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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9255C7 it is the complementary color #6DAA38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9255C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9255C7 shade: #9755C2, #A867D5, #B979E8, #CA8BFB and #DB9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9255C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9255C7 shade: #9255C7, #8143B4, #7031A1, #5F1F8E and #4E0D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9255C7 shade: #9256C6, #B156C6, #C656BE, #C656A0 and #C65682

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9255C7 shade: #9256C6, #7456C6 and #5656C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9255C7 shade matches the following richer shades: #9256C6, #9444D9, #9532EB and #9620FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9255C7 shade: #9256C6, #9168B4, #907BA2, #8E8D90 and #8D9F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9255C7 shade: #5656C6, #7456C6, #9256C6, #B056C6 and #C656BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9255C7 shade: #693298, #7E3DB7, #9256C6, #A675D1 and #BA94DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9255C7 shade: #9255C7, #C65674 and #56C665

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9255C7 shade: #9255C7, #C69256 and #56C692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9255C7 shade: #9255C7, #C65674, #8BC656 and #56C6A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9255C7 shade: #9255C7, #C65A56, #8BC656 and #56C3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

Complementary color

CMYK 36 / 0 / 67 / 33

HEX #6DAA38

RGB 109 170 56

HSL 92.11, 0.5%, 0.44%

LAB 63.58, -38.86, 50.58

 

CMYK 22 / 56 / 0 / 24

HEX #9755C2

RGB 151 85 194

HSL 276.33, 0.47%, 0.55%

LAB 48.22, 46.7, -46.55

 

CMYK 21 / 52 / 0 / 16

HEX #A867D5

RGB 168 103 213

HSL 275.45, 0.57%, 0.62%

LAB 54.9, 45.87, -46.7

 

CMYK 20 / 48 / 0 / 9

HEX #B979E8

RGB 185 121 232

HSL 274.59, 0.71%, 0.69%

LAB 61.49, 45.02, -46.8

 

CMYK 20 / 45 / 0 / 2

HEX #CA8BFB

RGB 202 139 251

HSL 273.75, 0.93%, 0.76%

LAB 68.01, 44.19, -46.87

 

CMYK 14 / 38 / 0 / 0

HEX #DB9DFF

RGB 219 157 255

HSL 277.96, 1%, 0.81%

LAB 73.8, 40.22, -39.86

 

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

CMYK 28 / 63 / 0 / 29

HEX #8143B4

RGB 129 67 180

HSL 272.92, 0.46%, 0.48%

LAB 41.18, 47.42, -49.81

 

CMYK 30 / 70 / 0 / 37

HEX #7031A1

RGB 112 49 161

HSL 273.75, 0.53%, 0.41%

LAB 34.43, 48.04, -49.48

 

CMYK 33 / 78 / 0 / 44

HEX #5F1F8E

RGB 95 31 142

HSL 274.59, 0.64%, 0.34%

LAB 27.75, 48.17, -48.8

 

CMYK 37 / 89 / 0 / 52

HEX #4E0D7B

RGB 78 13 123

HSL 275.45, 0.81%, 0.27%

LAB 21.35, 47.2, -47.41

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 11 / 57 / 0 / 22

HEX #B156C6

RGB 177 86 198

HSL 288.75, 0.5%, 0.56%

LAB 51.93, 53.78, -42.77

 

CMYK 0 / 57 / 4 / 22

HEX #C656BE

RGB 198 86 190

HSL 304.29, 0.5%, 0.56%

LAB 54.43, 57.9, -34.04

 

CMYK 0 / 57 / 19 / 22

HEX #C656A0

RGB 198 86 160

HSL 320.36, 0.5%, 0.56%

LAB 53.17, 53.15, -18.54

 

CMYK 0 / 57 / 34 / 22

HEX #C65682

RGB 198 86 130

HSL 336.43, 0.5%, 0.56%

LAB 52.14, 49.13, -2.34

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 41 / 57 / 0 / 22

HEX #7456C6

RGB 116 86 198

HSL 256.07, 0.5%, 0.56%

LAB 44.87, 38.59, -54.46

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 32 / 69 / 0 / 15

HEX #9444D9

RGB 148 68 217

HSL 272.21, 0.66%, 0.56%

LAB 46.23, 59.65, -63

 

CMYK 37 / 79 / 0 / 8

HEX #9532EB

RGB 149 50 235

HSL 272.11, 0.82%, 0.56%

LAB 45.18, 71.08, -74.94

 

CMYK 41 / 87 / 0 / 1

HEX #9620FD

RGB 150 32 253

HSL 272.04, 0.98%, 0.56%

LAB 45.09, 80.19, -85.19

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 19 / 42 / 0 / 29

HEX #9168B4

RGB 145 104 180

HSL 272.37, 0.34%, 0.56%

LAB 50.94, 31.26, -34.2

 

CMYK 11 / 24 / 0 / 36

HEX #907BA2

RGB 144 123 162

HSL 272.31, 0.17%, 0.56%

LAB 54.77, 15.79, -17.86

 

CMYK 1 / 2 / 0 / 44

HEX #8E8D90

RGB 142 141 144

HSL 260, 0.01%, 0.56%

LAB 58.8, 0.96, -1.47

 

CMYK 11 / 0 / 21 / 38

HEX #8D9F7E

RGB 141 159 126

HSL 92.73, 0.15%, 0.56%

LAB 63.31, -12.59, 15.14

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 41 / 57 / 0 / 22

HEX #7456C6

RGB 116 86 198

HSL 256.07, 0.5%, 0.56%

LAB 44.87, 38.59, -54.46

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 11 / 57 / 0 / 22

HEX #B056C6

RGB 176 86 198

HSL 288.21, 0.5%, 0.56%

LAB 51.8, 53.52, -42.99

 

CMYK 0 / 57 / 4 / 22

HEX #C656BF

RGB 198 86 191

HSL 303.75, 0.5%, 0.56%

LAB 54.47, 58.07, -34.54

 

CMYK 31 / 67 / 0 / 40

HEX #693298

RGB 105 50 152

HSL 272.35, 0.5%, 0.4%

LAB 33.03, 43.83, -46.32

 

CMYK 31 / 67 / 0 / 28

HEX #7E3DB7

RGB 126 61 183

HSL 271.97, 0.5%, 0.48%

LAB 39.9, 50.47, -53.65

 

CMYK 26 / 57 / 0 / 22

HEX #9256C6

RGB 146 86 198

HSL 272.14, 0.5%, 0.56%

LAB 48.06, 45.82, -49.16

 

CMYK 21 / 44 / 0 / 18

HEX #A675D1

RGB 166 117 209

HSL 271.96, 0.5%, 0.64%

LAB 57.49, 36.74, -40.35

 

CMYK 15 / 32 / 0 / 14

HEX #BA94DB

RGB 186 148 219

HSL 272.11, 0.5%, 0.72%

LAB 67.08, 27.6, -30.85

 

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

CMYK 0 / 57 / 41 / 22

HEX #C65674

RGB 198 86 116

HSL 343.93, 0.5%, 0.56%

LAB 51.75, 47.53, 5.44

 

CMYK 57 / 0 / 49 / 22

HEX #56C665

RGB 86 198 101

HSL 128.04, 0.5%, 0.56%

LAB 71.76, -52.13, 39.01

 

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

CMYK 0 / 26 / 57 / 22

HEX #C69256

RGB 198 146 86

HSL 32.14, 0.5%, 0.56%

LAB 64.35, 12.88, 39.15

 

CMYK 57 / 0 / 26 / 22

HEX #56C692

RGB 86 198 146

HSL 152.14, 0.5%, 0.56%

LAB 72.52, -44.11, 16.63

 

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

CMYK 0 / 57 / 41 / 22

HEX #C65674

RGB 198 86 116

HSL 343.93, 0.5%, 0.56%

LAB 51.75, 47.53, 5.44

 

CMYK 30 / 0 / 57 / 22

HEX #8BC656

RGB 139 198 86

HSL 91.61, 0.5%, 0.56%

LAB 73.9, -37.79, 49.3

 

CMYK 57 / 0 / 15 / 22

HEX #56C6A8

RGB 86 198 168

HSL 163.93, 0.5%, 0.56%

LAB 73.02, -39.16, 5.47

 

CMYK 27 / 57 / 0 / 22

HEX #9255C7

RGB 146 85 199

HSL 272.11, 0.5%, 0.56%

LAB 47.92, 46.59, -49.96

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 30 / 0 / 57 / 22

HEX #8BC656

RGB 139 198 86

HSL 91.61, 0.5%, 0.56%

LAB 73.9, -37.79, 49.3

 

CMYK 57 / 2 / 0 / 22

HEX #56C3C6

RGB 86 195 198

HSL 181.61, 0.5%, 0.56%

LAB 72.95, -30.05, -10.94

 

Description

Color code: HEX #9255C7 | qconv.com Color code: HEX #9255C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 85 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 85 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 57 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 57% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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