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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92BCD8 it is the complementary color #6D4327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92BCD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92BCD8 shade: #97BCD3, #A8CEE6, #B9E0F9, #CAF2FF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92BCD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92BCD8 shade: #92BCD8, #81AAC5, #7098B2, #5F869F and #4E748C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92BCD8 shade: #92BCD7, #92A9D7, #9296D7, #A092D7 and #B392D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92BCD8 shade: #92BCD7, #92A9D7, #9296D7 and #9292D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92BCD8 shade matches the following richer shades: #92BCD7, #86BEE3, #7AC0EF and #6EC3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92BCD8 shade: #92BCD7, #9EB9CB, #AAB7BF, #B6B4B3 and #C2B2A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92BCD8 shade: #92D7CE, #92CED7, #92BCD7, #92A9D7 and #9296D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92BCD8 shade: #5596C1, #73A9CC, #92BCD7, #B0CEE2 and #CEE1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92BCD8 shade: #92BCD8, #BC92D7 and #D7D792

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92BCD8 shade: #92BCD8, #D792BC and #BCD792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92BCD8 shade: #92BCD8, #BC92D7, #D7AE92 and #AED792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92BCD8 shade: #92BCD8, #D092D7, #D7AE92 and #99D792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

Complementary color

CMYK 0 / 39 / 64 / 57

HEX #6D4327

RGB 109 67 39

HSL 24, 0.47%, 0.29%

LAB 32.73, 15.13, 24.34

 

CMYK 28 / 11 / 0 / 17

HEX #97BCD3

RGB 151 188 211

HSL 203, 0.41%, 0.71%

LAB 74.35, -7.08, -15.6

 

CMYK 27 / 10 / 0 / 10

HEX #A8CEE6

RGB 168 206 230

HSL 203.23, 0.55%, 0.78%

LAB 80.84, -7.16, -15.97

 

CMYK 26 / 10 / 0 / 2

HEX #B9E0F9

RGB 185 224 249

HSL 203.44, 0.84%, 0.85%

LAB 87.22, -7.23, -16.34

 

CMYK 21 / 5 / 0 / 0

HEX #CAF2FF

RGB 202 242 255

HSL 194.72, 1%, 0.9%

LAB 93.14, -10.11, -10.53

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

CMYK 35 / 14 / 0 / 23

HEX #81AAC5

RGB 129 170 197

HSL 203.82, 0.37%, 0.64%

LAB 67.61, -7.19, -18.23

 

CMYK 37 / 15 / 0 / 30

HEX #7098B2

RGB 112 152 178

HSL 203.64, 0.3%, 0.57%

LAB 60.88, -7.04, -17.92

 

CMYK 40 / 16 / 0 / 38

HEX #5F869F

RGB 95 134 159

HSL 203.44, 0.25%, 0.5%

LAB 54.01, -6.87, -17.61

 

CMYK 44 / 17 / 0 / 45

HEX #4E748C

RGB 78 116 140

HSL 203.23, 0.28%, 0.43%

LAB 46.98, -6.65, -17.31

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 32 / 21 / 0 / 16

HEX #92A9D7

RGB 146 169 215

HSL 220, 0.46%, 0.71%

LAB 69.04, 2.8, -25.9

 

CMYK 32 / 30 / 0 / 16

HEX #9296D7

RGB 146 150 215

HSL 236.52, 0.46%, 0.71%

LAB 64.02, 13.54, -33.64

 

CMYK 26 / 32 / 0 / 16

HEX #A092D7

RGB 160 146 215

HSL 252.17, 0.46%, 0.71%

LAB 64.11, 19.92, -33.41

 

CMYK 17 / 32 / 0 / 16

HEX #B392D7

RGB 179 146 215

HSL 268.7, 0.46%, 0.71%

LAB 65.79, 25.68, -30.68

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 32 / 21 / 0 / 16

HEX #92A9D7

RGB 146 169 215

HSL 220, 0.46%, 0.71%

LAB 69.04, 2.8, -25.9

 

CMYK 32 / 30 / 0 / 16

HEX #9296D7

RGB 146 150 215

HSL 236.52, 0.46%, 0.71%

LAB 64.02, 13.54, -33.64

 

CMYK 32 / 32 / 0 / 16

HEX #9292D7

RGB 146 146 215

HSL 240, 0.46%, 0.71%

LAB 62.99, 15.84, -35.24

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 41 / 16 / 0 / 11

HEX #86BEE3

RGB 134 190 227

HSL 203.87, 0.62%, 0.71%

LAB 74.47, -8.79, -24.19

 

CMYK 49 / 20 / 0 / 6

HEX #7AC0EF

RGB 122 192 239

HSL 204.1, 0.79%, 0.71%

LAB 74.87, -9.46, -30.12

 

CMYK 56 / 22 / 0 / 2

HEX #6EC3FB

RGB 110 195 251

HSL 203.83, 0.95%, 0.71%

LAB 75.64, -10.12, -35.42

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 22 / 9 / 0 / 20

HEX #9EB9CB

RGB 158 185 203

HSL 204, 0.3%, 0.71%

LAB 73.73, -5.22, -12.14

 

CMYK 11 / 4 / 0 / 25

HEX #AAB7BF

RGB 170 183 191

HSL 202.86, 0.14%, 0.71%

LAB 73.66, -2.88, -5.6

 

CMYK 0 / 1 / 2 / 29

HEX #B6B4B3

RGB 182 180 179

HSL 20, 0.02%, 0.71%

LAB 73.44, 0.52, 0.75

 

CMYK 0 / 8 / 14 / 24

HEX #C2B2A7

RGB 194 178 167

HSL 24.44, 0.18%, 0.71%

LAB 73.61, 3.86, 7.68

 

CMYK 32 / 0 / 4 / 16

HEX #92D7CE

RGB 146 215 206

HSL 172.17, 0.46%, 0.71%

LAB 81.38, -23.54, -2.48

 

CMYK 32 / 4 / 0 / 16

HEX #92CED7

RGB 146 206 215

HSL 187.83, 0.46%, 0.71%

LAB 79.13, -16.95, -10.62

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 32 / 21 / 0 / 16

HEX #92A9D7

RGB 146 169 215

HSL 220, 0.46%, 0.71%

LAB 69.04, 2.8, -25.9

 

CMYK 32 / 30 / 0 / 16

HEX #9296D7

RGB 146 150 215

HSL 236.52, 0.46%, 0.71%

LAB 64.02, 13.54, -33.64

 

CMYK 56 / 22 / 0 / 24

HEX #5596C1

RGB 85 150 193

HSL 203.89, 0.47%, 0.55%

LAB 59.52, -8.27, -28.59

 

CMYK 44 / 17 / 0 / 20

HEX #73A9CC

RGB 115 169 204

HSL 203.6, 0.47%, 0.63%

LAB 66.81, -8.53, -23.4

 

CMYK 32 / 13 / 0 / 16

HEX #92BCD7

RGB 146 188 215

HSL 203.48, 0.46%, 0.71%

LAB 74.18, -7.55, -18.06

 

CMYK 22 / 9 / 0 / 11

HEX #B0CEE2

RGB 176 206 226

HSL 204, 0.46%, 0.79%

LAB 81.22, -5.68, -13.22

 

CMYK 13 / 5 / 0 / 7

HEX #CEE1ED

RGB 206 225 237

HSL 203.23, 0.46%, 0.87%

LAB 88.49, -3.93, -8

 

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

CMYK 13 / 32 / 0 / 16

HEX #BC92D7

RGB 188 146 215

HSL 276.52, 0.46%, 0.71%

LAB 66.64, 28.48, -29.3

 

CMYK 0 / 0 / 32 / 16

HEX #D7D792

RGB 215 215 146

HSL 60, 0.46%, 0.71%

LAB 84.55, -10.49, 34.13

 

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

CMYK 0 / 32 / 13 / 16

HEX #D792BC

RGB 215 146 188

HSL 323.48, 0.46%, 0.71%

LAB 68.49, 32.29, -11.2

 

CMYK 13 / 0 / 32 / 16

HEX #BCD792

RGB 188 215 146

HSL 83.48, 0.46%, 0.71%

LAB 82.58, -20.66, 31.16

 

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

CMYK 13 / 32 / 0 / 16

HEX #BC92D7

RGB 188 146 215

HSL 276.52, 0.46%, 0.71%

LAB 66.64, 28.48, -29.3

 

CMYK 0 / 19 / 32 / 16

HEX #D7AE92

RGB 215 174 146

HSL 24.35, 0.46%, 0.71%

LAB 74.06, 10.95, 20.02

 

CMYK 19 / 0 / 32 / 16

HEX #AED792

RGB 174 215 146

HSL 95.65, 0.46%, 0.71%

LAB 81.66, -25.72, 29.78

 

CMYK 32 / 13 / 0 / 15

HEX #92BCD8

RGB 146 188 216

HSL 204, 0.47%, 0.71%

LAB 74.21, -7.31, -18.56

 

CMYK 3 / 32 / 0 / 16

HEX #D092D7

RGB 208 146 215

HSL 293.91, 0.46%, 0.71%

LAB 68.66, 34.79, -26.02

 

CMYK 0 / 19 / 32 / 16

HEX #D7AE92

RGB 215 174 146

HSL 24.35, 0.46%, 0.71%

LAB 74.06, 10.95, 20.02

 

CMYK 29 / 0 / 32 / 16

HEX #99D792

RGB 153 215 146

HSL 113.91, 0.46%, 0.71%

LAB 80.43, -32.93, 27.92

 

Description

Color code: HEX #92BCD8 | qconv.com Color code: HEX #92BCD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 188 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 188 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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