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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918DE8 it is the complementary color #6E7217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918DE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918DE8 shade: #968DE3, #A79FF6, #B8B1FF, #C9C3FF and #DAD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918DE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918DE8 shade: #918DE8, #807BD5, #6F69C2, #5E57AF and #4D459C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918DE8 shade: #908CE7, #A98CE7, #C18CE7, #DA8CE7 and #E78CDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918DE8 shade: #908CE7 and #8C8CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918DE8 shade matches the following richer shades: #908CE7, #8681F2 and #7C76FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918DE8 shade: #908CE7, #9A97DC, #A5A2D1, #AFAEC6 and #B9B9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918DE8 shade: #8CBAE7, #8CA1E7, #8F8CE7, #A78CE7 and #C08CE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918DE8 shade: #4E48D9, #6F6AE0, #908CE7, #B1AEEE and #D2D1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918DE8 shade: #918DE8, #E78CD2 and #AEE78C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918DE8 shade: #918DE8, #E78F8C and #8CE78F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918DE8 shade: #918DE8, #E78CD2, #E4E78C and #8CE7A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918DE8 shade: #918DE8, #E78CB7, #E4E78C and #8CE7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

Complementary color

CMYK 4 / 0 / 80 / 55

HEX #6E7217

RGB 110 114 23

HSL 62.64, 0.66%, 0.27%

LAB 46.19, -13.11, 46.02

 

CMYK 34 / 38 / 0 / 11

HEX #968DE3

RGB 150 141 227

HSL 246.28, 0.61%, 0.72%

LAB 62.57, 22.97, -42.54

 

CMYK 32 / 35 / 0 / 4

HEX #A79FF6

RGB 167 159 246

HSL 245.52, 0.83%, 0.79%

LAB 69.23, 22.23, -42.45

 

CMYK 28 / 31 / 0 / 0

HEX #B8B1FF

RGB 184 177 255

HSL 245.38, 1%, 0.85%

LAB 75.36, 19.14, -37.67

 

CMYK 21 / 24 / 0 / 0

HEX #C9C3FF

RGB 201 195 255

HSL 246, 1%, 0.88%

LAB 81.11, 14.25, -28.7

 

CMYK 15 / 16 / 0 / 0

HEX #DAD5FF

RGB 218 213 255

HSL 247.14, 1%, 0.92%

LAB 86.86, 9.81, -19.84

 

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

CMYK 40 / 42 / 0 / 16

HEX #807BD5

RGB 128 123 213

HSL 243.33, 0.52%, 0.66%

LAB 55.64, 23.86, -45.76

 

CMYK 43 / 46 / 0 / 24

HEX #6F69C2

RGB 111 105 194

HSL 244.04, 0.42%, 0.59%

LAB 48.73, 24.9, -45.98

 

CMYK 46 / 50 / 0 / 31

HEX #5E57AF

RGB 94 87 175

HSL 244.77, 0.35%, 0.51%

LAB 41.68, 26.1, -46.26

 

CMYK 51 / 56 / 0 / 39

HEX #4D459C

RGB 77 69 156

HSL 245.52, 0.39%, 0.44%

LAB 34.47, 27.53, -46.58

 

CMYK 38 / 39 / 0 / 9

HEX #908CE7

RGB 144 140 231

HSL 242.64, 0.65%, 0.73%

LAB 62.04, 23.02, -45.62

 

CMYK 27 / 39 / 0 / 9

HEX #A98CE7

RGB 169 140 231

HSL 259.12, 0.65%, 0.73%

LAB 64.13, 29.82, -42.2

 

CMYK 16 / 39 / 0 / 9

HEX #C18CE7

RGB 193 140 231

HSL 274.95, 0.65%, 0.73%

LAB 66.42, 36.74, -38.46

 

CMYK 6 / 39 / 0 / 9

HEX #DA8CE7

RGB 218 140 231

HSL 291.43, 0.65%, 0.73%

LAB 69.06, 44.16, -34.14

 

CMYK 0 / 39 / 5 / 9

HEX #E78CDC

RGB 231 140 220

HSL 307.25, 0.65%, 0.73%

LAB 70.11, 46.11, -26.33

 

CMYK 38 / 39 / 0 / 9

HEX #908CE7

RGB 144 140 231

HSL 242.64, 0.65%, 0.73%

LAB 62.04, 23.02, -45.62

 

CMYK 39 / 39 / 0 / 9

HEX #8C8CE7

RGB 140 140 231

HSL 240, 0.65%, 0.73%

LAB 61.74, 21.98, -46.12

 

CMYK 38 / 39 / 0 / 9

HEX #908CE7

RGB 144 140 231

HSL 242.64, 0.65%, 0.73%

LAB 62.04, 23.02, -45.62

 

CMYK 45 / 47 / 0 / 5

HEX #8681F2

RGB 134 129 242

HSL 242.65, 0.81%, 0.73%

LAB 59.14, 30.04, -56.37

 

CMYK 51 / 53 / 0 / 1

HEX #7C76FD

RGB 124 118 253

HSL 242.67, 0.97%, 0.73%

LAB 56.42, 37.55, -66.86

 

CMYK 38 / 39 / 0 / 9

HEX #908CE7

RGB 144 140 231

HSL 242.64, 0.65%, 0.73%

LAB 62.04, 23.02, -45.62

 

CMYK 30 / 31 / 0 / 14

HEX #9A97DC

RGB 154 151 220

HSL 242.61, 0.5%, 0.73%

LAB 65.1, 16.54, -34.69

 

CMYK 21 / 22 / 0 / 18

HEX #A5A2D1

RGB 165 162 209

HSL 243.83, 0.34%, 0.73%

LAB 68.35, 10.96, -23.53

 

CMYK 12 / 12 / 0 / 22

HEX #AFAEC6

RGB 175 174 198

HSL 242.5, 0.17%, 0.73%

LAB 71.87, 5.12, -12.06

 

CMYK 1 / 1 / 0 / 27

HEX #B9B9BB

RGB 185 185 187

HSL 240, 0.01%, 0.73%

LAB 75.2, 0.38, -1.02

 

CMYK 39 / 19 / 0 / 9

HEX #8CBAE7

RGB 140 186 231

HSL 209.67, 0.65%, 0.73%

LAB 73.84, -4.03, -27.29

 

CMYK 39 / 30 / 0 / 9

HEX #8CA1E7

RGB 140 161 231

HSL 226.15, 0.65%, 0.73%

LAB 67.15, 9.87, -37.64

 

CMYK 38 / 39 / 0 / 9

HEX #8F8CE7

RGB 143 140 231

HSL 241.98, 0.65%, 0.73%

LAB 61.97, 22.75, -45.75

 

CMYK 28 / 39 / 0 / 9

HEX #A78CE7

RGB 167 140 231

HSL 257.8, 0.65%, 0.73%

LAB 63.95, 29.26, -42.49

 

CMYK 17 / 39 / 0 / 9

HEX #C08CE7

RGB 192 140 231

HSL 274.29, 0.65%, 0.73%

LAB 66.31, 36.45, -38.62

 

CMYK 64 / 67 / 0 / 15

HEX #4E48D9

RGB 78 72 217

HSL 242.48, 0.66%, 0.57%

LAB 40.02, 45.57, -73.41

 

CMYK 50 / 53 / 0 / 12

HEX #6F6AE0

RGB 111 106 224

HSL 242.54, 0.66%, 0.65%

LAB 50.77, 33.26, -59.83

 

CMYK 38 / 39 / 0 / 9

HEX #908CE7

RGB 144 140 231

HSL 242.64, 0.65%, 0.73%

LAB 62.04, 23.02, -45.62

 

CMYK 26 / 27 / 0 / 7

HEX #B1AEEE

RGB 177 174 238

HSL 242.81, 0.65%, 0.81%

LAB 73.41, 14.71, -31.55

 

CMYK 14 / 15 / 0 / 4

HEX #D2D1F5

RGB 210 209 245

HSL 241.67, 0.64%, 0.89%

LAB 84.94, 7.35, -17.5

 

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

CMYK 0 / 39 / 9 / 9

HEX #E78CD2

RGB 231 140 210

HSL 313.85, 0.65%, 0.73%

LAB 69.75, 44.41, -21.35

 

CMYK 25 / 0 / 39 / 9

HEX #AEE78C

RGB 174 231 140

HSL 97.58, 0.65%, 0.73%

LAB 86.03, -34.1, 38.56

 

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

CMYK 0 / 38 / 39 / 9

HEX #E78F8C

RGB 231 143 140

HSL 1.98, 0.65%, 0.73%

LAB 68.41, 32.99, 15.76

 

CMYK 39 / 0 / 38 / 9

HEX #8CE78F

RGB 140 231 143

HSL 121.98, 0.65%, 0.73%

LAB 84.33, -44.67, 34.52

 

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

CMYK 0 / 39 / 9 / 9

HEX #E78CD2

RGB 231 140 210

HSL 313.85, 0.65%, 0.73%

LAB 69.75, 44.41, -21.35

 

CMYK 1 / 0 / 39 / 9

HEX #E4E78C

RGB 228 231 140

HSL 61.98, 0.65%, 0.73%

LAB 89.64, -14.16, 43.91

 

CMYK 39 / 0 / 30 / 9

HEX #8CE7A1

RGB 140 231 161

HSL 133.85, 0.65%, 0.73%

LAB 84.64, -41.72, 25.75

 

CMYK 38 / 39 / 0 / 9

HEX #918DE8

RGB 145 141 232

HSL 242.64, 0.66%, 0.73%

LAB 62.42, 22.97, -45.58

 

CMYK 0 / 39 / 21 / 9

HEX #E78CB7

RGB 231 140 183

HSL 331.65, 0.65%, 0.73%

LAB 68.87, 40.16, -7.64

 

CMYK 1 / 0 / 39 / 9

HEX #E4E78C

RGB 228 231 140

HSL 61.98, 0.65%, 0.73%

LAB 89.64, -14.16, 43.91

 

CMYK 39 / 0 / 18 / 9

HEX #8CE7BD

RGB 140 231 189

HSL 152.31, 0.65%, 0.73%

LAB 85.2, -36.45, 11.99

 

Description

Color code: HEX #918DE8 | qconv.com Color code: HEX #918DE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 141 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 141 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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