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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9258A5 it is the complementary color #6DA75A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9258A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9258A5 shade: #9758A0, #A86AB3, #B97CC6, #CA8ED9 and #DBA0EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9258A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9258A5 shade: #9258A5, #814692, #70347F, #5F226C and #4E1059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9258A5 shade: #9259A5, #A559A4, #A5598F, #A5597A and #A55966

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9258A5 shade: #9259A5, #7E59A5, #6959A5 and #5959A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9258A5 shade matches the following richer shades: #9259A5, #9D44BA, #A72FCF, #B21BE3 and #BC06F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9258A5 shade: #9259A5, #886D91, #7D827C, #739767 and #69AB53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9258A5 shade: #6959A5, #7E59A5, #9259A5, #A559A4 and #A55990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9258A5 shade: #633C70, #7B4A8A, #9259A5, #A474B4 and #B58EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9258A5 shade: #9258A5, #A5595D and #59A574

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9258A5 shade: #9258A5, #A59259 and #59A592

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9258A5 shade: #9258A5, #A5595D, #6CA559 and #59A5A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9258A5 shade: #9258A5, #A56C59, #6CA559 and #5992A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

Complementary color

CMYK 35 / 0 / 46 / 35

HEX #6DA75A

RGB 109 167 90

HSL 105.19, 0.3%, 0.5%

LAB 63.03, -33.8, 33.85

 

CMYK 6 / 45 / 0 / 37

HEX #9758A0

RGB 151 88 160

HSL 292.5, 0.29%, 0.49%

LAB 47.1, 37.76, -28.43

 

CMYK 6 / 41 / 0 / 30

HEX #A86AB3

RGB 168 106 179

HSL 290.96, 0.32%, 0.56%

LAB 53.91, 36.97, -28.8

 

CMYK 7 / 37 / 0 / 22

HEX #B97CC6

RGB 185 124 198

HSL 289.46, 0.39%, 0.63%

LAB 60.61, 36.2, -29.12

 

CMYK 7 / 35 / 0 / 15

HEX #CA8ED9

RGB 202 142 217

HSL 288, 0.5%, 0.7%

LAB 67.21, 35.47, -29.41

 

CMYK 7 / 32 / 0 / 7

HEX #DBA0EC

RGB 219 160 236

HSL 286.58, 0.67%, 0.78%

LAB 73.71, 34.77, -29.68

 

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

CMYK 12 / 52 / 0 / 43

HEX #814692

RGB 129 70 146

HSL 286.58, 0.35%, 0.42%

LAB 39.79, 38.08, -31.71

 

CMYK 12 / 59 / 0 / 50

HEX #70347F

RGB 112 52 127

HSL 288, 0.42%, 0.35%

LAB 32.77, 38.79, -31.27

 

CMYK 12 / 69 / 0 / 58

HEX #5F226C

RGB 95 34 108

HSL 289.46, 0.52%, 0.28%

LAB 25.74, 39.18, -30.55

 

CMYK 12 / 82 / 0 / 65

HEX #4E1059

RGB 78 16 89

HSL 290.96, 0.7%, 0.21%

LAB 18.85, 38.75, -29.25

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 0 / 46 / 1 / 35

HEX #A559A4

RGB 165 89 164

HSL 300.79, 0.3%, 0.5%

LAB 49.28, 42.31, -27.26

 

CMYK 0 / 46 / 13 / 35

HEX #A5598F

RGB 165 89 143

HSL 317.37, 0.3%, 0.5%

LAB 48.42, 38.56, -16.15

 

CMYK 0 / 46 / 26 / 35

HEX #A5597A

RGB 165 89 122

HSL 333.95, 0.3%, 0.5%

LAB 47.69, 35.26, -4.67

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 24 / 46 / 0 / 35

HEX #7E59A5

RGB 126 89 165

HSL 269.21, 0.3%, 0.5%

LAB 44.66, 30.74, -35.43

 

CMYK 36 / 46 / 0 / 35

HEX #6959A5

RGB 105 89 165

HSL 252.63, 0.3%, 0.5%

LAB 42.56, 24.76, -38.89

 

CMYK 46 / 46 / 0 / 35

HEX #5959A5

RGB 89 89 165

HSL 240, 0.3%, 0.5%

LAB 41.19, 20.55, -41.14

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 16 / 63 / 0 / 27

HEX #9D44BA

RGB 157 68 186

HSL 285.25, 0.46%, 0.5%

LAB 45.42, 54.89, -46.32

 

CMYK 19 / 77 / 0 / 19

HEX #A72FCF

RGB 167 47 207

HSL 285, 0.63%, 0.5%

LAB 45.29, 69.34, -58.64

 

CMYK 22 / 88 / 0 / 11

HEX #B21BE3

RGB 178 27 227

HSL 285.3, 0.79%, 0.5%

LAB 46.7, 79.78, -67.73

 

CMYK 24 / 98 / 0 / 3

HEX #BC06F8

RGB 188 6 248

HSL 285.12, 0.95%, 0.5%

LAB 49.01, 87.33, -75.77

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 6 / 25 / 0 / 43

HEX #886D91

RGB 136 109 145

HSL 285, 0.14%, 0.5%

LAB 49.76, 17.55, -15.62

 

CMYK 4 / 0 / 5 / 49

HEX #7D827C

RGB 125 130 124

HSL 110, 0.02%, 0.5%

LAB 53.79, -3.05, 2.59

 

CMYK 24 / 0 / 32 / 41

HEX #739767

RGB 115 151 103

HSL 105, 0.19%, 0.5%

LAB 58.75, -21.93, 21.37

 

CMYK 39 / 0 / 51 / 33

HEX #69AB53

RGB 105 171 83

HSL 105, 0.35%, 0.5%

LAB 63.96, -37.9, 38.51

 

CMYK 36 / 46 / 0 / 35

HEX #6959A5

RGB 105 89 165

HSL 252.63, 0.3%, 0.5%

LAB 42.56, 24.76, -38.89

 

CMYK 24 / 46 / 0 / 35

HEX #7E59A5

RGB 126 89 165

HSL 269.21, 0.3%, 0.5%

LAB 44.66, 30.74, -35.43

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 0 / 46 / 1 / 35

HEX #A559A4

RGB 165 89 164

HSL 300.79, 0.3%, 0.5%

LAB 49.28, 42.31, -27.26

 

CMYK 0 / 46 / 13 / 35

HEX #A55990

RGB 165 89 144

HSL 316.58, 0.3%, 0.5%

LAB 48.46, 38.73, -16.69

 

CMYK 12 / 46 / 0 / 56

HEX #633C70

RGB 99 60 112

HSL 285, 0.3%, 0.34%

LAB 31.93, 26.95, -23.3

 

CMYK 11 / 46 / 0 / 46

HEX #7B4A8A

RGB 123 74 138

HSL 285.94, 0.3%, 0.42%

LAB 39.49, 32.26, -27.38

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 9 / 36 / 0 / 29

HEX #A474B4

RGB 164 116 180

HSL 285, 0.3%, 0.58%

LAB 55.76, 30.32, -26.53

 

CMYK 7 / 27 / 0 / 24

HEX #B58EC2

RGB 181 142 194

HSL 285, 0.3%, 0.66%

LAB 64.21, 24.1, -21.36

 

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

CMYK 0 / 46 / 44 / 35

HEX #A5595D

RGB 165 89 93

HSL 356.84, 0.3%, 0.5%

LAB 46.89, 31.51, 11.69

 

CMYK 46 / 0 / 30 / 35

HEX #59A574

RGB 89 165 116

HSL 141.32, 0.3%, 0.5%

LAB 61.91, -34.85, 18.26

 

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

CMYK 0 / 12 / 46 / 35

HEX #A59259

RGB 165 146 89

HSL 45, 0.3%, 0.5%

LAB 61.03, -0.91, 32.71

 

CMYK 46 / 0 / 12 / 35

HEX #59A592

RGB 89 165 146

HSL 165, 0.3%, 0.5%

LAB 62.6, -28.29, 2.55

 

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

CMYK 0 / 46 / 44 / 35

HEX #A5595D

RGB 165 89 93

HSL 356.84, 0.3%, 0.5%

LAB 46.89, 31.51, 11.69

 

CMYK 35 / 0 / 46 / 35

HEX #6CA559

RGB 108 165 89

HSL 105, 0.3%, 0.5%

LAB 62.36, -33.36, 33.51

 

CMYK 46 / 0 / 2 / 35

HEX #59A5A1

RGB 89 165 161

HSL 176.84, 0.3%, 0.5%

LAB 63.02, -24.53, -5.26

 

CMYK 12 / 47 / 0 / 35

HEX #9258A5

RGB 146 88 165

HSL 285.19, 0.3%, 0.5%

LAB 46.72, 37.28, -32.03

 

CMYK 0 / 35 / 46 / 35

HEX #A56C59

RGB 165 108 89

HSL 15, 0.3%, 0.5%

LAB 51.2, 20.46, 19.96

 

CMYK 35 / 0 / 46 / 35

HEX #6CA559

RGB 108 165 89

HSL 105, 0.3%, 0.5%

LAB 62.36, -33.36, 33.51

 

CMYK 46 / 12 / 0 / 35

HEX #5992A5

RGB 89 146 165

HSL 195, 0.3%, 0.5%

LAB 57.46, -13.46, -15.84

 

Description

Color code: HEX #9258A5 | qconv.com Color code: HEX #9258A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 88 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 88 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 47 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 47% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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