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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91CEDE it is the complementary color #6E3121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91CEDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91CEDE shade: #96CED9, #A7E0EC, #B8F2FF, #C9FFFF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91CEDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91CEDE shade: #91CEDE, #80BCCB, #6FAAB8, #5E98A5 and #4D8692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91CEDE shade: #91CEDE, #91B9DE, #91A4DE, #9291DE and #A791DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91CEDE shade: #91CEDE, #91B9DE, #91A4DE and #9191DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91CEDE shade matches the following richer shades: #91CEDE, #85D4E9 and #79DBF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91CEDE shade: #91CEDE, #9CC7D2, #A8C0C7, #B3B9BB and #BFB3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91CEDE shade: #91DEC4, #91DED9, #91CEDE, #91BADE and #91A5DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91CEDE shade: #51B1CB, #71C0D4, #91CEDE, #B0DCE7 and #D0EAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91CEDE shade: #91CEDE, #AF91DE and #DECE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91CEDE shade: #91CEDE, #DE91CE and #CEDE91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91CEDE shade: #91CEDE, #AF91DE, #DEA091 and #BFDE91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91CEDE shade: #91CEDE, #C791DE, #DEA091 and #A8DE91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

Complementary color

CMYK 0 / 55 / 70 / 57

HEX #6E3121

RGB 110 49 33

HSL 12.47, 0.54%, 0.28%

LAB 28.44, 25.77, 22.87

 

CMYK 31 / 5 / 0 / 15

HEX #96CED9

RGB 150 206 217

HSL 189.85, 0.47%, 0.72%

LAB 79.41, -15.36, -11.27

 

CMYK 29 / 5 / 0 / 7

HEX #A7E0EC

RGB 167 224 236

HSL 190.43, 0.64%, 0.79%

LAB 85.8, -15.34, -11.74

 

CMYK 28 / 5 / 0 / 0

HEX #B8F2FF

RGB 184 242 255

HSL 190.99, 1%, 0.86%

LAB 92.09, -15.32, -12.2

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 37 / 7 / 0 / 20

HEX #80BCCB

RGB 128 188 203

HSL 192, 0.42%, 0.65%

LAB 72.8, -15.52, -13.7

 

CMYK 40 / 8 / 0 / 28

HEX #6FAAB8

RGB 111 170 184

HSL 191.51, 0.34%, 0.58%

LAB 66.21, -15.49, -13.24

 

CMYK 43 / 8 / 0 / 35

HEX #5E98A5

RGB 94 152 165

HSL 190.99, 0.28%, 0.51%

LAB 59.48, -15.43, -12.77

 

CMYK 47 / 8 / 0 / 43

HEX #4D8692

RGB 77 134 146

HSL 190.43, 0.31%, 0.44%

LAB 52.62, -15.33, -12.27

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 35 / 17 / 0 / 13

HEX #91B9DE

RGB 145 185 222

HSL 208.83, 0.54%, 0.72%

LAB 73.54, -4.47, -22.84

 

CMYK 35 / 26 / 0 / 13

HEX #91A4DE

RGB 145 164 222

HSL 225.19, 0.54%, 0.72%

LAB 67.91, 7.12, -31.49

 

CMYK 34 / 35 / 0 / 13

HEX #9291DE

RGB 146 145 222

HSL 240.78, 0.54%, 0.72%

LAB 63.04, 18.25, -39.06

 

CMYK 25 / 35 / 0 / 13

HEX #A791DE

RGB 167 145 222

HSL 257.14, 0.54%, 0.72%

LAB 64.76, 24.24, -36.25

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 35 / 17 / 0 / 13

HEX #91B9DE

RGB 145 185 222

HSL 208.83, 0.54%, 0.72%

LAB 73.54, -4.47, -22.84

 

CMYK 35 / 26 / 0 / 13

HEX #91A4DE

RGB 145 164 222

HSL 225.19, 0.54%, 0.72%

LAB 67.91, 7.12, -31.49

 

CMYK 35 / 35 / 0 / 13

HEX #9191DE

RGB 145 145 222

HSL 240, 0.54%, 0.72%

LAB 62.96, 17.97, -39.18

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 43 / 9 / 0 / 9

HEX #85D4E9

RGB 133 212 233

HSL 192.6, 0.69%, 0.72%

LAB 80.71, -18.91, -17.95

 

CMYK 51 / 11 / 0 / 4

HEX #79DBF5

RGB 121 219 245

HSL 192.58, 0.86%, 0.72%

LAB 82.55, -21.97, -21.6

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 26 / 5 / 0 / 18

HEX #9CC7D2

RGB 156 199 210

HSL 192.22, 0.38%, 0.72%

LAB 77.62, -11.63, -10.13

 

CMYK 16 / 4 / 0 / 22

HEX #A8C0C7

RGB 168 192 199

HSL 193.55, 0.22%, 0.72%

LAB 76.16, -6.66, -6.27

 

CMYK 4 / 1 / 0 / 27

HEX #B3B9BB

RGB 179 185 187

HSL 195, 0.06%, 0.72%

LAB 74.74, -1.7, -1.75

 

CMYK 0 / 6 / 8 / 25

HEX #BFB3AF

RGB 191 179 175

HSL 15, 0.11%, 0.72%

LAB 73.81, 3.57, 3.56

 

CMYK 35 / 0 / 12 / 13

HEX #91DEC4

RGB 145 222 196

HSL 159.74, 0.54%, 0.72%

LAB 83.05, -29.4, 5.24

 

CMYK 35 / 0 / 2 / 13

HEX #91DED9

RGB 145 222 217

HSL 176.1, 0.54%, 0.72%

LAB 83.59, -24.75, -5.09

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 35 / 16 / 0 / 13

HEX #91BADE

RGB 145 186 222

HSL 208.05, 0.54%, 0.72%

LAB 73.81, -5.01, -22.43

 

CMYK 35 / 26 / 0 / 13

HEX #91A5DE

RGB 145 165 222

HSL 224.42, 0.54%, 0.72%

LAB 68.17, 6.56, -31.08

 

CMYK 60 / 13 / 0 / 20

HEX #51B1CB

RGB 81 177 203

HSL 192.79, 0.54%, 0.56%

LAB 67.65, -20.55, -21.68

 

CMYK 47 / 9 / 0 / 17

HEX #71C0D4

RGB 113 192 212

HSL 192.12, 0.54%, 0.64%

LAB 73.52, -19.01, -17.59

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 24 / 5 / 0 / 9

HEX #B0DCE7

RGB 176 220 231

HSL 192, 0.53%, 0.8%

LAB 85.09, -11.83, -10.09

 

CMYK 14 / 3 / 0 / 5

HEX #D0EAF1

RGB 208 234 241

HSL 192.73, 0.54%, 0.88%

LAB 91.06, -7.11, -6.28

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 21 / 35 / 0 / 13

HEX #AF91DE

RGB 175 145 222

HSL 263.38, 0.54%, 0.72%

LAB 65.47, 26.61, -35.09

 

CMYK 0 / 7 / 35 / 13

HEX #DECE91

RGB 222 206 145

HSL 47.53, 0.54%, 0.72%

LAB 82.76, -3.3, 32.39

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 0 / 35 / 7 / 13

HEX #DE91CE

RGB 222 145 206

HSL 312.47, 0.54%, 0.72%

LAB 69.64, 38.21, -19.4

 

CMYK 7 / 0 / 35 / 13

HEX #CEDE91

RGB 206 222 145

HSL 72.47, 0.54%, 0.72%

LAB 85.71, -17.53, 36.03

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 21 / 35 / 0 / 13

HEX #AF91DE

RGB 175 145 222

HSL 263.38, 0.54%, 0.72%

LAB 65.47, 26.61, -35.09

 

CMYK 0 / 28 / 35 / 13

HEX #DEA091

RGB 222 160 145

HSL 11.69, 0.54%, 0.72%

LAB 71.36, 21.08, 16.94

 

CMYK 14 / 0 / 35 / 13

HEX #BFDE91

RGB 191 222 145

HSL 84.16, 0.54%, 0.72%

LAB 84.67, -23.11, 34.48

 

CMYK 35 / 7 / 0 / 13

HEX #91CEDE

RGB 145 206 222

HSL 192.47, 0.54%, 0.72%

LAB 79.29, -15.54, -14.15

 

CMYK 10 / 35 / 0 / 13

HEX #C791DE

RGB 199 145 222

HSL 282.08, 0.54%, 0.72%

LAB 67.77, 33.91, -31.33

 

CMYK 0 / 28 / 35 / 13

HEX #DEA091

RGB 222 160 145

HSL 11.69, 0.54%, 0.72%

LAB 71.36, 21.08, 16.94

 

CMYK 24 / 0 / 35 / 13

HEX #A8DE91

RGB 168 222 145

HSL 102.08, 0.54%, 0.72%

LAB 83.24, -31.3, 32.32

 

Description

Color code: HEX #91CEDE | qconv.com Color code: HEX #91CEDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 206 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 206 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 7 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 7% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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