSL 148.89, 0.92%, 0.77%

LAB 90.79, -43.44, 17.29

 

CMYK 71 / 0 / 74 / 3

HEX #47F73F

RGB 71 247 63

HSL 117.39, 0.92%, 0.61%

LAB 86.12, -75.88, 70.67

 

CMYK 56 / 0 / 59 / 3

HEX #6DF866

RGB 109 248 102

HSL 117.12, 0.91%, 0.69%

LAB 87.65, -65.12, 57.71

 

CMYK 41 / 0 / 43 / 2

HEX #93FA8E

RGB 147 250 142

HSL 117.22, 0.92%, 0.77%

LAB 90.1, -50.78, 42.54

 

CMYK 26 / 0 / 27 / 2

HEX #B9FBB6

RGB 185 251 182

HSL 117.39, 0.9%, 0.85%

LAB 92.88, -33.47, 26.63

 

CMYK 12 / 0 / 13 / 1

HEX #DFFDDD

RGB 223 253 221

HSL 116.25, 0.89%, 0.93%

LAB 96.48, -15.48, 12.07

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

CMYK 43 / 6 / 0 / 2

HEX #8EEAFA

RGB 142 234 250

HSL 188.89, 0.92%, 0.77%

LAB 87.73, -23.41, -16.34

 

CMYK 0 / 43 / 24 / 2

HEX #FA8EBE

RGB 250 142 190

HSL 333.33, 0.92%, 0.77%

LAB 71.82, 46.53, -6.91

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

CMYK 43 / 41 / 0 / 2

HEX #8E93FA

RGB 142 147 250

HSL 237.22, 0.92%, 0.77%

LAB 64.58, 23.72, -52.09

 

CMYK 0 / 43 / 41 / 2

HEX #FA8E93

RGB 250 142 147

HSL 357.22, 0.92%, 0.77%

LAB 70.72, 41.27, 15.44

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

CMYK 43 / 6 / 0 / 2

HEX #8EEAFA

RGB 142 234 250

HSL 188.89, 0.92%, 0.77%

LAB 87.73, -23.41, -16.34

 

CMYK 2 / 43 / 0 / 2

HEX #F48EFA

RGB 244 142 250

HSL 296.67, 0.92%, 0.77%

LAB 73.21, 54.27, -37.86

 

CMYK 0 / 37 / 43 / 2

HEX #FA9E8E

RGB 250 158 142

HSL 8.89, 0.92%, 0.77%

LAB 74.02, 32.49, 22.74

 

CMYK 42 / 0 / 44 / 2

HEX #92FA8D

RGB 146 250 141

HSL 117.25, 0.92%, 0.77%

LAB 90.05, -51.21, 42.94

 

CMYK 43 / 20 / 0 / 2

HEX #8EC9FA

RGB 142 201 250

HSL 207.22, 0.92%, 0.77%

LAB 78.71, -6.5, -30.04

 

CMYK 2 / 43 / 0 / 2

HEX #F48EFA

RGB 244 142 250

HSL 296.67, 0.92%, 0.77%

LAB 73.21, 54.27, -37.86

 

CMYK 0 / 24 / 43 / 2

HEX #FABE8E

RGB 250 190 142

HSL 26.67, 0.92%, 0.77%

LAB 81.35, 15.7, 32.56

 

Description

Color code: HEX #92FA8D | qconv.com Color code: HEX #92FA8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 250 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 250 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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