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Color name
HEX #917B20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #917B20 it is the complementary color #6E84DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #917B20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #917B20 shade: #967B1B, #A78D2E, #B89F41, #C9B154 and #DAC367

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #917B20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #917B20 shade: #917B20, #80690D, #6F5700, #5E4500 and #4D3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #917B20 shade: #927C20, #925D20, #923E20 and #922020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #917B20 shade: #927C20, #899220, #6A9220, #4C9220 and #2D9220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #917B20 shade matches the following richer shades: #927C20, #A08411 and #AF8D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #917B20 shade: #927C20, #83732E, #756A3D, #67614B and #585859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #917B20 shade: #923E20, #925D20, #927B20, #8A9220 and #6C9220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #917B20 shade: #4E4211, #705F18, #927C20, #B49827 and #D2B332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #917B20 shade: #917B20, #209220 and #4D2092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #917B20 shade: #917B20, #20927B and #7B2092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #917B20 shade: #917B20, #209220, #203692 and #922092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #917B20 shade: #917B20, #209242, #203692 and #922070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

Complementary color

CMYK 51 / 41 / 0 / 13

HEX #6E84DF

RGB 110 132 223

HSL 228.32, 0.64%, 0.65%

LAB 57.22, 17.11, -48.96

 

CMYK 0 / 18 / 82 / 41

HEX #967B1B

RGB 150 123 27

HSL 46.83, 0.69%, 0.35%

LAB 52.65, 0.78, 51.93

 

CMYK 0 / 16 / 72 / 35

HEX #A78D2E

RGB 167 141 46

HSL 47.11, 0.57%, 0.42%

LAB 59.4, -0.62, 51.76

 

CMYK 0 / 14 / 65 / 28

HEX #B89F41

RGB 184 159 65

HSL 47.39, 0.48%, 0.49%

LAB 66.03, -1.75, 50.96

 

CMYK 0 / 12 / 58 / 21

HEX #C9B154

RGB 201 177 84

HSL 47.69, 0.52%, 0.56%

LAB 72.56, -2.69, 49.87

 

CMYK 0 / 11 / 53 / 15

HEX #DAC367

RGB 218 195 103

HSL 48, 0.61%, 0.63%

LAB 78.99, -3.48, 48.69

 

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

CMYK 0 / 18 / 90 / 50

HEX #80690D

RGB 128 105 13

HSL 48, 0.82%, 0.28%

LAB 45.25, 0.21, 48.89

 

CMYK 0 / 22 / 100 / 56

HEX #6F5700

RGB 111 87 0

HSL 47.03, 1%, 0.22%

LAB 38.19, 2.17, 46.11

 

CMYK 0 / 27 / 100 / 63

HEX #5E4500

RGB 94 69 0

HSL 44.04, 1%, 0.18%

LAB 30.96, 4.57, 40.15

 

CMYK 0 / 34 / 100 / 70

HEX #4D3300

RGB 77 51 0

HSL 39.74, 1%, 0.15%

LAB 23.49, 7.17, 32.81

 

CMYK 0 / 15 / 78 / 43

HEX #927C20

RGB 146 124 32

HSL 48.42, 0.64%, 0.35%

LAB 52.54, -1.45, 49.91

 

CMYK 0 / 36 / 78 / 43

HEX #925D20

RGB 146 93 32

HSL 32.11, 0.64%, 0.35%

LAB 44.3, 16.35, 42.03

 

CMYK 0 / 58 / 78 / 43

HEX #923E20

RGB 146 62 32

HSL 15.79, 0.64%, 0.35%

LAB 37.23, 33.61, 34.91

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 0 / 15 / 78 / 43

HEX #927C20

RGB 146 124 32

HSL 48.42, 0.64%, 0.35%

LAB 52.54, -1.45, 49.91

 

CMYK 6 / 0 / 78 / 43

HEX #899220

RGB 137 146 32

HSL 64.74, 0.64%, 0.35%

LAB 58.02, -17.47, 54.68

 

CMYK 27 / 0 / 78 / 43

HEX #6A9220

RGB 106 146 32

HSL 81.05, 0.64%, 0.35%

LAB 55.81, -30.71, 51.83

 

CMYK 48 / 0 / 78 / 43

HEX #4C9220

RGB 76 146 32

HSL 96.84, 0.64%, 0.35%

LAB 54.24, -41.74, 49.77

 

CMYK 69 / 0 / 78 / 43

HEX #2D9220

RGB 45 146 32

HSL 113.16, 0.64%, 0.35%

LAB 53.19, -50.06, 48.4

 

CMYK 0 / 15 / 78 / 43

HEX #927C20

RGB 146 124 32

HSL 48.42, 0.64%, 0.35%

LAB 52.54, -1.45, 49.91

 

CMYK 0 / 18 / 89 / 37

HEX #A08411

RGB 160 132 17

HSL 48.25, 0.81%, 0.35%

LAB 56.1, 0.1, 58.04

 

CMYK 0 / 19 / 98 / 31

HEX #AF8D03

RGB 175 141 3

HSL 48.14, 0.97%, 0.35%

LAB 60.04, 1.81, 64.13

 

CMYK 0 / 15 / 78 / 43

HEX #927C20

RGB 146 124 32

HSL 48.42, 0.64%, 0.35%

LAB 52.54, -1.45, 49.91

 

CMYK 0 / 12 / 65 / 49

HEX #83732E

RGB 131 115 46

HSL 48.71, 0.48%, 0.35%

LAB 48.62, -2.53, 39.41

 

CMYK 0 / 9 / 48 / 54

HEX #756A3D

RGB 117 106 61

HSL 48.21, 0.31%, 0.35%

LAB 44.84, -2.44, 26.74

 

CMYK 0 / 6 / 27 / 60

HEX #67614B

RGB 103 97 75

HSL 47.14, 0.16%, 0.35%

LAB 41.12, -1.54, 13.43

 

CMYK 1 / 1 / 0 / 65

HEX #585859

RGB 88 88 89

HSL 240, 0.01%, 0.35%

LAB 37.44, 0.22, -0.58

 

CMYK 0 / 58 / 78 / 43

HEX #923E20

RGB 146 62 32

HSL 15.79, 0.64%, 0.35%

LAB 37.23, 33.61, 34.91

 

CMYK 0 / 36 / 78 / 43

HEX #925D20

RGB 146 93 32

HSL 32.11, 0.64%, 0.35%

LAB 44.3, 16.35, 42.03

 

CMYK 0 / 16 / 78 / 43

HEX #927B20

RGB 146 123 32

HSL 47.89, 0.64%, 0.35%

LAB 52.27, -0.88, 49.65

 

CMYK 5 / 0 / 78 / 43

HEX #8A9220

RGB 138 146 32

HSL 64.21, 0.64%, 0.35%

LAB 58.1, -17.02, 54.78

 

CMYK 26 / 0 / 78 / 43

HEX #6C9220

RGB 108 146 32

HSL 80, 0.64%, 0.35%

LAB 55.94, -29.9, 51.99

 

CMYK 0 / 15 / 78 / 69

HEX #4E4211

RGB 78 66 17

HSL 48.2, 0.64%, 0.19%

LAB 28.27, -1.09, 30.27

 

CMYK 0 / 15 / 79 / 56

HEX #705F18

RGB 112 95 24

HSL 48.41, 0.65%, 0.27%

LAB 40.73, -1.3, 40.62

 

CMYK 0 / 15 / 78 / 43

HEX #927C20

RGB 146 124 32

HSL 48.42, 0.64%, 0.35%

LAB 52.54, -1.45, 49.91

 

CMYK 0 / 16 / 78 / 29

HEX #B49827

RGB 180 152 39

HSL 48.09, 0.64%, 0.43%

LAB 63.6, -1.08, 58.86

 

CMYK 0 / 15 / 76 / 18

HEX #D2B332

RGB 210 179 50

HSL 48.38, 0.64%, 0.51%

LAB 73.66, -1.8, 65.41

 

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

CMYK 78 / 0 / 78 / 43

HEX #209220

RGB 32 146 32

HSL 120, 0.64%, 0.35%

LAB 52.92, -52.39, 48.04

 

CMYK 47 / 78 / 0 / 43

HEX #4D2092

RGB 77 32 146

HSL 263.68, 0.64%, 0.35%

LAB 25.82, 45.64, -54.53

 

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

CMYK 78 / 0 / 16 / 43

HEX #20927B

RGB 32 146 123

HSL 167.89, 0.64%, 0.35%

LAB 54.34, -36.33, 3.42

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

CMYK 78 / 0 / 78 / 43

HEX #209220

RGB 32 146 32

HSL 120, 0.64%, 0.35%

LAB 52.92, -52.39, 48.04

 

CMYK 78 / 63 / 0 / 43

HEX #203692

RGB 32 54 146

HSL 228.42, 0.64%, 0.35%

LAB 26.79, 26.15, -53.08

 

CMYK 0 / 78 / 0 / 43

HEX #922092

RGB 146 32 146

HSL 300, 0.64%, 0.35%

LAB 36.4, 58.89, -36.91

 

CMYK 0 / 15 / 78 / 43

HEX #917B20

RGB 145 123 32

HSL 48.32, 0.64%, 0.35%

LAB 52.16, -1.35, 49.52

 

CMYK 78 / 0 / 55 / 43

HEX #209242

RGB 32 146 66

HSL 137.89, 0.64%, 0.35%

LAB 53.23, -48.57, 33.44

 

CMYK 78 / 63 / 0 / 43

HEX #203692

RGB 32 54 146

HSL 228.42, 0.64%, 0.35%

LAB 26.79, 26.15, -53.08

 

CMYK 0 / 78 / 23 / 43

HEX #922070

RGB 146 32 112

HSL 317.89, 0.64%, 0.35%

LAB 34.63, 53.74, -18.53

 

Description

Color code: HEX #917B20 | qconv.com Color code: HEX #917B20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 123 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 123 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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