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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920EA5 it is the complementary color #6DF15A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920EA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920EA5 shade: #970EA0, #A820B3, #B932C6, #CA44D9 and #DB56EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920EA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920EA5 shade: #920EA5, #810092, #70007F, #5F006C and #4E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920EA5 shade: #910EA4, #A40E8E, #A40E66, #A40E3D and #A40E15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920EA5 shade: #910EA4, #680EA4, #400EA4, #180EA4 and #0E0EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920EA5 shade matches the following richer shades: #910EA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920EA5 shade: #910EA4, #861C95, #7B2B87, #703978 and #66486A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920EA5 shade: #400EA4, #680EA4, #900EA4, #A40E90 and #A40E68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920EA5 shade: #4E0758, #6F0A7E, #910EA4, #B211CA and #D019EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920EA5 shade: #920EA5, #A4180E and #0EA454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920EA5 shade: #920EA5, #A4900E and #0EA490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920EA5 shade: #920EA5, #A4180E, #22A40E and #0E9AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920EA5 shade: #920EA5, #A4450E, #22A40E and #0E6DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

Complementary color

CMYK 55 / 0 / 63 / 5

HEX #6DF15A

RGB 109 241 90

HSL 112.45, 0.84%, 0.65%

LAB 85.45, -63.83, 60.29

 

CMYK 6 / 91 / 0 / 37

HEX #970EA0

RGB 151 14 160

HSL 296.3, 0.84%, 0.34%

LAB 36.8, 66.11, -44.73

 

CMYK 6 / 82 / 0 / 30

HEX #A820B3

RGB 168 32 179

HSL 295.51, 0.7%, 0.41%

LAB 42.17, 68.76, -47.31

 

CMYK 7 / 75 / 0 / 22

HEX #B932C6

RGB 185 50 198

HSL 294.73, 0.6%, 0.49%

LAB 47.84, 70.24, -49.2

 

CMYK 7 / 69 / 0 / 15

HEX #CA44D9

RGB 202 68 217

HSL 293.96, 0.66%, 0.56%

LAB 53.71, 70.92, -50.58

 

CMYK 7 / 64 / 0 / 7

HEX #DB56EC

RGB 219 86 236

HSL 293.2, 0.8%, 0.63%

LAB 59.68, 71.07, -51.63

 

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

CMYK 12 / 100 / 0 / 43

HEX #810092

RGB 129 0 146

HSL 293.01, 1%, 0.29%

LAB 31.21, 62.06, -45.39

 

CMYK 12 / 100 / 0 / 50

HEX #70007F

RGB 112 0 127

HSL 292.91, 1%, 0.25%

LAB 26.67, 56.09, -41.03

 

CMYK 12 / 100 / 0 / 58

HEX #5F006C

RGB 95 0 108

HSL 292.78, 1%, 0.21%

LAB 22, 49.96, -36.55

 

CMYK 12 / 100 / 0 / 65

HEX #4E0059

RGB 78 0 89

HSL 292.58, 1%, 0.17%

LAB 17.18, 43.63, -31.93

 

CMYK 12 / 91 / 0 / 36

HEX #910EA4

RGB 145 14 164

HSL 292.4, 0.84%, 0.35%

LAB 36.01, 65.76, -48.47

 

CMYK 0 / 91 / 13 / 36

HEX #A40E8E

RGB 164 14 142

HSL 308.8, 0.84%, 0.35%

LAB 38.13, 65.81, -31.52

 

CMYK 0 / 91 / 38 / 36

HEX #A40E66

RGB 164 14 102

HSL 324.8, 0.84%, 0.35%

LAB 36.3, 60.97, -9.3

 

CMYK 0 / 91 / 63 / 36

HEX #A40E3D

RGB 164 14 61

HSL 341.2, 0.84%, 0.35%

LAB 35.09, 57.63, 15.5

 

CMYK 0 / 91 / 87 / 36

HEX #A40E15

RGB 164 14 21

HSL 357.2, 0.84%, 0.35%

LAB 34.52, 56.01, 39.36

 

CMYK 12 / 91 / 0 / 36

HEX #910EA4

RGB 145 14 164

HSL 292.4, 0.84%, 0.35%

LAB 36.01, 65.76, -48.47

 

CMYK 37 / 91 / 0 / 36

HEX #680EA4

RGB 104 14 164

HSL 276, 0.84%, 0.35%

LAB 29.25, 59.66, -59.77

 

CMYK 61 / 91 / 0 / 36

HEX #400EA4

RGB 64 14 164

HSL 260, 0.84%, 0.35%

LAB 23.95, 55.47, -68.7

 

CMYK 85 / 91 / 0 / 36

HEX #180EA4

RGB 24 14 164

HSL 244, 0.84%, 0.35%

LAB 20.78, 53.35, -74.05

 

CMYK 91 / 91 / 0 / 36

HEX #0E0EA4

RGB 14 14 164

HSL 240, 0.84%, 0.35%

LAB 20.39, 53.11, -74.71

 

CMYK 12 / 91 / 0 / 36

HEX #910EA4

RGB 145 14 164

HSL 292.4, 0.84%, 0.35%

LAB 36.01, 65.76, -48.47

 

CMYK 12 / 91 / 0 / 36

HEX #910EA4

RGB 145 14 164

HSL 292.4, 0.84%, 0.35%

LAB 36.01, 65.76, -48.47

 

CMYK 10 / 81 / 0 / 42

HEX #861C95

RGB 134 28 149

HSL 292.56, 0.68%, 0.35%

LAB 34.13, 58.12, -42.5

 

CMYK 9 / 68 / 0 / 47

HEX #7B2B87

RGB 123 43 135

HSL 292.17, 0.52%, 0.35%

LAB 33.32, 47.66, -35.26

 

CMYK 7 / 53 / 0 / 53

HEX #703978

RGB 112 57 120

HSL 292.38, 0.36%, 0.35%

LAB 33.41, 34.59, -25.89

 

CMYK 4 / 32 / 0 / 58

HEX #66486A

RGB 102 72 106

HSL 292.94, 0.19%, 0.35%

LAB 35, 19.29, -14.73

 

CMYK 61 / 91 / 0 / 36

HEX #400EA4

RGB 64 14 164

HSL 260, 0.84%, 0.35%

LAB 23.95, 55.47, -68.7

 

CMYK 37 / 91 / 0 / 36

HEX #680EA4

RGB 104 14 164

HSL 276, 0.84%, 0.35%

LAB 29.25, 59.66, -59.77

 

CMYK 12 / 91 / 0 / 36

HEX #900EA4

RGB 144 14 164

HSL 292, 0.84%, 0.35%

LAB 35.84, 65.6, -48.76

 

CMYK 0 / 91 / 12 / 36

HEX #A40E90

RGB 164 14 144

HSL 308, 0.84%, 0.35%

LAB 38.23, 66.09, -32.57

 

CMYK 0 / 91 / 37 / 36

HEX #A40E68

RGB 164 14 104

HSL 324, 0.84%, 0.35%

LAB 36.38, 61.18, -10.46

 

CMYK 11 / 92 / 0 / 65

HEX #4E0758

RGB 78 7 88

HSL 292.59, 0.85%, 0.19%

LAB 17.81, 41.35, -30.25

 

CMYK 12 / 92 / 0 / 51

HEX #6F0A7E

RGB 111 10 126

HSL 292.24, 0.85%, 0.27%

LAB 27.03, 53.92, -39.84

 

CMYK 12 / 91 / 0 / 36

HEX #910EA4

RGB 145 14 164

HSL 292.4, 0.84%, 0.35%

LAB 36.01, 65.76, -48.47

 

CMYK 12 / 92 / 0 / 21

HEX #B211CA

RGB 178 17 202

HSL 292.22, 0.84%, 0.43%

LAB 44.42, 77.03, -57.08

 

CMYK 11 / 89 / 0 / 8

HEX #D019EB

RGB 208 25 235

HSL 292.29, 0.84%, 0.51%

LAB 51.95, 85.98, -63.53

 

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

CMYK 0 / 85 / 91 / 36

HEX #A4180E

RGB 164 24 14

HSL 4, 0.84%, 0.35%

LAB 35.16, 53.92, 43.17

 

CMYK 91 / 0 / 49 / 36

HEX #0EA454

RGB 14 164 84

HSL 148, 0.84%, 0.35%

LAB 59.24, -53.75, 31.59

 

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

CMYK 0 / 12 / 91 / 36

HEX #A4900E

RGB 164 144 14

HSL 52, 0.84%, 0.35%

LAB 59.77, -4.7, 61.71

 

CMYK 91 / 0 / 12 / 36

HEX #0EA490

RGB 14 164 144

HSL 172, 0.84%, 0.35%

LAB 60.48, -39.93, 0.37

 

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

CMYK 0 / 85 / 91 / 36

HEX #A4180E

RGB 164 24 14

HSL 4, 0.84%, 0.35%

LAB 35.16, 53.92, 43.17

 

CMYK 79 / 0 / 91 / 36

HEX #22A40E

RGB 34 164 14

HSL 112, 0.84%, 0.35%

LAB 58.9, -58.71, 58.13

 

CMYK 91 / 6 / 0 / 36

HEX #0E9AA4

RGB 14 154 164

HSL 184, 0.84%, 0.35%

LAB 57.93, -29.21, -14.75

 

CMYK 12 / 92 / 0 / 35

HEX #920EA5

RGB 146 14 165

HSL 292.45, 0.84%, 0.35%

LAB 36.26, 66.1, -48.67

 

CMYK 0 / 58 / 91 / 36

HEX #A4450E

RGB 164 69 14

HSL 22, 0.84%, 0.35%

LAB 41.5, 36.69, 47.79

 

CMYK 79 / 0 / 91 / 36

HEX #22A40E

RGB 34 164 14

HSL 112, 0.84%, 0.35%

LAB 58.9, -58.71, 58.13

 

CMYK 91 / 34 / 0 / 36

HEX #0E6DA4

RGB 14 109 164

HSL 202, 0.84%, 0.35%

LAB 43.82, -4.57, -36.58

 

Description

Color code: HEX #920EA5 | qconv.com Color code: HEX #920EA5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 14 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 14 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 92 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 92% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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