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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9197FD it is the complementary color #6E6802. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9197FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9197FD shade: #9697F8, #A7A9FF, #B8BBFF, #C9CDFF and #DADFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9197FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9197FD shade: #9197FD, #8085EA, #6F73D7, #5E61C4 and #4D4FB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9197FD shade: #9197FC, #A891FC, #C591FC, #E291FC and #FC91FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9197FD shade: #9197FC and #9191FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9197FD shade matches the following richer shades: #9197FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9197FD shade: #9197FC, #9A9FF3, #A3A7EA, #ACAFE1 and #B5B7D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9197FD shade: #91D1FC, #91B4FC, #9198FC, #A691FC and #C391FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9197FD shade: #404AFB, #6870FB, #9197FC, #B9BDFD and #E1E3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9197FD shade: #9197FD, #FC91EE and #C3FC91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9197FD shade: #9197FD, #FC9198 and #98FC91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9197FD shade: #9197FD, #FC91EE, #FCF591 and #91FC9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9197FD shade: #9197FD, #FC91CE, #FCF591 and #91FCBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

Complementary color

CMYK 0 / 5 / 98 / 57

HEX #6E6802

RGB 110 104 2

HSL 56.67, 0.96%, 0.22%

LAB 43.09, -8.19, 49.04

 

CMYK 40 / 39 / 0 / 3

HEX #9697F8

RGB 150 151 248

HSL 239.39, 0.88%, 0.78%

LAB 66.05, 22.84, -48.63

 

CMYK 35 / 34 / 0 / 0

HEX #A7A9FF

RGB 167 169 255

HSL 238.64, 1%, 0.83%

LAB 72.1, 18.9, -42.85

 

CMYK 28 / 27 / 0 / 0

HEX #B8BBFF

RGB 184 187 255

HSL 237.46, 1%, 0.86%

LAB 77.85, 13.63, -33.83

 

CMYK 21 / 20 / 0 / 0

HEX #C9CDFF

RGB 201 205 255

HSL 235.56, 1%, 0.89%

LAB 83.6, 8.86, -24.9

 

CMYK 15 / 13 / 0 / 0

HEX #DADFFF

RGB 218 223 255

HSL 231.89, 1%, 0.93%

LAB 89.35, 4.55, -16.09

 

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

CMYK 45 / 43 / 0 / 8

HEX #8085EA

RGB 128 133 234

HSL 237.17, 0.72%, 0.71%

LAB 59.26, 23.97, -51.78

 

CMYK 48 / 47 / 0 / 16

HEX #6F73D7

RGB 111 115 215

HSL 237.69, 0.57%, 0.64%

LAB 52.45, 25.11, -52.04

 

CMYK 52 / 51 / 0 / 23

HEX #5E61C4

RGB 94 97 196

HSL 238.24, 0.46%, 0.57%

LAB 45.52, 26.45, -52.35

 

CMYK 56 / 55 / 0 / 31

HEX #4D4FB1

RGB 77 79 177

HSL 238.8, 0.39%, 0.5%

LAB 38.45, 28.04, -52.7

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 33 / 42 / 0 / 1

HEX #A891FC

RGB 168 145 252

HSL 252.9, 0.95%, 0.78%

LAB 66.22, 31.95, -50.46

 

CMYK 22 / 42 / 0 / 1

HEX #C591FC

RGB 197 145 252

HSL 269.16, 0.95%, 0.78%

LAB 68.86, 39.79, -46.12

 

CMYK 10 / 42 / 0 / 1

HEX #E291FC

RGB 226 145 252

HSL 285.42, 0.95%, 0.78%

LAB 71.86, 47.97, -41.21

 

CMYK 0 / 42 / 1 / 1

HEX #FC91FA

RGB 252 145 250

HSL 301.12, 0.95%, 0.78%

LAB 74.73, 55.07, -35.43

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 42 / 42 / 0 / 1

HEX #9191FC

RGB 145 145 252

HSL 240, 0.95%, 0.78%

LAB 64.4, 26.17, -53.45

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 37 / 35 / 0 / 5

HEX #9A9FF3

RGB 154 159 243

HSL 236.63, 0.79%, 0.78%

LAB 68.12, 17.95, -42.62

 

CMYK 30 / 29 / 0 / 8

HEX #A3A7EA

RGB 163 167 234

HSL 236.62, 0.63%, 0.78%

LAB 70.43, 13.58, -34.06

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 16 / 15 / 0 / 15

HEX #B5B7D8

RGB 181 183 216

HSL 236.57, 0.31%, 0.78%

LAB 75.23, 5.99, -16.79

 

CMYK 42 / 17 / 0 / 1

HEX #91D1FC

RGB 145 209 252

HSL 204.11, 0.95%, 0.78%

LAB 81.1, -9.46, -27.43

 

CMYK 42 / 29 / 0 / 1

HEX #91B4FC

RGB 145 180 252

HSL 220.37, 0.95%, 0.78%

LAB 73.34, 6.23, -39.4

 

CMYK 42 / 40 / 0 / 1

HEX #9198FC

RGB 145 152 252

HSL 236.07, 0.95%, 0.78%

LAB 66.14, 22.12, -50.7

 

CMYK 34 / 42 / 0 / 1

HEX #A691FC

RGB 166 145 252

HSL 251.78, 0.95%, 0.78%

LAB 66.05, 31.43, -50.74

 

CMYK 23 / 42 / 0 / 1

HEX #C391FC

RGB 195 145 252

HSL 268.04, 0.95%, 0.78%

LAB 68.67, 39.23, -46.44

 

CMYK 75 / 71 / 0 / 2

HEX #404AFB

RGB 64 74 251

HSL 236.79, 0.96%, 0.62%

LAB 42.69, 53.9, -88.3

 

CMYK 59 / 55 / 0 / 2

HEX #6870FB

RGB 104 112 251

HSL 236.73, 0.95%, 0.7%

LAB 53.49, 36.76, -70.56

 

CMYK 42 / 40 / 0 / 1

HEX #9197FC

RGB 145 151 252

HSL 236.64, 0.95%, 0.78%

LAB 65.89, 22.7, -51.1

 

CMYK 27 / 25 / 0 / 1

HEX #B9BDFD

RGB 185 189 253

HSL 236.47, 0.94%, 0.86%

LAB 78.35, 12.34, -31.98

 

CMYK 11 / 11 / 0 / 0

HEX #E1E3FE

RGB 225 227 254

HSL 235.86, 0.94%, 0.94%

LAB 90.83, 4.46, -13.29

 

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

CMYK 0 / 42 / 6 / 1

HEX #FC91EE

RGB 252 145 238

HSL 307.85, 0.95%, 0.78%

LAB 74.27, 53.02, -29.62

 

CMYK 23 / 0 / 42 / 1

HEX #C3FC91

RGB 195 252 145

HSL 91.96, 0.95%, 0.78%

LAB 93.13, -35.77, 45.43

 

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

CMYK 0 / 42 / 40 / 1

HEX #FC9198

RGB 252 145 152

HSL 356.07, 0.95%, 0.78%

LAB 71.7, 41, 14.07

 

CMYK 40 / 0 / 42 / 1

HEX #98FC91

RGB 152 252 145

HSL 116.07, 0.95%, 0.78%

LAB 90.94, -49.72, 42.19

 

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

CMYK 0 / 42 / 6 / 1

HEX #FC91EE

RGB 252 145 238

HSL 307.85, 0.95%, 0.78%

LAB 74.27, 53.02, -29.62

 

CMYK 0 / 3 / 42 / 1

HEX #FCF591

RGB 252 245 145

HSL 56.07, 0.95%, 0.78%

LAB 95.18, -11.29, 48.84

 

CMYK 42 / 0 / 37 / 1

HEX #91FC9F

RGB 145 252 159

HSL 127.85, 0.95%, 0.78%

LAB 90.85, -49.66, 35.13

 

CMYK 43 / 40 / 0 / 1

HEX #9197FD

RGB 145 151 253

HSL 236.67, 0.96%, 0.78%

LAB 65.94, 22.98, -51.56

 

CMYK 0 / 42 / 18 / 1

HEX #FC91CE

RGB 252 145 206

HSL 325.79, 0.95%, 0.78%

LAB 73.16, 47.96, -13.75

 

CMYK 0 / 3 / 42 / 1

HEX #FCF591

RGB 252 245 145

HSL 56.07, 0.95%, 0.78%

LAB 95.18, -11.29, 48.84

 

CMYK 42 / 0 / 24 / 1

HEX #91FCBF

RGB 145 252 191

HSL 145.79, 0.95%, 0.78%

LAB 91.42, -44.1, 19.72

 

Description

Color code: HEX #9197FD | qconv.com Color code: HEX #9197FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 151 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 151 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 40 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 40% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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