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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92553A it is the complementary color #6DAAC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92553A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92553A shade: #975535, #A86748, #B9795B, #CA8B6E and #DB9D81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92553A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92553A shade: #92553A, #814327, #703114, #5F1F01 and #4E0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92553A shade: #91553A, #913D3A and #913A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92553A shade: #91553A, #916C3A, #91843A, #87913A and #70913A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92553A shade matches the following richer shades: #91553A, #A24E29, #B24819 and #C34108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92553A shade: #91553A, #815B4A, #70615B, #60686B and #4F6E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92553A shade: #913A4E, #913D3A, #91543A, #916B3A and #91833A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92553A shade: #563222, #74432E, #91553A, #AF6645 and #BF7C5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92553A shade: #92553A, #66913A and #3A4291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92553A shade: #92553A, #3A9154 and #543A91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92553A shade: #92553A, #66913A, #3A7791 and #663A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92553A shade: #92553A, #4B913A, #3A7791 and #803A91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

Complementary color

CMYK 45 / 14 / 0 / 23

HEX #6DAAC5

RGB 109 170 197

HSL 198.41, 0.43%, 0.6%

LAB 66.54, -12.51, -19.95

 

CMYK 0 / 44 / 65 / 41

HEX #975535

RGB 151 85 53

HSL 19.59, 0.48%, 0.4%

LAB 43.26, 24.35, 30.25

 

CMYK 0 / 39 / 57 / 34

HEX #A86748

RGB 168 103 72

HSL 19.38, 0.4%, 0.47%

LAB 50.09, 22.91, 28.36

 

CMYK 0 / 35 / 51 / 27

HEX #B9795B

RGB 185 121 91

HSL 19.15, 0.4%, 0.54%

LAB 56.83, 21.67, 26.68

 

CMYK 0 / 31 / 46 / 21

HEX #CA8B6E

RGB 202 139 110

HSL 18.91, 0.46%, 0.61%

LAB 63.46, 20.59, 25.17

 

CMYK 0 / 28 / 41 / 14

HEX #DB9D81

RGB 219 157 129

HSL 18.67, 0.56%, 0.68%

LAB 70.01, 19.65, 23.81

 

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

CMYK 0 / 48 / 70 / 49

HEX #814327

RGB 129 67 39

HSL 18.67, 0.54%, 0.33%

LAB 35.65, 24.14, 28.5

 

CMYK 0 / 56 / 82 / 56

HEX #703114

RGB 112 49 20

HSL 18.91, 0.7%, 0.26%

LAB 28.62, 25.93, 30.72

 

CMYK 0 / 67 / 99 / 63

HEX #5F1F01

RGB 95 31 1

HSL 19.15, 0.98%, 0.19%

LAB 21.63, 27.77, 31.39

 

CMYK 0 / 83 / 100 / 69

HEX #4E0D00

RGB 78 13 0

HSL 10, 1%, 0.15%

LAB 14.99, 29.28, 23.06

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 0 / 58 / 60 / 43

HEX #913D3A

RGB 145 61 58

HSL 2.07, 0.43%, 0.4%

LAB 37.23, 35.3, 19.57

 

CMYK 0 / 60 / 60 / 43

HEX #913A3A

RGB 145 58 58

HSL 0, 0.43%, 0.4%

LAB 36.65, 36.82, 18.82

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 0 / 26 / 60 / 43

HEX #916C3A

RGB 145 108 58

HSL 34.48, 0.43%, 0.4%

LAB 48.32, 8.83, 33.32

 

CMYK 0 / 9 / 60 / 43

HEX #91843A

RGB 145 132 58

HSL 51.03, 0.43%, 0.4%

LAB 54.89, -4.79, 40.91

 

CMYK 7 / 0 / 60 / 43

HEX #87913A

RGB 135 145 58

HSL 66.9, 0.43%, 0.4%

LAB 57.76, -16.22, 43.88

 

CMYK 23 / 0 / 60 / 43

HEX #70913A

RGB 112 145 58

HSL 82.76, 0.43%, 0.4%

LAB 56.09, -25.89, 41.55

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 0 / 52 / 75 / 36

HEX #A24E29

RGB 162 78 41

HSL 18.35, 0.6%, 0.4%

LAB 43.2, 32.1, 37.21

 

CMYK 0 / 60 / 86 / 30

HEX #B24819

RGB 178 72 25

HSL 18.43, 0.75%, 0.4%

LAB 44.48, 40.89, 47

 

CMYK 0 / 67 / 96 / 24

HEX #C34108

RGB 195 65 8

HSL 18.29, 0.92%, 0.4%

LAB 46.18, 49.94, 55.2

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 0 / 29 / 43 / 49

HEX #815B4A

RGB 129 91 74

HSL 18.55, 0.27%, 0.4%

LAB 42.22, 13.29, 15.99

 

CMYK 0 / 13 / 19 / 56

HEX #70615B

RGB 112 97 91

HSL 17.14, 0.1%, 0.4%

LAB 42.38, 4.94, 5.63

 

CMYK 10 / 3 / 0 / 58

HEX #60686B

RGB 96 104 107

HSL 196.36, 0.05%, 0.4%

LAB 43.43, -2.39, -2.74

 

CMYK 36 / 11 / 0 / 51

HEX #4F6E7C

RGB 79 110 124

HSL 198.67, 0.22%, 0.4%

LAB 44.62, -7.43, -11.35

 

CMYK 0 / 60 / 46 / 43

HEX #913A4E

RGB 145 58 78

HSL 346.21, 0.43%, 0.4%

LAB 37.11, 38.66, 6.79

 

CMYK 0 / 58 / 60 / 43

HEX #913D3A

RGB 145 61 58

HSL 2.07, 0.43%, 0.4%

LAB 37.23, 35.3, 19.57

 

CMYK 0 / 42 / 60 / 43

HEX #91543A

RGB 145 84 58

HSL 17.93, 0.43%, 0.4%

LAB 42.26, 22.72, 25.95

 

CMYK 0 / 26 / 60 / 43

HEX #916B3A

RGB 145 107 58

HSL 33.79, 0.43%, 0.4%

LAB 48.06, 9.4, 33.01

 

CMYK 0 / 10 / 60 / 43

HEX #91833A

RGB 145 131 58

HSL 50.34, 0.43%, 0.4%

LAB 54.61, -4.24, 40.6

 

CMYK 0 / 42 / 60 / 66

HEX #563222

RGB 86 50 34

HSL 18.46, 0.43%, 0.24%

LAB 24.87, 14.44, 17.01

 

CMYK 0 / 42 / 60 / 55

HEX #74432E

RGB 116 67 46

HSL 18, 0.43%, 0.32%

LAB 33.83, 18.92, 21.7

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 0 / 42 / 61 / 31

HEX #AF6645

RGB 175 102 69

HSL 18.68, 0.43%, 0.48%

LAB 50.74, 26.16, 31.07

 

CMYK 0 / 35 / 50 / 25

HEX #BF7C5F

RGB 191 124 95

HSL 18.13, 0.43%, 0.56%

LAB 58.34, 22.86, 26.54

 

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

CMYK 30 / 0 / 60 / 43

HEX #66913A

RGB 102 145 58

HSL 89.66, 0.43%, 0.4%

LAB 55.46, -29.85, 40.67

 

CMYK 60 / 54 / 0 / 43

HEX #3A4291

RGB 58 66 145

HSL 234.48, 0.43%, 0.4%

LAB 31.44, 21.74, -44.85

 

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

CMYK 60 / 0 / 42 / 43

HEX #3A9154

RGB 58 145 84

HSL 137.93, 0.43%, 0.4%

LAB 53.8, -40.19, 24.77

 

CMYK 42 / 60 / 0 / 43

HEX #543A91

RGB 84 58 145

HSL 257.93, 0.43%, 0.4%

LAB 31.7, 32.6, -44.31

 

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

CMYK 30 / 0 / 60 / 43

HEX #66913A

RGB 102 145 58

HSL 89.66, 0.43%, 0.4%

LAB 55.46, -29.85, 40.67

 

CMYK 60 / 18 / 0 / 43

HEX #3A7791

RGB 58 119 145

HSL 197.93, 0.43%, 0.4%

LAB 47.15, -11.65, -20.08

 

CMYK 30 / 60 / 0 / 43

HEX #663A91

RGB 102 58 145

HSL 270.34, 0.43%, 0.4%

LAB 33.76, 37.05, -40.89

 

CMYK 0 / 42 / 60 / 43

HEX #92553A

RGB 146 85 58

HSL 18.41, 0.43%, 0.4%

LAB 42.63, 22.58, 26.45

 

CMYK 48 / 0 / 60 / 43

HEX #4B913A

RGB 75 145 58

HSL 108.28, 0.43%, 0.4%

LAB 54.08, -39.34, 38.73

 

CMYK 60 / 18 / 0 / 43

HEX #3A7791

RGB 58 119 145

HSL 197.93, 0.43%, 0.4%

LAB 47.15, -11.65, -20.08

 

CMYK 12 / 60 / 0 / 43

HEX #803A91

RGB 128 58 145

HSL 288.28, 0.43%, 0.4%

LAB 37.22, 43.91, -35.17

 

Description

Color code: HEX #92553A | qconv.com Color code: HEX #92553A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 85 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 85 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 60 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 60% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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