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Color name
HEX #916D10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916D10 it is the complementary color #6E92EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916D10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916D10 shade: #966D0B, #A77F1E, #B89131, #C9A344 and #DAB557

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916D10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916D10 shade: #916D10, #805B00, #6F4900, #5E3700 and #4D2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916D10 shade: #926E10, #924B10, #922810 and #921010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916D10 shade: #926E10, #929110, #709210, #4D9210 and #2A9210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916D10 shade matches the following richer shades: #926E10 and #A07403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916D10 shade: #926E10, #85681D, #78622A, #6B5C37 and #5E5745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916D10 shade: #922810, #924B10, #926D10, #929010 and #729210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916D10 shade: #483608, #6D520C, #926E10, #B88A14 and #DDA618

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916D10 shade: #916D10, #1B9210 and #391092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916D10 shade: #916D10, #10926D and #6D1092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916D10 shade: #916D10, #1B9210, #103592 and #881092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916D10 shade: #916D10, #10922C, #103592 and #921076

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

Complementary color

CMYK 54 / 39 / 0 / 6

HEX #6E92EF

RGB 110 146 239

HSL 223.26, 0.8%, 0.68%

LAB 61.74, 13.77, -50.67

 

CMYK 0 / 27 / 93 / 41

HEX #966D0B

RGB 150 109 11

HSL 42.3, 0.86%, 0.32%

LAB 48.82, 8.32, 53.22

 

CMYK 0 / 24 / 82 / 35

HEX #A77F1E

RGB 167 127 30

HSL 42.48, 0.7%, 0.39%

LAB 55.57, 6.48, 54.2

 

CMYK 0 / 21 / 73 / 28

HEX #B89131

RGB 184 145 49

HSL 42.67, 0.58%, 0.46%

LAB 62.22, 4.95, 53.92

 

CMYK 0 / 19 / 66 / 21

HEX #C9A344

RGB 201 163 68

HSL 42.86, 0.55%, 0.53%

LAB 68.77, 3.68, 53.05

 

CMYK 0 / 17 / 60 / 15

HEX #DAB557

RGB 218 181 87

HSL 43.05, 0.64%, 0.6%

LAB 75.23, 2.61, 51.93

 

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

CMYK 0 / 29 / 100 / 50

HEX #805B00

RGB 128 91 0

HSL 42.66, 1%, 0.25%

LAB 41.33, 8.13, 49.22

 

CMYK 0 / 34 / 100 / 56

HEX #6F4900

RGB 111 73 0

HSL 39.46, 1%, 0.22%

LAB 34.28, 10.64, 43.45

 

CMYK 0 / 41 / 100 / 63

HEX #5E3700

RGB 94 55 0

HSL 35.11, 1%, 0.18%

LAB 27.05, 13.32, 37.04

 

CMYK 0 / 52 / 100 / 70

HEX #4D2500

RGB 77 37 0

HSL 28.83, 1%, 0.15%

LAB 19.64, 16.16, 28.66

 

CMYK 0 / 25 / 89 / 43

HEX #926E10

RGB 146 110 16

HSL 43.38, 0.8%, 0.32%

LAB 48.64, 5.97, 51.67

 

CMYK 0 / 49 / 89 / 43

HEX #924B10

RGB 146 75 16

HSL 27.23, 0.8%, 0.32%

LAB 39.88, 26.07, 44.6

 

CMYK 0 / 73 / 89 / 43

HEX #922810

RGB 146 40 16

HSL 11.08, 0.8%, 0.32%

LAB 33.28, 43.26, 39.25

 

CMYK 0 / 89 / 89 / 43

HEX #921010

RGB 146 16 16

HSL 0, 0.8%, 0.32%

LAB 30.69, 50.52, 37.14

 

CMYK 0 / 25 / 89 / 43

HEX #926E10

RGB 146 110 16

HSL 43.38, 0.8%, 0.32%

LAB 48.64, 5.97, 51.67

 

CMYK 0 / 1 / 89 / 43

HEX #929110

RGB 146 145 16

HSL 59.54, 0.8%, 0.32%

LAB 58.41, -13.42, 59.55

 

CMYK 23 / 0 / 89 / 43

HEX #709210

RGB 112 146 16

HSL 75.69, 0.8%, 0.32%

LAB 56.13, -28.88, 56.61

 

CMYK 47 / 0 / 89 / 43

HEX #4D9210

RGB 77 146 16

HSL 91.85, 0.8%, 0.32%

LAB 54.21, -42.19, 54.22

 

CMYK 71 / 0 / 89 / 43

HEX #2A9210

RGB 42 146 16

HSL 108, 0.8%, 0.32%

LAB 53.05, -51.55, 52.76

 

CMYK 0 / 25 / 89 / 43

HEX #926E10

RGB 146 110 16

HSL 43.38, 0.8%, 0.32%

LAB 48.64, 5.97, 51.67

 

CMYK 0 / 28 / 98 / 37

HEX #A07403

RGB 160 116 3

HSL 43.18, 0.96%, 0.32%

LAB 51.8, 8.85, 57.54

 

CMYK 0 / 25 / 89 / 43

HEX #926E10

RGB 146 110 16

HSL 43.38, 0.8%, 0.32%

LAB 48.64, 5.97, 51.67

 

CMYK 0 / 22 / 78 / 48

HEX #85681D

RGB 133 104 29

HSL 43.27, 0.64%, 0.32%

LAB 45.6, 3.75, 44.04

 

CMYK 0 / 18 / 65 / 53

HEX #78622A

RGB 120 98 42

HSL 43.08, 0.48%, 0.32%

LAB 42.61, 1.87, 34.45

 

CMYK 0 / 14 / 49 / 58

HEX #6B5C37

RGB 107 92 55

HSL 42.69, 0.32%, 0.32%

LAB 39.67, 0.55, 23.47

 

CMYK 0 / 7 / 27 / 63

HEX #5E5745

RGB 94 87 69

HSL 43.2, 0.15%, 0.32%

LAB 37.16, -0.42, 11.51

 

CMYK 0 / 73 / 89 / 43

HEX #922810

RGB 146 40 16

HSL 11.08, 0.8%, 0.32%

LAB 33.28, 43.26, 39.25

 

CMYK 0 / 49 / 89 / 43

HEX #924B10

RGB 146 75 16

HSL 27.23, 0.8%, 0.32%

LAB 39.88, 26.07, 44.6

 

CMYK 0 / 25 / 89 / 43

HEX #926D10

RGB 146 109 16

HSL 42.92, 0.8%, 0.32%

LAB 48.37, 6.55, 51.46

 

CMYK 0 / 1 / 89 / 43

HEX #929010

RGB 146 144 16

HSL 59.08, 0.8%, 0.32%

LAB 58.13, -12.89, 59.32

 

CMYK 22 / 0 / 89 / 43

HEX #729210

RGB 114 146 16

HSL 74.77, 0.8%, 0.32%

LAB 56.26, -28.04, 56.78

 

CMYK 0 / 25 / 89 / 72

HEX #483608

RGB 72 54 8

HSL 43.13, 0.8%, 0.16%

LAB 23.78, 2.96, 29.62

 

CMYK 0 / 25 / 89 / 57

HEX #6D520C

RGB 109 82 12

HSL 43.3, 0.8%, 0.24%

LAB 36.58, 4.51, 41.16

 

CMYK 0 / 25 / 89 / 43

HEX #926E10

RGB 146 110 16

HSL 43.38, 0.8%, 0.32%

LAB 48.64, 5.97, 51.67

 

CMYK 0 / 25 / 89 / 28

HEX #B88A14

RGB 184 138 20

HSL 43.17, 0.8%, 0.4%

LAB 60.26, 7.81, 61.74

 

CMYK 0 / 25 / 89 / 13

HEX #DDA618

RGB 221 166 24

HSL 43.25, 0.8%, 0.48%

LAB 71.36, 9.13, 71.23

 

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

CMYK 82 / 0 / 89 / 43

HEX #1B9210

RGB 27 146 16

HSL 114.92, 0.8%, 0.32%

LAB 52.76, -54.02, 52.4

 

CMYK 61 / 89 / 0 / 43

HEX #391092

RGB 57 16 146

HSL 258.92, 0.8%, 0.32%

LAB 21.27, 49.56, -62.11

 

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

CMYK 89 / 0 / 25 / 43

HEX #10926D

RGB 16 146 109

HSL 162.92, 0.8%, 0.32%

LAB 53.78, -41.52, 10.61

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

CMYK 82 / 0 / 89 / 43

HEX #1B9210

RGB 27 146 16

HSL 114.92, 0.8%, 0.32%

LAB 52.76, -54.02, 52.4

 

CMYK 89 / 64 / 0 / 43

HEX #103592

RGB 16 53 146

HSL 222.92, 0.8%, 0.32%

LAB 25.96, 25.44, -54.47

 

CMYK 7 / 89 / 0 / 43

HEX #881092

RGB 136 16 146

HSL 295.38, 0.8%, 0.32%

LAB 33.31, 60.8, -41.95

 

CMYK 0 / 25 / 89 / 43

HEX #916D10

RGB 145 109 16

HSL 43.26, 0.8%, 0.32%

LAB 48.25, 6.08, 51.32

 

CMYK 89 / 0 / 70 / 43

HEX #10922C

RGB 16 146 44

HSL 132.92, 0.8%, 0.32%

LAB 52.78, -53.21, 43.21

 

CMYK 89 / 64 / 0 / 43

HEX #103592

RGB 16 53 146

HSL 222.92, 0.8%, 0.32%

LAB 25.96, 25.44, -54.47

 

CMYK 0 / 89 / 19 / 43

HEX #921076

RGB 146 16 118

HSL 312.92, 0.8%, 0.32%

LAB 33.54, 58.51, -24.02

 

Description

Color code: HEX #916D10 | qconv.com Color code: HEX #916D10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 109 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 109 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 89 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 89% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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