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Color name
HEX #922B4C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #922B4C it is the complementary color #6DD4B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #922B4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #922B4C shade: #972B47, #A83D5A, #B94F6D, #CA6180 and #DB7393

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #922B4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #922B4C shade: #922B4C, #811939, #700726, #5F0013 and #4E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #922B4C shade: #912B4C, #912B30 and #912B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #922B4C shade: #912B4C, #912B67, #912B82, #842B91 and #682B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #922B4C shade matches the following richer shades: #912B4C, #A01C46 and #AF0C41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #922B4C shade: #912B4C, #823A51, #724957, #63595C and #546861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #922B4C shade: #912B83, #912B68, #912B4D, #912B32 and #913F2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #922B4C shade: #51182A, #71213B, #912B4C, #B1345C and #C84770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #922B4C shade: #922B4C, #91832B and #2B7691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #922B4C shade: #922B4C, #4D912B and #2B4D91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #922B4C shade: #922B4C, #91832B, #2B916F and #2B3891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #922B4C shade: #922B4C, #80912B, #2B916F and #3C2B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

Complementary color

CMYK 49 / 0 / 16 / 17

HEX #6DD4B3

RGB 109 212 179

HSL 160.78, 0.54%, 0.63%

LAB 78.22, -37.84, 7.14

 

CMYK 0 / 72 / 53 / 41

HEX #972B47

RGB 151 43 71

HSL 344.44, 0.56%, 0.38%

LAB 35.52, 46.7, 9.19

 

CMYK 0 / 64 / 46 / 34

HEX #A83D5A

RGB 168 61 90

HSL 343.74, 0.47%, 0.45%

LAB 41.85, 46.38, 6.5

 

CMYK 0 / 57 / 41 / 27

HEX #B94F6D

RGB 185 79 109

HSL 343.02, 0.43%, 0.52%

LAB 48.27, 45.71, 4.39

 

CMYK 0 / 52 / 37 / 21

HEX #CA6180

RGB 202 97 128

HSL 342.29, 0.5%, 0.59%

LAB 54.73, 44.89, 2.69

 

CMYK 0 / 47 / 33 / 14

HEX #DB7393

RGB 219 115 147

HSL 341.54, 0.59%, 0.65%

LAB 61.16, 44.02, 1.26

 

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

CMYK 0 / 81 / 56 / 49

HEX #811939

RGB 129 25 57

HSL 341.54, 0.68%, 0.3%

LAB 28.53, 45.19, 8

 

CMYK 0 / 94 / 66 / 56

HEX #700726

RGB 112 7 38

HSL 342.29, 0.88%, 0.23%

LAB 22.78, 43.5, 12.55

 

CMYK 0 / 100 / 80 / 63

HEX #5F0013

RGB 95 0 19

HSL 348, 1%, 0.19%

LAB 17.83, 39.48, 18.72

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 0 / 70 / 67 / 43

HEX #912B30

RGB 145 43 48

HSL 357.06, 0.54%, 0.37%

LAB 33.9, 43.01, 21.59

 

CMYK 0 / 70 / 70 / 43

HEX #912B2B

RGB 145 43 43

HSL 0, 0.54%, 0.37%

LAB 33.82, 42.72, 24.63

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 0 / 70 / 29 / 43

HEX #912B67

RGB 145 43 103

HSL 324.71, 0.54%, 0.37%

LAB 35.45, 48.36, -11.57

 

CMYK 0 / 70 / 10 / 43

HEX #912B82

RGB 145 43 130

HSL 308.82, 0.54%, 0.37%

LAB 36.67, 52.31, -26.65

 

CMYK 9 / 70 / 0 / 43

HEX #842B91

RGB 132 43 145

HSL 292.35, 0.54%, 0.37%

LAB 35.36, 51.75, -38.1

 

CMYK 28 / 70 / 0 / 43

HEX #682B91

RGB 104 43 145

HSL 275.88, 0.54%, 0.37%

LAB 31.15, 45.38, -45.08

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 0 / 83 / 56 / 37

HEX #A01C46

RGB 160 28 70

HSL 340.91, 0.7%, 0.37%

LAB 35.49, 54.24, 10.06

 

CMYK 0 / 93 / 63 / 31

HEX #AF0C41

RGB 175 12 65

HSL 340.49, 0.87%, 0.37%

LAB 37.41, 60.95, 16.42

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 0 / 55 / 38 / 49

HEX #823A51

RGB 130 58 81

HSL 340.83, 0.38%, 0.37%

LAB 34.73, 33.57, 1.14

 

CMYK 0 / 36 / 24 / 55

HEX #724957

RGB 114 73 87

HSL 339.51, 0.22%, 0.37%

LAB 36.04, 19.65, -1.04

 

CMYK 0 / 10 / 7 / 61

HEX #63595C

RGB 99 89 92

HSL 342, 0.05%, 0.37%

LAB 38.85, 4.64, -0.26

 

CMYK 19 / 0 / 7 / 59

HEX #546861

RGB 84 104 97

HSL 159, 0.11%, 0.37%

LAB 42.23, -9.08, 1.45

 

CMYK 0 / 70 / 10 / 43

HEX #912B83

RGB 145 43 131

HSL 308.24, 0.54%, 0.37%

LAB 36.72, 52.47, -27.19

 

CMYK 0 / 70 / 28 / 43

HEX #912B68

RGB 145 43 104

HSL 324.12, 0.54%, 0.37%

LAB 35.49, 48.49, -12.15

 

CMYK 0 / 70 / 47 / 43

HEX #912B4D

RGB 145 43 77

HSL 340, 0.54%, 0.37%

LAB 34.57, 45.35, 3.81

 

CMYK 0 / 70 / 66 / 43

HEX #912B32

RGB 145 43 50

HSL 355.88, 0.54%, 0.37%

LAB 33.94, 43.14, 20.36

 

CMYK 0 / 57 / 70 / 43

HEX #913F2B

RGB 145 63 43

HSL 11.76, 0.54%, 0.37%

LAB 37.39, 33.25, 28.85

 

CMYK 0 / 70 / 48 / 68

HEX #51182A

RGB 81 24 42

HSL 341.05, 0.54%, 0.21%

LAB 18.23, 28.35, 2.42

 

CMYK 0 / 71 / 48 / 56

HEX #71213B

RGB 113 33 59

HSL 340.5, 0.55%, 0.29%

LAB 26.49, 37.28, 3.31

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 0 / 71 / 48 / 31

HEX #B1345C

RGB 177 52 92

HSL 340.8, 0.55%, 0.45%

LAB 42.12, 53.16, 5.85

 

CMYK 0 / 65 / 44 / 22

HEX #C84770

RGB 200 71 112

HSL 340.93, 0.54%, 0.53%

LAB 49.44, 54.52, 4.58

 

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

CMYK 0 / 10 / 70 / 43

HEX #91832B

RGB 145 131 43

HSL 51.76, 0.54%, 0.37%

LAB 54.48, -5.25, 47.37

 

CMYK 70 / 19 / 0 / 43

HEX #2B7691

RGB 43 118 145

HSL 195.88, 0.54%, 0.37%

LAB 46.33, -13.82, -21.39

 

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

CMYK 47 / 0 / 70 / 43

HEX #4D912B

RGB 77 145 43

HSL 100, 0.54%, 0.37%

LAB 54.03, -40.19, 45.43

 

CMYK 70 / 47 / 0 / 43

HEX #2B4D91

RGB 43 77 145

HSL 220, 0.54%, 0.37%

LAB 33.7, 11.63, -41.25

 

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

CMYK 0 / 10 / 70 / 43

HEX #91832B

RGB 145 131 43

HSL 51.76, 0.54%, 0.37%

LAB 54.48, -5.25, 47.37

 

CMYK 70 / 0 / 23 / 43

HEX #2B916F

RGB 43 145 111

HSL 160, 0.54%, 0.37%

LAB 53.93, -37.44, 9.74

 

CMYK 70 / 61 / 0 / 43

HEX #2B3891

RGB 43 56 145

HSL 232.35, 0.54%, 0.37%

LAB 27.81, 25.83, -50.78

 

CMYK 0 / 71 / 48 / 43

HEX #922B4C

RGB 146 43 76

HSL 340.78, 0.54%, 0.37%

LAB 34.72, 45.57, 4.7

 

CMYK 12 / 0 / 70 / 43

HEX #80912B

RGB 128 145 43

HSL 70, 0.54%, 0.37%

LAB 57.09, -20.33, 49.54

 

CMYK 70 / 0 / 23 / 43

HEX #2B916F

RGB 43 145 111

HSL 160, 0.54%, 0.37%

LAB 53.93, -37.44, 9.74

 

CMYK 59 / 70 / 0 / 43

HEX #3C2B91

RGB 60 43 145

HSL 250, 0.54%, 0.37%

LAB 25.96, 36.78, -53.75

 

Description

Color code: HEX #922B4C | qconv.com Color code: HEX #922B4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 43 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 43 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 48 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 48% 43% C M Y K

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Provide designers and agencies with accurate color values.

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