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Color name
HEX #926C7A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #926C7A it is the complementary color #6D9385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #926C7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #926C7A shade: #976C75, #A87E88, #B9909B, #CAA2AE and #DBB4C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #926C7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #926C7A shade: #926C7A, #815A67, #704854, #5F3641 and #4E242E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #926C7A shade: #926C7A, #926C70 and #926C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #926C7A shade: #926C7A, #926C84, #926C8F, #8B6C92 and #816C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #926C7A shade matches the following richer shades: #926C7A, #A75775, #BB436F, #D02E6A and #E51964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #926C7A shade: #926C7A, #7D817F, #699585, #54AA8A and #40BE90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #926C7A shade: #926C8F, #926C85, #926C7B, #926C70 and #92726C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #926C7A shade: #634952, #7A5A66, #926C7A, #A4848F and #B59BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #926C7A shade: #926C7A, #928B6C and #6C8A92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #926C7A shade: #926C7A, #7B926C and #6C7B92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #926C7A shade: #926C7A, #928B6C, #6C9283 and #6C7392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #926C7A shade: #926C7A, #8E926C, #6C9283 and #706C92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

Complementary color

CMYK 26 / 0 / 10 / 42

HEX #6D9385

RGB 109 147 133

HSL 157.89, 0.15%, 0.5%

LAB 57.86, -16.21, 3.16

 

CMYK 0 / 28 / 23 / 41

HEX #976C75

RGB 151 108 117

HSL 347.44, 0.17%, 0.51%

LAB 50.2, 18.52, 1.81

 

CMYK 0 / 25 / 19 / 34

HEX #A87E88

RGB 168 126 136

HSL 345.71, 0.19%, 0.58%

LAB 57.1, 17.82, 0.94

 

CMYK 0 / 22 / 16 / 27

HEX #B9909B

RGB 185 144 155

HSL 343.9, 0.23%, 0.65%

LAB 63.86, 17.2, 0.14

 

CMYK 0 / 20 / 14 / 21

HEX #CAA2AE

RGB 202 162 174

HSL 342, 0.27%, 0.71%

LAB 70.49, 16.65, -0.6

 

CMYK 0 / 18 / 12 / 14

HEX #DBB4C1

RGB 219 180 193

HSL 340, 0.35%, 0.78%

LAB 77.01, 16.14, -1.29

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 30 / 20 / 49

HEX #815A67

RGB 129 90 103

HSL 340, 0.18%, 0.43%

LAB 42.7, 18.12, -1

 

CMYK 0 / 36 / 25 / 56

HEX #704854

RGB 112 72 84

HSL 342, 0.22%, 0.36%

LAB 35.44, 18.95, -0.06

 

CMYK 0 / 43 / 32 / 63

HEX #5F3641

RGB 95 54 65

HSL 343.9, 0.28%, 0.29%

LAB 27.99, 19.91, 1.09

 

CMYK 0 / 54 / 41 / 69

HEX #4E242E

RGB 78 36 46

HSL 345.71, 0.37%, 0.22%

LAB 20.36, 20.98, 2.59

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 26 / 23 / 43

HEX #926C70

RGB 146 108 112

HSL 353.68, 0.15%, 0.5%

LAB 49.5, 15.75, 3.7

 

CMYK 0 / 26 / 26 / 43

HEX #926C6C

RGB 146 108 108

HSL 0, 0.15%, 0.5%

LAB 49.4, 15.13, 5.92

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 26 / 10 / 43

HEX #926C84

RGB 146 108 132

HSL 322.11, 0.15%, 0.5%

LAB 50.1, 19.18, -7.31

 

CMYK 0 / 26 / 2 / 43

HEX #926C8F

RGB 146 108 143

HSL 304.74, 0.15%, 0.5%

LAB 50.48, 21.27, -13.25

 

CMYK 5 / 26 / 0 / 43

HEX #8B6C92

RGB 139 108 146

HSL 288.95, 0.15%, 0.5%

LAB 49.85, 19.4, -16.04

 

CMYK 12 / 26 / 0 / 43

HEX #816C92

RGB 129 108 146

HSL 273.16, 0.15%, 0.5%

LAB 48.84, 15.92, -17.66

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 48 / 30 / 35

HEX #A75775

RGB 167 87 117

HSL 337.5, 0.31%, 0.5%

LAB 47.39, 36.34, -2.06

 

CMYK 0 / 64 / 41 / 27

HEX #BB436F

RGB 187 67 111

HSL 338, 0.47%, 0.5%

LAB 46.61, 52.04, 0.82

 

CMYK 0 / 78 / 49 / 18

HEX #D02E6A

RGB 208 46 106

HSL 337.78, 0.64%, 0.5%

LAB 47.5, 65.17, 5.64

 

CMYK 0 / 89 / 56 / 10

HEX #E51964

RGB 229 25 100

HSL 337.94, 0.8%, 0.5%

LAB 49.83, 74.52, 13.17

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 3 / 0 / 2 / 49

HEX #7D817F

RGB 125 129 127

HSL 150, 0.02%, 0.5%

LAB 53.59, -1.89, 0.56

 

CMYK 30 / 0 / 11 / 42

HEX #699585

RGB 105 149 133

HSL 158.18, 0.17%, 0.5%

LAB 58.22, -18.57, 3.65

 

CMYK 51 / 0 / 19 / 33

HEX #54AA8A

RGB 84 170 138

HSL 157.67, 0.34%, 0.5%

LAB 63.73, -33.81, 8.61

 

CMYK 66 / 0 / 24 / 25

HEX #40BE90

RGB 64 190 144

HSL 158.1, 0.5%, 0.5%

LAB 69.42, -45.45, 13.28

 

CMYK 0 / 26 / 2 / 43

HEX #926C8F

RGB 146 108 143

HSL 304.74, 0.15%, 0.5%

LAB 50.48, 21.27, -13.25

 

CMYK 0 / 26 / 9 / 43

HEX #926C85

RGB 146 108 133

HSL 320.53, 0.15%, 0.5%

LAB 50.13, 19.36, -7.85

 

CMYK 0 / 26 / 16 / 43

HEX #926C7B

RGB 146 108 123

HSL 336.32, 0.15%, 0.5%

LAB 49.82, 17.57, -2.38

 

CMYK 0 / 26 / 23 / 43

HEX #926C70

RGB 146 108 112

HSL 353.68, 0.15%, 0.5%

LAB 49.5, 15.75, 3.7

 

CMYK 0 / 22 / 26 / 43

HEX #92726C

RGB 146 114 108

HSL 9.47, 0.15%, 0.5%

LAB 50.95, 11.64, 8.14

 

CMYK 0 / 26 / 17 / 61

HEX #634952

RGB 99 73 82

HSL 339.23, 0.15%, 0.34%

LAB 34.04, 12.64, -1.02

 

CMYK 0 / 26 / 16 / 52

HEX #7A5A66

RGB 122 90 102

HSL 337.5, 0.15%, 0.42%

LAB 41.86, 15.17, -1.72

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 20 / 13 / 36

HEX #A4848F

RGB 164 132 143

HSL 339.38, 0.15%, 0.58%

LAB 58.39, 14.07, -1.26

 

CMYK 0 / 14 / 9 / 29

HEX #B59BA5

RGB 181 155 165

HSL 336.92, 0.15%, 0.66%

LAB 66.51, 11.31, -1.65

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 5 / 26 / 43

HEX #928B6C

RGB 146 139 108

HSL 48.95, 0.15%, 0.5%

LAB 57.71, -2.6, 17.56

 

CMYK 26 / 5 / 0 / 43

HEX #6C8A92

RGB 108 138 146

HSL 192.63, 0.15%, 0.5%

LAB 55.52, -8.63, -7.75

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 16 / 0 / 26 / 43

HEX #7B926C

RGB 123 146 108

HSL 96.32, 0.15%, 0.5%

LAB 57.9, -15.51, 17.51

 

CMYK 26 / 16 / 0 / 43

HEX #6C7B92

RGB 108 123 146

HSL 216.32, 0.15%, 0.5%

LAB 51.19, -0.06, -14.26

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 0 / 5 / 26 / 43

HEX #928B6C

RGB 146 139 108

HSL 48.95, 0.15%, 0.5%

LAB 57.71, -2.6, 17.56

 

CMYK 26 / 0 / 10 / 43

HEX #6C9283

RGB 108 146 131

HSL 156.32, 0.15%, 0.5%

LAB 57.45, -16.44, 3.7

 

CMYK 26 / 21 / 0 / 43

HEX #6C7392

RGB 108 115 146

HSL 228.95, 0.15%, 0.5%

LAB 48.91, 4.66, -17.72

 

CMYK 0 / 26 / 16 / 43

HEX #926C7A

RGB 146 108 122

HSL 337.89, 0.15%, 0.5%

LAB 49.79, 17.4, -1.83

 

CMYK 3 / 0 / 26 / 43

HEX #8E926C

RGB 142 146 108

HSL 66.32, 0.15%, 0.5%

LAB 59.33, -8.07, 19.71

 

CMYK 26 / 0 / 10 / 43

HEX #6C9283

RGB 108 146 131

HSL 156.32, 0.15%, 0.5%

LAB 57.45, -16.44, 3.7

 

CMYK 23 / 26 / 0 / 43

HEX #706C92

RGB 112 108 146

HSL 246.32, 0.15%, 0.5%

LAB 47.29, 10.17, -20.17

 

Description

Color code: HEX #926C7A | qconv.com Color code: HEX #926C7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 108 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 108 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 16 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 16% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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