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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925F39 it is the complementary color #6DA0C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #925F39 shade: #975F34, #A87147, #B9835A, #CA956D and #DBA780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #925F39 shade: #925F39, #814D26, #703B13, #5F2900 and #4E1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #925F39 shade: #925F39, #924739 and #923939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #925F39 shade: #925F39, #927739, #928F39, #7D9239 and #659239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #925F39 shade matches the following richer shades: #925F39, #A35D28, #B35A18 and #C45807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #925F39 shade: #925F39, #826149, #71645A, #61666A and #50697B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #925F39 shade: #923943, #924639, #925E39, #927639 and #928E39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #925F39 shade: #573822, #754C2D, #925F39, #B07244 and #C0885E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #925F39 shade: #925F39, #5B9239 and #3A3992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #925F39 shade: #925F39, #39925E and #5E3992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #925F39 shade: #925F39, #5B9239, #396D92 and #703992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #925F39 shade: #925F39, #409239, #396D92 and #8B3992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

Complementary color

CMYK 45 / 19 / 0 / 22

HEX #6DA0C6

RGB 109 160 198

HSL 205.62, 0.44%, 0.6%

LAB 63.73, -6.78, -24.81

 

CMYK 0 / 37 / 66 / 41

HEX #975F34

RGB 151 95 52

HSL 26.06, 0.49%, 0.4%

LAB 45.65, 18.58, 33.61

 

CMYK 0 / 33 / 58 / 34

HEX #A87147

RGB 168 113 71

HSL 25.98, 0.41%, 0.47%

LAB 52.5, 17.19, 31.91

 

CMYK 0 / 29 / 51 / 27

HEX #B9835A

RGB 185 131 90

HSL 25.89, 0.4%, 0.54%

LAB 59.24, 16.02, 30.34

 

CMYK 0 / 26 / 46 / 21

HEX #CA956D

RGB 202 149 109

HSL 25.81, 0.47%, 0.61%

LAB 65.87, 15.02, 28.89

 

CMYK 0 / 24 / 42 / 14

HEX #DBA780

RGB 219 167 128

HSL 25.71, 0.56%, 0.68%

LAB 72.4, 14.16, 27.56

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 40 / 71 / 49

HEX #814D26

RGB 129 77 38

HSL 25.71, 0.54%, 0.33%

LAB 38.05, 18.26, 31.78

 

CMYK 0 / 47 / 83 / 56

HEX #703B13

RGB 112 59 19

HSL 25.81, 0.71%, 0.26%

LAB 30.92, 20.13, 33.47

 

CMYK 0 / 57 / 100 / 63

HEX #5F2900

RGB 95 41 0

HSL 25.89, 1%, 0.19%

LAB 23.73, 22.27, 33.98

 

CMYK 0 / 71 / 100 / 69

HEX #4E1700

RGB 78 23 0

HSL 17.69, 1%, 0.15%

LAB 16.66, 24.73, 25.17

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 51 / 61 / 43

HEX #924739

RGB 146 71 57

HSL 9.44, 0.44%, 0.4%

LAB 39.43, 30.34, 23.04

 

CMYK 0 / 61 / 61 / 43

HEX #923939

RGB 146 57 57

HSL 0, 0.44%, 0.4%

LAB 36.62, 37.61, 19.43

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 18 / 61 / 43

HEX #927739

RGB 146 119 57

HSL 41.8, 0.44%, 0.4%

LAB 51.38, 2.88, 37.44

 

CMYK 0 / 2 / 61 / 43

HEX #928F39

RGB 146 143 57

HSL 57.98, 0.44%, 0.4%

LAB 58.09, -10.42, 44.96

 

CMYK 14 / 0 / 61 / 43

HEX #7D9239

RGB 125 146 57

HSL 74.16, 0.44%, 0.4%

LAB 57.28, -21.1, 43.6

 

CMYK 31 / 0 / 61 / 43

HEX #659239

RGB 101 146 57

HSL 90.34, 0.44%, 0.4%

LAB 55.71, -30.8, 41.4

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 43 / 75 / 36

HEX #A35D28

RGB 163 93 40

HSL 25.85, 0.61%, 0.4%

LAB 46.67, 24.27, 41.41

 

CMYK 0 / 50 / 87 / 30

HEX #B35A18

RGB 179 90 24

HSL 25.55, 0.76%, 0.4%

LAB 48.21, 32.12, 50.59

 

CMYK 0 / 55 / 96 / 23

HEX #C45807

RGB 196 88 7

HSL 25.71, 0.93%, 0.4%

LAB 50.37, 39.71, 58.12

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 25 / 44 / 49

HEX #826149

RGB 130 97 73

HSL 25.26, 0.28%, 0.4%

LAB 43.91, 10.05, 18.87

 

CMYK 0 / 12 / 20 / 56

HEX #71645A

RGB 113 100 90

HSL 26.09, 0.11%, 0.4%

LAB 43.31, 3.39, 7.56

 

CMYK 8 / 4 / 0 / 58

HEX #61666A

RGB 97 102 106

HSL 206.67, 0.04%, 0.4%

LAB 42.89, -1.05, -2.92

 

CMYK 35 / 15 / 0 / 52

HEX #50697B

RGB 80 105 123

HSL 205.12, 0.21%, 0.4%

LAB 43.12, -4.45, -13

 

CMYK 0 / 61 / 54 / 43

HEX #923943

RGB 146 57 67

HSL 353.26, 0.44%, 0.4%

LAB 36.82, 38.44, 13.4

 

CMYK 0 / 52 / 61 / 43

HEX #924639

RGB 146 70 57

HSL 8.76, 0.44%, 0.4%

LAB 39.22, 30.88, 22.76

 

CMYK 0 / 36 / 61 / 43

HEX #925E39

RGB 146 94 57

HSL 24.94, 0.44%, 0.4%

LAB 44.82, 17.31, 29.7

 

CMYK 0 / 19 / 61 / 43

HEX #927639

RGB 146 118 57

HSL 41.12, 0.44%, 0.4%

LAB 51.11, 3.45, 37.13

 

CMYK 0 / 3 / 61 / 43

HEX #928E39

RGB 146 142 57

HSL 57.3, 0.44%, 0.4%

LAB 57.8, -9.88, 44.65

 

CMYK 0 / 36 / 61 / 66

HEX #573822

RGB 87 56 34

HSL 24.91, 0.44%, 0.24%

LAB 26.65, 11.11, 19.26

 

CMYK 0 / 35 / 62 / 54

HEX #754C2D

RGB 117 76 45

HSL 25.83, 0.44%, 0.32%

LAB 36.25, 13.88, 25.32

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 0 / 35 / 61 / 31

HEX #B07244

RGB 176 114 68

HSL 25.56, 0.44%, 0.48%

LAB 53.69, 19.83, 35.22

 

CMYK 0 / 29 / 51 / 25

HEX #C0885E

RGB 192 136 94

HSL 25.71, 0.44%, 0.56%

LAB 61.33, 16.55, 30.98

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 38 / 0 / 61 / 43

HEX #5B9239

RGB 91 146 57

HSL 97.08, 0.44%, 0.4%

LAB 55.15, -34.51, 40.63

 

CMYK 60 / 61 / 0 / 43

HEX #3A3992

RGB 58 57 146

HSL 240.67, 0.44%, 0.4%

LAB 29.16, 28.02, -49.15

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 61 / 0 / 36 / 43

HEX #39925E

RGB 57 146 94

HSL 144.94, 0.44%, 0.4%

LAB 54.28, -38.94, 19.87

 

CMYK 36 / 61 / 0 / 43

HEX #5E3992

RGB 94 57 146

HSL 264.94, 0.44%, 0.4%

LAB 32.66, 35.88, -43.33

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 38 / 0 / 61 / 43

HEX #5B9239

RGB 91 146 57

HSL 97.08, 0.44%, 0.4%

LAB 55.15, -34.51, 40.63

 

CMYK 61 / 25 / 0 / 43

HEX #396D92

RGB 57 109 146

HSL 204.94, 0.44%, 0.4%

LAB 44.06, -5.69, -25.45

 

CMYK 23 / 61 / 0 / 43

HEX #703992

RGB 112 57 146

HSL 277.08, 0.44%, 0.4%

LAB 34.9, 40.42, -39.62

 

CMYK 0 / 35 / 61 / 43

HEX #925F39

RGB 146 95 57

HSL 25.62, 0.44%, 0.4%

LAB 45.07, 16.73, 30

 

CMYK 56 / 0 / 61 / 43

HEX #409239

RGB 64 146 57

HSL 115.28, 0.44%, 0.4%

LAB 53.97, -43.1, 38.96

 

CMYK 61 / 25 / 0 / 43

HEX #396D92

RGB 57 109 146

HSL 204.94, 0.44%, 0.4%

LAB 44.06, -5.69, -25.45

 

CMYK 5 / 61 / 0 / 43

HEX #8B3992

RGB 139 57 146

HSL 295.28, 0.44%, 0.4%

LAB 38.71, 47.54, -33.32

 

Description

Color code: HEX #925F39 | qconv.com Color code: HEX #925F39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 95 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 95 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 61 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 61% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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