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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92EFAB it is the complementary color #6D1054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92EFAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92EFAB shade: #97EFA6, #A8FFB9, #B9FFCC, #CAFFDF and #DBFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92EFAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92EFAB shade: #92EFAB, #81DD98, #70CB85, #5FB972 and #4EA75F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92EFAB shade: #90EEA9, #90EE90, #A9EE90, #C3EE90 and #DCEE90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92EFAB shade: #90EEA9, #90EEC2, #90EEDC, #90E7EE and #90CDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92EFAB shade matches the following richer shades: #90EEA9 and #85F8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92EFAB shade: #90EEA9, #9AE4AE, #A4D9B2, #AFCFB7 and #B9C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92EFAB shade: #A9EE90, #90EE90, #90EEA9, #90EEC2 and #90EEDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92EFAB shade: #48E372, #6CE98D, #90EEA9, #B3F3C5 and #D7F9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92EFAB shade: #92EFAB, #90C2EE and #EE909C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92EFAB shade: #92EFAB, #A990EE and #EEA990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92EFAB shade: #92EFAB, #90C2EE, #EE90D5 and #EEBC90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92EFAB shade: #92EFAB, #90A6EE, #EE90D5 and #EED890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

Complementary color

CMYK 0 / 85 / 23 / 57

HEX #6D1054

RGB 109 16 84

HSL 316.13, 0.74%, 0.25%

LAB 24.52, 45.31, -16.56

 

CMYK 37 / 0 / 31 / 6

HEX #97EFA6

RGB 151 239 166

HSL 130.23, 0.73%, 0.76%

LAB 87.52, -41.19, 27.19

 

CMYK 34 / 0 / 27 / 0

HEX #A8FFB9

RGB 168 255 185

HSL 131.72, 1%, 0.83%

LAB 93.17, -40.05, 25.36

 

CMYK 27 / 0 / 20 / 0

HEX #B9FFCC

RGB 185 255 204

HSL 136.29, 1%, 0.86%

LAB 94.4, -31.59, 17.52

 

CMYK 21 / 0 / 13 / 0

HEX #CAFFDF

RGB 202 255 223

HSL 143.77, 1%, 0.9%

LAB 95.75, -22.87, 9.83

 

CMYK 14 / 0 / 5 / 0

HEX #DBFFF2

RGB 219 255 242

HSL 158.33, 1%, 0.93%

LAB 97.22, -13.99, 2.32

 

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

CMYK 42 / 0 / 31 / 13

HEX #81DD98

RGB 129 221 152

HSL 135, 0.58%, 0.69%

LAB 81.1, -42.03, 25.51

 

CMYK 45 / 0 / 34 / 20

HEX #70CB85

RGB 112 203 133

HSL 133.85, 0.47%, 0.62%

LAB 74.73, -42.26, 26.69

 

CMYK 49 / 0 / 38 / 27

HEX #5FB972

RGB 95 185 114

HSL 132.67, 0.39%, 0.55%

LAB 68.27, -42.44, 27.95

 

CMYK 53 / 0 / 43 / 35

HEX #4EA75F

RGB 78 167 95

HSL 131.46, 0.36%, 0.48%

LAB 61.73, -42.54, 29.29

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 39 / 0 / 39 / 7

HEX #90EE90

RGB 144 238 144

HSL 120, 0.73%, 0.75%

LAB 86.55, -46.33, 36.94

 

CMYK 29 / 0 / 39 / 7

HEX #A9EE90

RGB 169 238 144

HSL 104.04, 0.73%, 0.75%

LAB 87.77, -38.44, 38.77

 

CMYK 18 / 0 / 39 / 7

HEX #C3EE90

RGB 195 238 144

HSL 87.45, 0.73%, 0.75%

LAB 89.28, -29.43, 41.02

 

CMYK 8 / 0 / 39 / 7

HEX #DCEE90

RGB 220 238 144

HSL 71.49, 0.73%, 0.75%

LAB 90.95, -20.21, 43.49

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 39 / 0 / 18 / 7

HEX #90EEC2

RGB 144 238 194

HSL 151.91, 0.73%, 0.75%

LAB 87.47, -37.55, 12.62

 

CMYK 39 / 0 / 8 / 7

HEX #90EEDC

RGB 144 238 220

HSL 168.51, 0.73%, 0.75%

LAB 88.09, -32.01, -0.07

 

CMYK 39 / 3 / 0 / 7

HEX #90E7EE

RGB 144 231 238

HSL 184.47, 0.73%, 0.75%

LAB 86.63, -24.43, -11.67

 

CMYK 39 / 14 / 0 / 7

HEX #90CDEE

RGB 144 205 238

HSL 201.06, 0.73%, 0.75%

LAB 79.48, -11.27, -22.44

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 46 / 0 / 34 / 3

HEX #85F8A4

RGB 133 248 164

HSL 136.17, 0.89%, 0.75%

LAB 89.3, -50.41, 30.48

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 32 / 0 / 24 / 11

HEX #9AE4AE

RGB 154 228 174

HSL 136.22, 0.58%, 0.75%

LAB 84.7, -33.91, 19.21

 

CMYK 24 / 0 / 18 / 15

HEX #A4D9B2

RGB 164 217 178

HSL 135.85, 0.41%, 0.75%

LAB 82.23, -24.82, 13.74

 

CMYK 15 / 0 / 12 / 19

HEX #AFCFB7

RGB 175 207 183

HSL 135, 0.25%, 0.75%

LAB 80.27, -15.29, 8.38

 

CMYK 6 / 0 / 5 / 23

HEX #B9C5BC

RGB 185 197 188

HSL 135, 0.09%, 0.75%

LAB 78.39, -5.8, 3.08

 

CMYK 29 / 0 / 39 / 7

HEX #A9EE90

RGB 169 238 144

HSL 104.04, 0.73%, 0.75%

LAB 87.77, -38.44, 38.77

 

CMYK 39 / 0 / 39 / 7

HEX #90EE90

RGB 144 238 144

HSL 120, 0.73%, 0.75%

LAB 86.55, -46.33, 36.94

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 39 / 0 / 18 / 7

HEX #90EEC2

RGB 144 238 194

HSL 151.91, 0.73%, 0.75%

LAB 87.47, -37.55, 12.62

 

CMYK 39 / 0 / 8 / 7

HEX #90EEDB

RGB 144 238 219

HSL 167.87, 0.73%, 0.75%

LAB 88.06, -32.23, 0.42

 

CMYK 68 / 0 / 50 / 11

HEX #48E372

RGB 72 227 114

HSL 136.26, 0.73%, 0.59%

LAB 80.48, -63.79, 43.42

 

CMYK 54 / 0 / 39 / 9

HEX #6CE98D

RGB 108 233 141

HSL 135.84, 0.74%, 0.67%

LAB 83.65, -54.41, 34.39

 

CMYK 39 / 0 / 29 / 7

HEX #90EEA9

RGB 144 238 169

HSL 135.96, 0.73%, 0.75%

LAB 86.97, -42.27, 24.85

 

CMYK 26 / 0 / 19 / 5

HEX #B3F3C5

RGB 179 243 197

HSL 136.88, 0.73%, 0.83%

LAB 90.65, -29.07, 15.8

 

CMYK 14 / 0 / 10 / 2

HEX #D7F9E0

RGB 215 249 224

HSL 135.88, 0.74%, 0.91%

LAB 94.98, -15.61, 8.32

 

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

CMYK 39 / 18 / 0 / 7

HEX #90C2EE

RGB 144 194 238

HSL 208.09, 0.73%, 0.75%

LAB 76.49, -5.45, -27

 

CMYK 0 / 39 / 34 / 7

HEX #EE909C

RGB 238 144 156

HSL 352.34, 0.73%, 0.75%

LAB 69.84, 36.92, 8.97

 

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

CMYK 29 / 39 / 0 / 7

HEX #A990EE

RGB 169 144 238

HSL 255.96, 0.73%, 0.75%

LAB 65.4, 29.27, -44.07

 

CMYK 0 / 29 / 39 / 7

HEX #EEA990

RGB 238 169 144

HSL 15.96, 0.73%, 0.75%

LAB 75.18, 22.32, 23.02

 

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

CMYK 39 / 18 / 0 / 7

HEX #90C2EE

RGB 144 194 238

HSL 208.09, 0.73%, 0.75%

LAB 76.49, -5.45, -27

 

CMYK 0 / 39 / 11 / 7

HEX #EE90D5

RGB 238 144 213

HSL 315.96, 0.73%, 0.75%

LAB 71.51, 45.07, -20.27

 

CMYK 0 / 21 / 39 / 7

HEX #EEBC90

RGB 238 188 144

HSL 28.09, 0.73%, 0.75%

LAB 79.7, 12.26, 29.12

 

CMYK 39 / 0 / 28 / 6

HEX #92EFAB

RGB 146 239 171

HSL 136.13, 0.74%, 0.75%

LAB 87.38, -41.78, 24.4

 

CMYK 39 / 30 / 0 / 7

HEX #90A6EE

RGB 144 166 238

HSL 225.96, 0.73%, 0.75%

LAB 69.02, 9.99, -38.54

 

CMYK 0 / 39 / 11 / 7

HEX #EE90D5

RGB 238 144 213

HSL 315.96, 0.73%, 0.75%

LAB 71.51, 45.07, -20.27

 

CMYK 0 / 9 / 39 / 7

HEX #EED890

RGB 238 216 144

HSL 45.96, 0.73%, 0.75%

LAB 86.65, -2.3, 38.25

 

Description

Color code: HEX #92EFAB | qconv.com Color code: HEX #92EFAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 239 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 239 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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