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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925366 it is the complementary color #6DAC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #925366 shade: #975361, #A86574, #B97787, #CA899A and #DB9BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #925366 shade: #925366, #814153, #702F40, #5F1D2D and #4E0B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #925366 shade: #925266, #925254 and #925252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #925366 shade: #925266, #925277, #925288, #8B5292 and #7A5292

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #925366 shade matches the following richer shades: #925266, #A5405E, #B82D57, #CA1A4F and #DD0848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #925366 shade: #925266, #80656D, #6D7774, #5B8A7C and #489C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #925366 shade: #925289, #925278, #925266, #925255 and #926052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #925366 shade: #5E3441, #784353, #925266, #A8657A and #B78091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #925366 shade: #925366, #928B52 and #528092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #925366 shade: #925366, #669252 and #526692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #925366 shade: #925366, #928B52, #52927E and #525A92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #925366 shade: #925366, #879252, #52927E and #5E5292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

Complementary color

CMYK 37 / 0 / 11 / 33

HEX #6DAC99

RGB 109 172 153

HSL 161.9, 0.28%, 0.55%

LAB 65.79, -24.65, 3.38

 

CMYK 0 / 45 / 36 / 41

HEX #975361

RGB 151 83 97

HSL 347.65, 0.29%, 0.46%

LAB 43.7, 29.89, 4.47

 

CMYK 0 / 40 / 31 / 34

HEX #A86574

RGB 168 101 116

HSL 346.57, 0.28%, 0.53%

LAB 50.56, 28.92, 3.18

 

CMYK 0 / 36 / 27 / 27

HEX #B97787

RGB 185 119 135

HSL 345.45, 0.32%, 0.6%

LAB 57.33, 28.03, 2.08

 

CMYK 0 / 32 / 24 / 21

HEX #CA899A

RGB 202 137 154

HSL 344.31, 0.38%, 0.66%

LAB 63.98, 27.22, 1.11

 

CMYK 0 / 29 / 21 / 14

HEX #DB9BAD

RGB 219 155 173

HSL 343.13, 0.47%, 0.73%

LAB 70.54, 26.48, 0.24

 

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

CMYK 0 / 50 / 36 / 49

HEX #814153

RGB 129 65 83

HSL 343.13, 0.33%, 0.38%

LAB 36.12, 29.63, 1.87

 

CMYK 0 / 58 / 43 / 56

HEX #702F40

RGB 112 47 64

HSL 344.31, 0.41%, 0.31%

LAB 29.03, 30.6, 3.59

 

CMYK 0 / 69 / 53 / 63

HEX #5F1D2D

RGB 95 29 45

HSL 345.45, 0.53%, 0.24%

LAB 21.95, 31.36, 5.97

 

CMYK 0 / 86 / 67 / 69

HEX #4E0B1A

RGB 78 11 26

HSL 346.57, 0.75%, 0.17%

LAB 15.14, 31.32, 9.56

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 44 / 42 / 43

HEX #925254

RGB 146 82 84

HSL 358.13, 0.28%, 0.45%

LAB 42.44, 26.87, 10.56

 

CMYK 0 / 44 / 44 / 43

HEX #925252

RGB 146 82 82

HSL 0, 0.28%, 0.45%

LAB 42.39, 26.64, 11.72

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 44 / 18 / 43

HEX #925277

RGB 146 82 119

HSL 325.31, 0.28%, 0.45%

LAB 43.47, 31.84, -9.41

 

CMYK 0 / 44 / 7 / 43

HEX #925288

RGB 146 82 136

HSL 309.38, 0.28%, 0.45%

LAB 44.12, 34.81, -18.75

 

CMYK 5 / 44 / 0 / 43

HEX #8B5292

RGB 139 82 146

HSL 293.44, 0.28%, 0.45%

LAB 43.65, 34.48, -25.57

 

CMYK 16 / 44 / 0 / 43

HEX #7A5292

RGB 122 82 146

HSL 277.5, 0.28%, 0.45%

LAB 41.61, 29.1, -28.92

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 61 / 43 / 35

HEX #A5405E

RGB 165 64 94

HSL 342.18, 0.44%, 0.45%

LAB 41.96, 44.41, 4.1

 

CMYK 0 / 76 / 53 / 28

HEX #B82D57

RGB 184 45 87

HSL 341.87, 0.61%, 0.45%

LAB 42.39, 57.27, 9.56

 

CMYK 0 / 87 / 61 / 21

HEX #CA1A4F

RGB 202 26 79

HSL 341.93, 0.77%, 0.45%

LAB 44.03, 66.39, 17.38

 

CMYK 0 / 96 / 67 / 13

HEX #DD0848

RGB 221 8 72

HSL 341.97, 0.93%, 0.45%

LAB 46.99, 72.93, 26.32

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 21 / 15 / 50

HEX #80656D

RGB 128 101 109

HSL 342.22, 0.12%, 0.45%

LAB 45.64, 12.21, -0.37

 

CMYK 8 / 0 / 3 / 53

HEX #6D7774

RGB 109 119 116

HSL 162, 0.04%, 0.45%

LAB 49.14, -4.37, 0.36

 

CMYK 34 / 0 / 10 / 46

HEX #5B8A7C

RGB 91 138 124

HSL 162.13, 0.21%, 0.45%

LAB 53.87, -19.24, 2.43

 

CMYK 54 / 0 / 16 / 39

HEX #489C83

RGB 72 156 131

HSL 162.14, 0.37%, 0.45%

LAB 58.78, -31.75, 5.4

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 0 / 44 / 18 / 43

HEX #925278

RGB 146 82 120

HSL 324.38, 0.28%, 0.45%

LAB 43.51, 32.01, -9.96

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 44 / 42 / 43

HEX #925255

RGB 146 82 85

HSL 357.19, 0.28%, 0.45%

LAB 42.46, 26.99, 9.98

 

CMYK 0 / 34 / 44 / 43

HEX #926052

RGB 146 96 82

HSL 13.13, 0.28%, 0.45%

LAB 45.75, 18.6, 16.33

 

CMYK 0 / 45 / 31 / 63

HEX #5E3441

RGB 94 52 65

HSL 341.43, 0.29%, 0.29%

LAB 27.35, 20.72, 0.14

 

CMYK 0 / 44 / 31 / 53

HEX #784353

RGB 120 67 83

HSL 341.89, 0.28%, 0.37%

LAB 35.27, 24.99, 0.46

 

CMYK 0 / 44 / 30 / 43

HEX #925266

RGB 146 82 102

HSL 341.25, 0.28%, 0.45%

LAB 42.92, 29.23, 0.19

 

CMYK 0 / 40 / 27 / 34

HEX #A8657A

RGB 168 101 122

HSL 341.19, 0.28%, 0.53%

LAB 50.73, 29.77, -0.14

 

CMYK 0 / 30 / 21 / 28

HEX #B78091

RGB 183 128 145

HSL 341.45, 0.28%, 0.61%

LAB 59.48, 23.78, -0.58

 

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

CMYK 0 / 5 / 44 / 43

HEX #928B52

RGB 146 139 82

HSL 53.44, 0.28%, 0.45%

LAB 57.26, -5.95, 31.35

 

CMYK 44 / 12 / 0 / 43

HEX #528092

RGB 82 128 146

HSL 196.88, 0.28%, 0.45%

LAB 51.05, -10.7, -14.63

 

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

CMYK 30 / 0 / 44 / 43

HEX #669252

RGB 102 146 82

HSL 101.25, 0.28%, 0.45%

LAB 56.08, -27.43, 29.18

 

CMYK 44 / 30 / 0 / 43

HEX #526692

RGB 82 102 146

HSL 221.25, 0.28%, 0.45%

LAB 43.32, 4.67, -26.51

 

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

CMYK 0 / 5 / 44 / 43

HEX #928B52

RGB 146 139 82

HSL 53.44, 0.28%, 0.45%

LAB 57.26, -5.95, 31.35

 

CMYK 44 / 0 / 14 / 43

HEX #52927E

RGB 82 146 126

HSL 161.25, 0.28%, 0.45%

LAB 55.95, -25.53, 4.21

 

CMYK 44 / 38 / 0 / 43

HEX #525A92

RGB 82 90 146

HSL 232.5, 0.28%, 0.45%

LAB 39.88, 12.19, -31.89

 

CMYK 0 / 43 / 30 / 43

HEX #925366

RGB 146 83 102

HSL 341.9, 0.28%, 0.45%

LAB 43.15, 28.66, 0.52

 

CMYK 8 / 0 / 44 / 43

HEX #879252

RGB 135 146 82

HSL 70.31, 0.28%, 0.45%

LAB 58.34, -14.39, 32.51

 

CMYK 44 / 0 / 14 / 43

HEX #52927E

RGB 82 146 126

HSL 161.25, 0.28%, 0.45%

LAB 55.95, -25.53, 4.21

 

CMYK 36 / 44 / 0 / 43

HEX #5E5292

RGB 94 82 146

HSL 251.25, 0.28%, 0.45%

LAB 38.71, 20.63, -33.68

 

Description

Color code: HEX #925366 | qconv.com Color code: HEX #925366 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 83 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 83 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 30 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 30% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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