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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925256 it is the complementary color #6DADA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #925256 shade: #975251, #A86464, #B97677, #CA888A and #DB9A9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #925256 shade: #925256, #814043, #702E30, #5F1C1D and #4E0A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #925256 shade: #925256 and #925252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #925256 shade: #925256, #925267, #925279, #92528A and #895292

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #925256 shade matches the following richer shades: #925256, #A54046, #B82D36, #CA1A25 and #DD0815

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #925256 shade: #925256, #806566, #6D7777, #5B8A87 and #489C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #925256 shade: #925279, #925268, #925256, #925F52 and #927052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #925256 shade: #5E3437, #784347, #925256, #A8656A and #B78083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #925256 shade: #925256, #8A9252 and #527092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #925256 shade: #925256, #569252 and #525692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #925256 shade: #925256, #8A9252, #52928E and #5B5292

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #925256 shade: #925256, #779252, #52928E and #6E5292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

Complementary color

CMYK 37 / 0 / 2 / 32

HEX #6DADA9

RGB 109 173 169

HSL 176.25, 0.28%, 0.55%

LAB 66.52, -21.38, -4.44

 

CMYK 0 / 46 / 46 / 41

HEX #975251

RGB 151 82 81

HSL 0.86, 0.3%, 0.45%

LAB 43.07, 28.54, 13.38

 

CMYK 0 / 40 / 40 / 34

HEX #A86464

RGB 168 100 100

HSL 0, 0.28%, 0.53%

LAB 49.93, 27.43, 11.8

 

CMYK 0 / 36 / 36 / 27

HEX #B97677

RGB 185 118 119

HSL 359.1, 0.32%, 0.59%

LAB 56.69, 26.43, 10.45

 

CMYK 0 / 33 / 32 / 21

HEX #CA888A

RGB 202 136 138

HSL 358.18, 0.38%, 0.66%

LAB 63.34, 25.53, 9.26

 

CMYK 0 / 30 / 28 / 14

HEX #DB9A9D

RGB 219 154 157

HSL 357.23, 0.47%, 0.73%

LAB 69.9, 24.73, 8.2

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 50 / 48 / 49

HEX #814043

RGB 129 64 67

HSL 357.23, 0.34%, 0.38%

LAB 35.48, 28.25, 11.11

 

CMYK 0 / 59 / 57 / 56

HEX #702E30

RGB 112 46 48

HSL 358.18, 0.42%, 0.31%

LAB 28.41, 29.44, 13.3

 

CMYK 0 / 71 / 69 / 63

HEX #5F1C1D

RGB 95 28 29

HSL 359.1, 0.54%, 0.24%

LAB 21.4, 30.48, 16.25

 

CMYK 0 / 87 / 87 / 69

HEX #4E0A0A

RGB 78 10 10

HSL 0, 0.77%, 0.17%

LAB 14.73, 30.76, 18.65

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 44 / 44 / 43

HEX #925252

RGB 146 82 82

HSL 0, 0.28%, 0.45%

LAB 42.39, 26.64, 11.72

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 44 / 29 / 43

HEX #925267

RGB 146 82 103

HSL 340.31, 0.28%, 0.45%

LAB 42.95, 29.37, -0.38

 

CMYK 0 / 44 / 17 / 43

HEX #925279

RGB 146 82 121

HSL 323.44, 0.28%, 0.45%

LAB 43.55, 32.18, -10.52

 

CMYK 0 / 44 / 5 / 43

HEX #92528A

RGB 146 82 138

HSL 307.5, 0.28%, 0.45%

LAB 44.21, 35.18, -19.83

 

CMYK 6 / 44 / 0 / 43

HEX #895292

RGB 137 82 146

HSL 291.56, 0.28%, 0.45%

LAB 43.4, 33.84, -25.98

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 61 / 58 / 35

HEX #A54046

RGB 165 64 70

HSL 356.44, 0.44%, 0.45%

LAB 41.39, 42.17, 18.22

 

CMYK 0 / 76 / 71 / 28

HEX #B82D36

RGB 184 45 54

HSL 356.12, 0.61%, 0.45%

LAB 41.74, 55.16, 29.18

 

CMYK 0 / 87 / 82 / 21

HEX #CA1A25

RGB 202 26 37

HSL 356.25, 0.77%, 0.45%

LAB 43.4, 64.57, 41.87

 

CMYK 0 / 96 / 90 / 13

HEX #DD0815

RGB 221 8 21

HSL 356.34, 0.93%, 0.45%

LAB 46.45, 71.43, 53.71

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 21 / 20 / 50

HEX #806566

RGB 128 101 102

HSL 357.78, 0.12%, 0.45%

LAB 45.44, 11, 3.56

 

CMYK 8 / 0 / 0 / 53

HEX #6D7777

RGB 109 119 119

HSL 180, 0.04%, 0.45%

LAB 49.22, -3.73, -1.29

 

CMYK 34 / 0 / 2 / 46

HEX #5B8A87

RGB 91 138 135

HSL 176.17, 0.21%, 0.45%

LAB 54.19, -16.59, -3.48

 

CMYK 54 / 0 / 3 / 39

HEX #489C97

RGB 72 156 151

HSL 176.43, 0.37%, 0.45%

LAB 59.33, -26.59, -5.14

 

CMYK 0 / 44 / 17 / 43

HEX #925279

RGB 146 82 121

HSL 323.44, 0.28%, 0.45%

LAB 43.55, 32.18, -10.52

 

CMYK 0 / 44 / 29 / 43

HEX #925268

RGB 146 82 104

HSL 339.38, 0.28%, 0.45%

LAB 42.98, 29.51, -0.95

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 35 / 44 / 43

HEX #925F52

RGB 146 95 82

HSL 12.19, 0.28%, 0.45%

LAB 45.5, 19.18, 15.99

 

CMYK 0 / 23 / 44 / 43

HEX #927052

RGB 146 112 82

HSL 28.13, 0.28%, 0.45%

LAB 49.87, 9.31, 21.83

 

CMYK 0 / 45 / 41 / 63

HEX #5E3437

RGB 94 52 55

HSL 355.71, 0.29%, 0.29%

LAB 27.05, 19.26, 6.35

 

CMYK 0 / 44 / 41 / 53

HEX #784347

RGB 120 67 71

HSL 355.47, 0.28%, 0.37%

LAB 34.93, 23.33, 7.61

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 0 / 40 / 37 / 34

HEX #A8656A

RGB 168 101 106

HSL 355.52, 0.28%, 0.53%

LAB 50.3, 27.6, 8.76

 

CMYK 0 / 30 / 28 / 28

HEX #B78083

RGB 183 128 131

HSL 356.73, 0.28%, 0.61%

LAB 59.11, 21.7, 6.93

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 5 / 0 / 44 / 43

HEX #8A9252

RGB 138 146 82

HSL 67.5, 0.28%, 0.45%

LAB 58.57, -13.14, 32.86

 

CMYK 44 / 23 / 0 / 43

HEX #527092

RGB 82 112 146

HSL 211.88, 0.28%, 0.45%

LAB 46.25, -1.41, -21.96

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 41 / 0 / 44 / 43

HEX #569252

RGB 86 146 82

HSL 116.25, 0.28%, 0.45%

LAB 55.22, -33, 27.91

 

CMYK 44 / 41 / 0 / 43

HEX #525692

RGB 82 86 146

HSL 236.25, 0.28%, 0.45%

LAB 38.77, 14.73, -33.65

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 5 / 0 / 44 / 43

HEX #8A9252

RGB 138 146 82

HSL 67.5, 0.28%, 0.45%

LAB 58.57, -13.14, 32.86

 

CMYK 44 / 0 / 3 / 43

HEX #52928E

RGB 82 146 142

HSL 176.25, 0.28%, 0.45%

LAB 56.39, -21.53, -4.31

 

CMYK 38 / 44 / 0 / 43

HEX #5B5292

RGB 91 82 146

HSL 248.44, 0.28%, 0.45%

LAB 38.44, 19.77, -34.12

 

CMYK 0 / 44 / 41 / 43

HEX #925256

RGB 146 82 86

HSL 356.25, 0.28%, 0.45%

LAB 42.49, 27.11, 9.4

 

CMYK 18 / 0 / 44 / 43

HEX #779252

RGB 119 146 82

HSL 85.31, 0.28%, 0.45%

LAB 57.16, -20.91, 30.78

 

CMYK 44 / 0 / 3 / 43

HEX #52928E

RGB 82 146 142

HSL 176.25, 0.28%, 0.45%

LAB 56.39, -21.53, -4.31

 

CMYK 25 / 44 / 0 / 43

HEX #6E5292

RGB 110 82 146

HSL 266.25, 0.28%, 0.45%

LAB 40.29, 25.38, -31.08

 

Description

Color code: HEX #925256 | qconv.com Color code: HEX #925256 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 82 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 82 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 41 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 41% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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