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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92E4EC it is the complementary color #6D1B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92E4EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92E4EC shade: #97E4E7, #A8F6FA, #B9FFFF, #CAFFFF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92E4EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92E4EC shade: #92E4EC, #81D2D9, #70C0C6, #5FAEB3 and #4E9CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92E4EC shade: #92E3EB, #92CBEB, #92B3EB, #929BEB and #A192EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92E4EC shade: #92E3EB, #92CBEB, #92B3EB, #929BEB and #9292EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92E4EC shade matches the following richer shades: #92E3EB and #88ECF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92E4EC shade: #92E3EB, #9CDBE1, #A7D2D7, #B1CACC and #BBC2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92E4EC shade: #92EBC3, #92EBDB, #92E4EB, #92CCEB and #92B4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92E4EC shade: #4CD2DF, #6FDBE5, #92E3EB, #B5ECF2 and #D8F5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92E4EC shade: #92E4EC, #AB92EB and #EBCF92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92E4EC shade: #92E4EC, #EB92E4 and #E4EB92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92E4EC shade: #92E4EC, #AB92EB, #EB9A92 and #D2EB92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92E4EC shade: #92E4EC, #C692EB, #EB9A92 and #B7EB92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

Complementary color

CMYK 0 / 75 / 83 / 57

HEX #6D1B13

RGB 109 27 19

HSL 5.33, 0.7%, 0.25%

LAB 23.94, 35.57, 26.36

 

CMYK 35 / 1 / 0 / 9

HEX #97E4E7

RGB 151 228 231

HSL 182.25, 0.63%, 0.75%

LAB 85.92, -22.85, -9

 

CMYK 33 / 2 / 0 / 2

HEX #A8F6FA

RGB 168 246 250

HSL 182.93, 0.89%, 0.82%

LAB 92.19, -22.78, -9.54

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

CMYK 41 / 3 / 0 / 15

HEX #81D2D9

RGB 129 210 217

HSL 184.77, 0.54%, 0.68%

LAB 79.48, -22.95, -11.26

 

CMYK 43 / 3 / 0 / 22

HEX #70C0C6

RGB 112 192 198

HSL 184.19, 0.43%, 0.61%

LAB 73.04, -22.94, -10.7

 

CMYK 47 / 3 / 0 / 30

HEX #5FAEB3

RGB 95 174 179

HSL 183.57, 0.36%, 0.54%

LAB 66.49, -22.9, -10.11

 

CMYK 51 / 2 / 0 / 37

HEX #4E9CA0

RGB 78 156 160

HSL 182.93, 0.34%, 0.47%

LAB 59.83, -22.79, -9.48

 

CMYK 38 / 3 / 0 / 8

HEX #92E3EB

RGB 146 227 235

HSL 185.39, 0.69%, 0.75%

LAB 85.53, -22.69, -11.72

 

CMYK 38 / 14 / 0 / 8

HEX #92CBEB

RGB 146 203 235

HSL 201.57, 0.69%, 0.75%

LAB 78.94, -10.48, -21.64

 

CMYK 38 / 24 / 0 / 8

HEX #92B3EB

RGB 146 179 235

HSL 217.75, 0.69%, 0.75%

LAB 72.46, 2.45, -31.56

 

CMYK 38 / 34 / 0 / 8

HEX #929BEB

RGB 146 155 235

HSL 233.93, 0.69%, 0.75%

LAB 66.18, 15.97, -41.33

 

CMYK 31 / 38 / 0 / 8

HEX #A192EB

RGB 161 146 235

HSL 250.11, 0.69%, 0.75%

LAB 65.07, 25.18, -42.98

 

CMYK 38 / 3 / 0 / 8

HEX #92E3EB

RGB 146 227 235

HSL 185.39, 0.69%, 0.75%

LAB 85.53, -22.69, -11.72

 

CMYK 38 / 14 / 0 / 8

HEX #92CBEB

RGB 146 203 235

HSL 201.57, 0.69%, 0.75%

LAB 78.94, -10.48, -21.64

 

CMYK 38 / 24 / 0 / 8

HEX #92B3EB

RGB 146 179 235

HSL 217.75, 0.69%, 0.75%

LAB 72.46, 2.45, -31.56

 

CMYK 38 / 34 / 0 / 8

HEX #929BEB

RGB 146 155 235

HSL 233.93, 0.69%, 0.75%

LAB 66.18, 15.97, -41.33

 

CMYK 38 / 38 / 0 / 8

HEX #9292EB

RGB 146 146 235

HSL 240, 0.69%, 0.75%

LAB 63.89, 21.15, -44.92

 

CMYK 38 / 3 / 0 / 8

HEX #92E3EB

RGB 146 227 235

HSL 185.39, 0.69%, 0.75%

LAB 85.53, -22.69, -11.72

 

CMYK 45 / 4 / 0 / 4

HEX #88ECF6

RGB 136 236 246

HSL 185.45, 0.86%, 0.75%

LAB 87.91, -26.78, -13.99

 

CMYK 38 / 3 / 0 / 8

HEX #92E3EB

RGB 146 227 235

HSL 185.39, 0.69%, 0.75%

LAB 85.53, -22.69, -11.72

 

CMYK 31 / 3 / 0 / 12

HEX #9CDBE1

RGB 156 219 225

HSL 185.22, 0.53%, 0.75%

LAB 83.53, -18.42, -9.36

 

CMYK 22 / 2 / 0 / 16

HEX #A7D2D7

RGB 167 210 215

HSL 186.25, 0.38%, 0.75%

LAB 81.41, -12.91, -7.11

 

CMYK 13 / 1 / 0 / 20

HEX #B1CACC

RGB 177 202 204

HSL 184.44, 0.21%, 0.75%

LAB 79.58, -7.97, -3.85

 

CMYK 4 / 0 / 0 / 24

HEX #BBC2C2

RGB 187 194 194

HSL 180, 0.05%, 0.75%

LAB 77.9, -2.4, -0.85

 

CMYK 38 / 0 / 17 / 8

HEX #92EBC3

RGB 146 235 195

HSL 153.03, 0.69%, 0.75%

LAB 86.74, -35.43, 11.07

 

CMYK 38 / 0 / 7 / 8

HEX #92EBDB

RGB 146 235 219

HSL 169.21, 0.69%, 0.75%

LAB 87.31, -30.3, -0.67

 

CMYK 38 / 3 / 0 / 8

HEX #92E4EB

RGB 146 228 235

HSL 184.72, 0.69%, 0.75%

LAB 85.8, -23.18, -11.31

 

CMYK 38 / 13 / 0 / 8

HEX #92CCEB

RGB 146 204 235

HSL 200.9, 0.69%, 0.75%

LAB 79.21, -11, -21.23

 

CMYK 38 / 23 / 0 / 8

HEX #92B4EB

RGB 146 180 235

HSL 217.08, 0.69%, 0.75%

LAB 72.73, 1.9, -31.15

 

CMYK 66 / 6 / 0 / 13

HEX #4CD2DF

RGB 76 210 223

HSL 185.31, 0.7%, 0.59%

LAB 77.85, -31.88, -17.11

 

CMYK 52 / 4 / 0 / 10

HEX #6FDBE5

RGB 111 219 229

HSL 185.08, 0.69%, 0.67%

LAB 81.67, -28.36, -14.46

 

CMYK 38 / 3 / 0 / 8

HEX #92E3EB

RGB 146 227 235

HSL 185.39, 0.69%, 0.75%

LAB 85.53, -22.69, -11.72

 

CMYK 25 / 2 / 0 / 5

HEX #B5ECF2

RGB 181 236 242

HSL 185.9, 0.7%, 0.83%

LAB 89.96, -16.05, -8.61

 

CMYK 13 / 1 / 0 / 3

HEX #D8F5F8

RGB 216 245 248

HSL 185.63, 0.7%, 0.91%

LAB 94.6, -8.79, -4.63

 

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

CMYK 27 / 38 / 0 / 8

HEX #AB92EB

RGB 171 146 235

HSL 256.85, 0.69%, 0.75%

LAB 65.91, 27.96, -41.6

 

CMYK 0 / 12 / 38 / 8

HEX #EBCF92

RGB 235 207 146

HSL 41.12, 0.69%, 0.75%

LAB 84.15, 1.38, 33.92

 

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

CMYK 0 / 38 / 3 / 8

HEX #EB92E4

RGB 235 146 228

HSL 304.72, 0.69%, 0.75%

LAB 72.11, 45.64, -27.63

 

CMYK 3 / 0 / 38 / 8

HEX #E4EB92

RGB 228 235 146

HSL 64.72, 0.69%, 0.75%

LAB 90.77, -15.48, 42.4

 

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

CMYK 27 / 38 / 0 / 8

HEX #AB92EB

RGB 171 146 235

HSL 256.85, 0.69%, 0.75%

LAB 65.91, 27.96, -41.6

 

CMYK 0 / 34 / 38 / 8

HEX #EB9A92

RGB 235 154 146

HSL 5.39, 0.69%, 0.75%

LAB 71.45, 29.36, 16.74

 

CMYK 11 / 0 / 38 / 8

HEX #D2EB92

RGB 210 235 146

HSL 76.85, 0.69%, 0.75%

LAB 89.48, -22.27, 40.48

 

CMYK 38 / 3 / 0 / 7

HEX #92E4EC

RGB 146 228 236

HSL 185.33, 0.7%, 0.75%

LAB 85.83, -22.94, -11.8

 

CMYK 16 / 38 / 0 / 8

HEX #C692EB

RGB 198 146 235

HSL 275.06, 0.69%, 0.75%

LAB 68.43, 35.79, -37.48

 

CMYK 0 / 34 / 38 / 8

HEX #EB9A92

RGB 235 154 146

HSL 5.39, 0.69%, 0.75%

LAB 71.45, 29.36, 16.74

 

CMYK 22 / 0 / 38 / 8

HEX #B7EB92

RGB 183 235 146

HSL 95.06, 0.69%, 0.75%

LAB 87.76, -32.02, 37.91

 

Description

Color code: HEX #92E4EC | qconv.com Color code: HEX #92E4EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 228 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 228 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 3 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 3% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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