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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #917B39 it is the complementary color #6E84C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #917B39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #917B39 shade: #967B34, #A78D47, #B89F5A, #C9B16D and #DAC380

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #917B39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #917B39 shade: #917B39, #806926, #6F5713, #5E4500 and #4D3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #917B39 shade: #927C39, #926439, #924C39 and #923939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #917B39 shade: #927C39, #919239, #789239, #609239 and #489239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #917B39 shade matches the following richer shades: #927C39, #A38428, #B38C18 and #C49507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #917B39 shade: #927C39, #827449, #716B5A, #61636A and #505B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #917B39 shade: #924C39, #926439, #927C39, #919239 and #799239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #917B39 shade: #574A22, #75632D, #927C39, #B09544 and #C0A75E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #917B39 shade: #917B39, #3D9239 and #583992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #917B39 shade: #917B39, #39927C and #7C3992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #917B39 shade: #917B39, #3D9239, #394F92 and #8E3992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #917B39 shade: #917B39, #39924F, #394F92 and #92397C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

Complementary color

CMYK 44 / 33 / 0 / 22

HEX #6E84C6

RGB 110 132 198

HSL 225, 0.44%, 0.6%

LAB 55.98, 9.55, -36.82

 

CMYK 0 / 18 / 65 / 41

HEX #967B34

RGB 150 123 52

HSL 43.47, 0.49%, 0.4%

LAB 52.84, 2.07, 41.69

 

CMYK 0 / 16 / 57 / 35

HEX #A78D47

RGB 167 141 71

HSL 43.75, 0.4%, 0.47%

LAB 59.64, 1.03, 40.44

 

CMYK 0 / 14 / 51 / 28

HEX #B89F5A

RGB 184 159 90

HSL 44.04, 0.4%, 0.54%

LAB 66.31, 0.19, 39.14

 

CMYK 0 / 12 / 46 / 21

HEX #C9B16D

RGB 201 177 109

HSL 44.35, 0.46%, 0.61%

LAB 72.87, -0.51, 37.85

 

CMYK 0 / 11 / 41 / 15

HEX #DAC380

RGB 218 195 128

HSL 44.67, 0.55%, 0.68%

LAB 79.33, -1.1, 36.6

 

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

CMYK 0 / 18 / 70 / 50

HEX #806926

RGB 128 105 38

HSL 44.67, 0.54%, 0.33%

LAB 45.4, 1.28, 39.7

 

CMYK 0 / 22 / 83 / 56

HEX #6F5713

RGB 111 87 19

HSL 44.35, 0.71%, 0.25%

LAB 38.27, 2.74, 40.27

 

CMYK 0 / 27 / 100 / 63

HEX #5E4500

RGB 94 69 0

HSL 44.04, 1%, 0.18%

LAB 30.96, 4.57, 40.15

 

CMYK 0 / 34 / 100 / 70

HEX #4D3300

RGB 77 51 0

HSL 39.74, 1%, 0.15%

LAB 23.49, 7.17, 32.81

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 0 / 32 / 61 / 43

HEX #926439

RGB 146 100 57

HSL 28.99, 0.44%, 0.4%

LAB 46.34, 13.83, 31.53

 

CMYK 0 / 48 / 61 / 43

HEX #924C39

RGB 146 76 57

HSL 12.81, 0.44%, 0.4%

LAB 40.53, 27.58, 24.42

 

CMYK 0 / 61 / 61 / 43

HEX #923939

RGB 146 57 57

HSL 0, 0.44%, 0.4%

LAB 36.62, 37.61, 19.43

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 1 / 0 / 61 / 43

HEX #919239

RGB 145 146 57

HSL 60.67, 0.44%, 0.4%

LAB 58.86, -12.47, 45.78

 

CMYK 18 / 0 / 61 / 43

HEX #789239

RGB 120 146 57

HSL 77.53, 0.44%, 0.4%

LAB 56.93, -23.2, 43.11

 

CMYK 34 / 0 / 61 / 43

HEX #609239

RGB 96 146 57

HSL 93.71, 0.44%, 0.4%

LAB 55.42, -32.69, 41.01

 

CMYK 51 / 0 / 61 / 43

HEX #489239

RGB 72 146 57

HSL 109.89, 0.44%, 0.4%

LAB 54.27, -40.8, 39.39

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 0 / 19 / 75 / 36

HEX #A38428

RGB 163 132 40

HSL 44.88, 0.61%, 0.4%

LAB 56.53, 2.26, 51.23

 

CMYK 0 / 22 / 87 / 30

HEX #B38C18

RGB 179 140 24

HSL 44.9, 0.76%, 0.4%

LAB 60.25, 4.54, 60.51

 

CMYK 0 / 24 / 96 / 23

HEX #C49507

RGB 196 149 7

HSL 45.08, 0.93%, 0.4%

LAB 64.36, 6.99, 67.66

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 0 / 11 / 44 / 49

HEX #827449

RGB 130 116 73

HSL 45.26, 0.28%, 0.4%

LAB 49.15, -1.04, 25.71

 

CMYK 0 / 5 / 20 / 56

HEX #716B5A

RGB 113 107 90

HSL 44.35, 0.11%, 0.4%

LAB 45.31, -0.75, 10.38

 

CMYK 8 / 7 / 0 / 58

HEX #61636A

RGB 97 99 106

HSL 226.67, 0.04%, 0.4%

LAB 42.01, 0.75, -4.23

 

CMYK 35 / 26 / 0 / 52

HEX #505B7B

RGB 80 91 123

HSL 224.65, 0.21%, 0.4%

LAB 38.93, 4.09, -19.42

 

CMYK 0 / 48 / 61 / 43

HEX #924C39

RGB 146 76 57

HSL 12.81, 0.44%, 0.4%

LAB 40.53, 27.58, 24.42

 

CMYK 0 / 32 / 61 / 43

HEX #926439

RGB 146 100 57

HSL 28.99, 0.44%, 0.4%

LAB 46.34, 13.83, 31.53

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 1 / 0 / 61 / 43

HEX #919239

RGB 145 146 57

HSL 60.67, 0.44%, 0.4%

LAB 58.86, -12.47, 45.78

 

CMYK 17 / 0 / 61 / 43

HEX #799239

RGB 121 146 57

HSL 76.85, 0.44%, 0.4%

LAB 57, -22.78, 43.2

 

CMYK 0 / 15 / 61 / 66

HEX #574A22

RGB 87 74 34

HSL 45.28, 0.44%, 0.24%

LAB 31.9, -0.23, 25.58

 

CMYK 0 / 15 / 62 / 54

HEX #75632D

RGB 117 99 45

HSL 45, 0.44%, 0.32%

LAB 42.6, 0.1, 32.8

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 0 / 15 / 61 / 31

HEX #B09544

RGB 176 149 68

HSL 45, 0.44%, 0.48%

LAB 62.63, 0.36, 45.59

 

CMYK 0 / 13 / 51 / 25

HEX #C0A75E

RGB 192 167 94

HSL 44.69, 0.44%, 0.56%

LAB 69.22, -0.36, 40.82

 

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

CMYK 58 / 0 / 61 / 43

HEX #3D9239

RGB 61 146 57

HSL 117.3, 0.44%, 0.4%

LAB 53.86, -43.9, 38.81

 

CMYK 40 / 61 / 0 / 43

HEX #583992

RGB 88 57 146

HSL 260.9, 0.44%, 0.4%

LAB 31.98, 34.44, -44.45

 

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

CMYK 61 / 0 / 15 / 43

HEX #39927C

RGB 57 146 124

HSL 165.17, 0.44%, 0.4%

LAB 54.95, -32.04, 3.8

 

CMYK 15 / 61 / 0 / 43

HEX #7C3992

RGB 124 57 146

HSL 285.17, 0.44%, 0.4%

LAB 36.53, 43.56, -36.91

 

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

CMYK 58 / 0 / 61 / 43

HEX #3D9239

RGB 61 146 57

HSL 117.3, 0.44%, 0.4%

LAB 53.86, -43.9, 38.81

 

CMYK 61 / 46 / 0 / 43

HEX #394F92

RGB 57 79 146

HSL 225.17, 0.44%, 0.4%

LAB 35.08, 13.27, -39.62

 

CMYK 3 / 61 / 0 / 43

HEX #8E3992

RGB 142 57 146

HSL 297.3, 0.44%, 0.4%

LAB 39.16, 48.34, -32.58

 

CMYK 0 / 15 / 61 / 43

HEX #917B39

RGB 145 123 57

HSL 45, 0.44%, 0.4%

LAB 52.38, 0.16, 38.55

 

CMYK 61 / 0 / 46 / 43

HEX #39924F

RGB 57 146 79

HSL 134.83, 0.44%, 0.4%

LAB 54.02, -41.72, 27.75

 

CMYK 61 / 46 / 0 / 43

HEX #394F92

RGB 57 79 146

HSL 225.17, 0.44%, 0.4%

LAB 35.08, 13.27, -39.62

 

CMYK 0 / 61 / 15 / 43

HEX #92397C

RGB 146 57 124

HSL 314.83, 0.44%, 0.4%

LAB 38.71, 45.64, -19.74

 

Description

Color code: HEX #917B39 | qconv.com Color code: HEX #917B39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 123 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 123 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 61 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 61% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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