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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9184AD it is the complementary color #6E7B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9184AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9184AD shade: #9684A8, #A796BB, #B8A8CE, #C9BAE1 and #DACCF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9184AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9184AD shade: #9184AD, #80729A, #6F6087, #5E4E74 and #4D3C61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9184AD shade: #9184AD, #9C84AD, #A784AD, #AD84A8 and #AD849D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9184AD shade: #9184AD, #8684AD and #8484AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9184AD shade matches the following richer shades: #9184AD, #8B74BD, #8563CE, #7F53DE and #7942EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9184AD shade: #9184AD, #97959C, #9DA58C, #A3B67B and #A9C66B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9184AD shade: #848DAD, #8684AD, #9184AD, #9C84AD and #A784AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9184AD shade: #675986, #7B6B9C, #9184AD, #A79DBD and #BDB6CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9184AD shade: #9184AD, #AD8498 and #88AD84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9184AD shade: #9184AD, #AD9184 and #84AD91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9184AD shade: #9184AD, #AD8498, #A0AD84 and #84AD99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9184AD shade: #9184AD, #AD848C, #A0AD84 and #84ADA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

Complementary color

CMYK 11 / 0 / 33 / 52

HEX #6E7B52

RGB 110 123 82

HSL 79.02, 0.2%, 0.4%

LAB 49.61, -12.36, 20.87

 

CMYK 11 / 21 / 0 / 34

HEX #9684A8

RGB 150 132 168

HSL 270, 0.17%, 0.59%

LAB 57.86, 13.92, -16.56

 

CMYK 11 / 20 / 0 / 27

HEX #A796BB

RGB 167 150 187

HSL 267.57, 0.21%, 0.66%

LAB 64.66, 13.48, -16.88

 

CMYK 11 / 18 / 0 / 19

HEX #B8A8CE

RGB 184 168 206

HSL 265.26, 0.28%, 0.73%

LAB 71.32, 13.07, -17.21

 

CMYK 11 / 17 / 0 / 12

HEX #C9BAE1

RGB 201 186 225

HSL 263.08, 0.39%, 0.81%

LAB 77.86, 12.69, -17.55

 

CMYK 11 / 16 / 0 / 4

HEX #DACCF4

RGB 218 204 244

HSL 261, 0.65%, 0.88%

LAB 84.29, 12.34, -17.89

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 17 / 26 / 0 / 40

HEX #80729A

RGB 128 114 154

HSL 261, 0.17%, 0.53%

LAB 50.64, 13.85, -19.64

 

CMYK 18 / 29 / 0 / 47

HEX #6F6087

RGB 111 96 135

HSL 263.08, 0.17%, 0.45%

LAB 43.5, 14.41, -19.44

 

CMYK 19 / 33 / 0 / 55

HEX #5E4E74

RGB 94 78 116

HSL 265.26, 0.2%, 0.38%

LAB 36.16, 15.05, -19.28

 

CMYK 21 / 38 / 0 / 62

HEX #4D3C61

RGB 77 60 97

HSL 267.57, 0.24%, 0.31%

LAB 28.57, 15.8, -19.16

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 10 / 24 / 0 / 32

HEX #9C84AD

RGB 156 132 173

HSL 275.12, 0.2%, 0.6%

LAB 58.59, 17.04, -18.26

 

CMYK 3 / 24 / 0 / 32

HEX #A784AD

RGB 167 132 173

HSL 291.22, 0.2%, 0.6%

LAB 59.65, 20.78, -16.55

 

CMYK 0 / 24 / 3 / 32

HEX #AD84A8

RGB 173 132 168

HSL 307.32, 0.2%, 0.6%

LAB 60.08, 21.89, -12.98

 

CMYK 0 / 24 / 9 / 32

HEX #AD849D

RGB 173 132 157

HSL 323.41, 0.2%, 0.6%

LAB 59.73, 19.86, -7.22

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 23 / 24 / 0 / 32

HEX #8684AD

RGB 134 132 173

HSL 242.93, 0.2%, 0.6%

LAB 56.67, 9.77, -21.36

 

CMYK 24 / 24 / 0 / 32

HEX #8484AD

RGB 132 132 173

HSL 240, 0.2%, 0.6%

LAB 56.51, 9.13, -21.62

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 26 / 39 / 0 / 26

HEX #8B74BD

RGB 139 116 189

HSL 258.9, 0.36%, 0.6%

LAB 53.66, 24.65, -35.17

 

CMYK 35 / 52 / 0 / 19

HEX #8563CE

RGB 133 99 206

HSL 259.07, 0.52%, 0.6%

LAB 49.94, 37.32, -50.83

 

CMYK 43 / 63 / 0 / 13

HEX #7F53DE

RGB 127 83 222

HSL 258.99, 0.68%, 0.6%

LAB 46.94, 49.2, -64.81

 

CMYK 49 / 72 / 0 / 6

HEX #7942EF

RGB 121 66 239

HSL 259.08, 0.84%, 0.6%

LAB 44.51, 61.3, -78.42

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 3 / 4 / 0 / 39

HEX #97959C

RGB 151 149 156

HSL 257.14, 0.03%, 0.6%

LAB 62.06, 2.1, -3.42

 

CMYK 5 / 0 / 15 / 35

HEX #9DA58C

RGB 157 165 140

HSL 79.2, 0.12%, 0.6%

LAB 66.5, -7.42, 12.01

 

CMYK 10 / 0 / 32 / 29

HEX #A3B67B

RGB 163 182 123

HSL 79.32, 0.29%, 0.6%

LAB 71.33, -16.66, 27.93

 

CMYK 15 / 0 / 46 / 22

HEX #A9C66B

RGB 169 198 107

HSL 79.12, 0.44%, 0.6%

LAB 76, -24.33, 42.21

 

CMYK 24 / 18 / 0 / 32

HEX #848DAD

RGB 132 141 173

HSL 226.83, 0.2%, 0.6%

LAB 58.95, 3.93, -17.9

 

CMYK 23 / 24 / 0 / 32

HEX #8684AD

RGB 134 132 173

HSL 242.93, 0.2%, 0.6%

LAB 56.67, 9.77, -21.36

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 10 / 24 / 0 / 32

HEX #9C84AD

RGB 156 132 173

HSL 275.12, 0.2%, 0.6%

LAB 58.59, 17.04, -18.26

 

CMYK 3 / 24 / 0 / 32

HEX #A784AD

RGB 167 132 173

HSL 291.22, 0.2%, 0.6%

LAB 59.65, 20.78, -16.55

 

CMYK 23 / 34 / 0 / 47

HEX #675986

RGB 103 89 134

HSL 258.67, 0.2%, 0.44%

LAB 40.82, 15.78, -23.04

 

CMYK 21 / 31 / 0 / 39

HEX #7B6B9C

RGB 123 107 156

HSL 259.59, 0.2%, 0.52%

LAB 48.42, 16.86, -24.26

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 12 / 17 / 0 / 26

HEX #A79DBD

RGB 167 157 189

HSL 258.75, 0.2%, 0.68%

LAB 66.52, 9.97, -15.18

 

CMYK 8 / 12 / 0 / 19

HEX #BDB6CE

RGB 189 182 206

HSL 257.5, 0.2%, 0.76%

LAB 75.28, 7.06, -11.21

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 0 / 24 / 12 / 32

HEX #AD8498

RGB 173 132 152

HSL 330.73, 0.2%, 0.6%

LAB 59.57, 18.98, -4.58

 

CMYK 21 / 0 / 24 / 32

HEX #88AD84

RGB 136 173 132

HSL 114.15, 0.2%, 0.6%

LAB 67.12, -20.65, 17.06

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 0 / 16 / 24 / 32

HEX #AD9184

RGB 173 145 132

HSL 19.02, 0.2%, 0.6%

LAB 62.34, 8.43, 10.81

 

CMYK 24 / 0 / 16 / 32

HEX #84AD91

RGB 132 173 145

HSL 139.02, 0.2%, 0.6%

LAB 67.15, -19.63, 9.93

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 0 / 24 / 12 / 32

HEX #AD8498

RGB 173 132 152

HSL 330.73, 0.2%, 0.6%

LAB 59.57, 18.98, -4.58

 

CMYK 8 / 0 / 24 / 32

HEX #A0AD84

RGB 160 173 132

HSL 79.02, 0.2%, 0.6%

LAB 68.77, -11.83, 19.59

 

CMYK 24 / 0 / 12 / 32

HEX #84AD99

RGB 132 173 153

HSL 150.73, 0.2%, 0.6%

LAB 67.35, -18.03, 5.78

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 0 / 24 / 19 / 32

HEX #AD848C

RGB 173 132 140

HSL 348.29, 0.2%, 0.6%

LAB 59.23, 16.98, 1.8

 

CMYK 8 / 0 / 24 / 32

HEX #A0AD84

RGB 160 173 132

HSL 79.02, 0.2%, 0.6%

LAB 68.77, -11.83, 19.59

 

CMYK 24 / 0 / 5 / 32

HEX #84ADA5

RGB 132 173 165

HSL 168.29, 0.2%, 0.6%

LAB 67.66, -15.49, -0.41

 

Description

Color code: HEX #9184AD | qconv.com Color code: HEX #9184AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 132 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 132 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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