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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92EA8E it is the complementary color #6D1571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92EA8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92EA8E shade: #97EA89, #A8FC9C, #B9FFAF, #CAFFC2 and #DBFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92EA8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92EA8E shade: #92EA8E, #81D87B, #70C668, #5FB455 and #4EA242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92EA8E shade: #92EA8E, #ABEA8E, #C4EA8E, #DCEA8E and #EADF8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92EA8E shade: #92EA8E, #8EEAA3, #8EEABC, #8EEAD4 and #8EE7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92EA8E shade matches the following richer shades: #92EA8E and #89F584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92EA8E shade: #92EA8E, #9CDF99, #A6D4A4, #B0CAAF and #BABFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92EA8E shade: #C4EA8E, #ABEA8E, #93EA8E, #8EEAA2 and #8EEABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92EA8E shade: #4FDD49, #71E46C, #92EA8E, #B4F0B1 and #D6F7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92EA8E shade: #92EA8E, #8EDCEA and #EA8EB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92EA8E shade: #92EA8E, #8E93EA and #EA8E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92EA8E shade: #92EA8E, #8EDCEA, #E58EEA and #EA9C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92EA8E shade: #92EA8E, #8EC1EA, #E58EEA and #EAB88E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

Complementary color

CMYK 4 / 81 / 0 / 56

HEX #6D1571

RGB 109 21 113

HSL 297.39, 0.69%, 0.26%

LAB 26.68, 48.54, -32.14

 

CMYK 35 / 0 / 41 / 8

HEX #97EA89

RGB 151 234 137

HSL 111.34, 0.7%, 0.73%

LAB 85.62, -43.47, 39.28

 

CMYK 33 / 0 / 38 / 1

HEX #A8FC9C

RGB 168 252 156

HSL 112.5, 0.94%, 0.8%

LAB 91.84, -43.28, 38.11

 

CMYK 27 / 0 / 31 / 0

HEX #B9FFAF

RGB 185 255 175

HSL 112.5, 1%, 0.84%

LAB 93.85, -36.39, 31.48

 

CMYK 21 / 0 / 24 / 0

HEX #CAFFC2

RGB 202 255 194

HSL 112.13, 1%, 0.88%

LAB 95.15, -27.87, 23.81

 

CMYK 14 / 0 / 16 / 0

HEX #DBFFD5

RGB 219 255 213

HSL 111.43, 1%, 0.92%

LAB 96.57, -19.13, 16.26

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 40 / 0 / 43 / 15

HEX #81D87B

RGB 129 216 123

HSL 116.13, 0.54%, 0.66%

LAB 79.16, -44.49, 37.75

 

CMYK 43 / 0 / 47 / 22

HEX #70C668

RGB 112 198 104

HSL 114.89, 0.45%, 0.59%

LAB 72.78, -44.63, 39

 

CMYK 47 / 0 / 53 / 29

HEX #5FB455

RGB 95 180 85

HSL 113.68, 0.39%, 0.52%

LAB 66.31, -44.67, 40.27

 

CMYK 52 / 0 / 59 / 36

HEX #4EA242

RGB 78 162 66

HSL 112.5, 0.42%, 0.45%

LAB 59.76, -44.57, 41.5

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 27 / 0 / 39 / 8

HEX #ABEA8E

RGB 171 234 142

HSL 101.09, 0.69%, 0.74%

LAB 86.73, -36.23, 38.43

 

CMYK 16 / 0 / 39 / 8

HEX #C4EA8E

RGB 196 234 142

HSL 84.78, 0.69%, 0.74%

LAB 88.23, -27.43, 40.66

 

CMYK 6 / 0 / 39 / 8

HEX #DCEA8E

RGB 220 234 142

HSL 69.13, 0.69%, 0.74%

LAB 89.87, -18.48, 43.09

 

CMYK 0 / 5 / 39 / 8

HEX #EADF8E

RGB 234 223 142

HSL 52.83, 0.69%, 0.74%

LAB 88.07, -7.63, 41.02

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 39 / 0 / 30 / 8

HEX #8EEAA3

RGB 142 234 163

HSL 133.7, 0.69%, 0.74%

LAB 85.63, -42.12, 26.08

 

CMYK 39 / 0 / 20 / 8

HEX #8EEABC

RGB 142 234 188

HSL 150, 0.69%, 0.74%

LAB 86.12, -37.47, 13.82

 

CMYK 39 / 0 / 9 / 8

HEX #8EEAD4

RGB 142 234 212

HSL 165.65, 0.69%, 0.74%

LAB 86.68, -32.43, 2.06

 

CMYK 39 / 1 / 0 / 8

HEX #8EE7EA

RGB 142 231 234

HSL 181.96, 0.69%, 0.74%

LAB 86.43, -25.89, -9.88

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 44 / 0 / 46 / 4

HEX #89F584

RGB 137 245 132

HSL 117.35, 0.85%, 0.74%

LAB 88.11, -52.98, 44.75

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 30 / 0 / 31 / 13

HEX #9CDF99

RGB 156 223 153

HSL 117.43, 0.52%, 0.74%

LAB 82.99, -34.55, 27.77

 

CMYK 22 / 0 / 23 / 17

HEX #A6D4A4

RGB 166 212 164

HSL 117.5, 0.36%, 0.74%

LAB 80.67, -24.2, 18.95

 

CMYK 13 / 0 / 13 / 21

HEX #B0CAAF

RGB 176 202 175

HSL 117.78, 0.2%, 0.74%

LAB 78.79, -13.86, 10.56

 

CMYK 3 / 0 / 3 / 25

HEX #BABFB9

RGB 186 191 185

HSL 110, 0.04%, 0.74%

LAB 76.8, -2.84, 2.41

 

CMYK 16 / 0 / 39 / 8

HEX #C4EA8E

RGB 196 234 142

HSL 84.78, 0.69%, 0.74%

LAB 88.23, -27.43, 40.66

 

CMYK 27 / 0 / 39 / 8

HEX #ABEA8E

RGB 171 234 142

HSL 101.09, 0.69%, 0.74%

LAB 86.73, -36.23, 38.43

 

CMYK 37 / 0 / 39 / 8

HEX #93EA8E

RGB 147 234 142

HSL 116.74, 0.69%, 0.74%

LAB 85.5, -44, 36.61

 

CMYK 39 / 0 / 31 / 8

HEX #8EEAA2

RGB 142 234 162

HSL 133.04, 0.69%, 0.74%

LAB 85.61, -42.3, 26.57

 

CMYK 39 / 0 / 20 / 8

HEX #8EEABB

RGB 142 234 187

HSL 149.35, 0.69%, 0.74%

LAB 86.1, -37.67, 14.31

 

CMYK 64 / 0 / 67 / 13

HEX #4FDD49

RGB 79 221 73

HSL 117.57, 0.69%, 0.58%

LAB 78.38, -65.3, 59.19

 

CMYK 50 / 0 / 53 / 11

HEX #71E46C

RGB 113 228 108

HSL 117.5, 0.69%, 0.66%

LAB 81.88, -55.97, 48.25

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 25 / 0 / 26 / 6

HEX #B4F0B1

RGB 180 240 177

HSL 117.14, 0.68%, 0.82%

LAB 89.49, -30.78, 24.49

 

CMYK 13 / 0 / 14 / 3

HEX #D6F7D4

RGB 214 247 212

HSL 116.57, 0.69%, 0.9%

LAB 94.13, -17.06, 13.28

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 39 / 6 / 0 / 8

HEX #8EDCEA

RGB 142 220 234

HSL 189.13, 0.69%, 0.74%

LAB 83.38, -20.47, -14.43

 

CMYK 0 / 39 / 21 / 8

HEX #EA8EB8

RGB 234 142 184

HSL 332.61, 0.69%, 0.74%

LAB 69.68, 40.29, -6.95

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 39 / 37 / 0 / 8

HEX #8E93EA

RGB 142 147 234

HSL 236.74, 0.69%, 0.74%

LAB 63.8, 19.26, -44.52

 

CMYK 0 / 39 / 37 / 8

HEX #EA8E93

RGB 234 142 147

HSL 356.74, 0.69%, 0.74%

LAB 68.71, 35.43, 12.33

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 39 / 6 / 0 / 8

HEX #8EDCEA

RGB 142 220 234

HSL 189.13, 0.69%, 0.74%

LAB 83.38, -20.47, -14.43

 

CMYK 2 / 39 / 0 / 8

HEX #E58EEA

RGB 229 142 234

HSL 296.74, 0.69%, 0.74%

LAB 70.83, 46.97, -32.95

 

CMYK 0 / 33 / 39 / 8

HEX #EA9C8E

RGB 234 156 142

HSL 9.13, 0.69%, 0.74%

LAB 71.71, 27.47, 19.28

 

CMYK 38 / 0 / 39 / 8

HEX #92EA8E

RGB 146 234 142

HSL 117.39, 0.69%, 0.74%

LAB 85.46, -44.3, 36.54

 

CMYK 39 / 18 / 0 / 8

HEX #8EC1EA

RGB 142 193 234

HSL 206.74, 0.69%, 0.74%

LAB 75.97, -6.48, -25.65

 

CMYK 2 / 39 / 0 / 8

HEX #E58EEA

RGB 229 142 234

HSL 296.74, 0.69%, 0.74%

LAB 70.83, 46.97, -32.95

 

CMYK 0 / 21 / 39 / 8

HEX #EAB88E

RGB 234 184 142

HSL 27.39, 0.69%, 0.74%

LAB 78.3, 12.58, 28.23

 

Description

Color code: HEX #92EA8E | qconv.com Color code: HEX #92EA8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 234 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 234 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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