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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #915B64 it is the complementary color #6EA49B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #915B64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #915B64 shade: #965B5F, #A76D72, #B87F85, #C99198 and #DAA3AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #915B64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #915B64 shade: #915B64, #804951, #6F373E, #5E252B and #4D1318

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #915B64 shade: #905A63 and #905A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #915B64 shade: #905A63, #905A71, #905A80, #905A8E and #835A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #915B64 shade matches the following richer shades: #905A63, #A34756, #B6344A, #C9213D and #DC0E30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #915B64 shade: #905A63, #7D6D6F, #6A807C, #579389 and #44A695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #915B64 shade: #905A80, #905A71, #905A63, #905F5A and #906E5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #915B64 shade: #5D3A40, #764A51, #905A63, #A46F77 and #B4888F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #915B64 shade: #915B64, #8E905A and #5A7890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #915B64 shade: #915B64, #63905A and #5A6390

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #915B64 shade: #915B64, #8E905A, #5A9087 and #5C5A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #915B64 shade: #915B64, #7E905A, #5A9087 and #6C5A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

Complementary color

CMYK 33 / 0 / 5 / 36

HEX #6EA49B

RGB 110 164 155

HSL 170, 0.23%, 0.54%

LAB 63.53, -19.83, -1.02

 

CMYK 0 / 39 / 37 / 41

HEX #965B5F

RGB 150 91 95

HSL 355.93, 0.24%, 0.47%

LAB 45.35, 24.73, 8.02

 

CMYK 0 / 35 / 32 / 35

HEX #A76D72

RGB 167 109 114

HSL 354.83, 0.25%, 0.54%

LAB 52.25, 23.78, 6.78

 

CMYK 0 / 31 / 28 / 28

HEX #B87F85

RGB 184 127 133

HSL 353.68, 0.29%, 0.61%

LAB 59.03, 22.93, 5.69

 

CMYK 0 / 28 / 24 / 21

HEX #C99198

RGB 201 145 152

HSL 352.5, 0.34%, 0.68%

LAB 65.7, 22.17, 4.71

 

CMYK 0 / 25 / 22 / 15

HEX #DAA3AB

RGB 218 163 171

HSL 351.27, 0.43%, 0.75%

LAB 72.26, 21.49, 3.82

 

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

CMYK 0 / 43 / 37 / 50

HEX #804951

RGB 128 73 81

HSL 351.27, 0.27%, 0.39%

LAB 37.75, 24.41, 5.45

 

CMYK 0 / 50 / 44 / 56

HEX #6F373E

RGB 111 55 62

HSL 352.5, 0.34%, 0.33%

LAB 30.54, 25.5, 7.04

 

CMYK 0 / 61 / 54 / 63

HEX #5E252B

RGB 94 37 43

HSL 353.68, 0.44%, 0.26%

LAB 23.26, 26.64, 9.14

 

CMYK 0 / 75 / 69 / 70

HEX #4D1318

RGB 77 19 24

HSL 354.83, 0.6%, 0.19%

LAB 16.05, 27.53, 12.17

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 38 / 38 / 44

HEX #905A5A

RGB 144 90 90

HSL 0, 0.23%, 0.46%

LAB 44.2, 22.23, 9.33

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 38 / 22 / 44

HEX #905A71

RGB 144 90 113

HSL 334.44, 0.23%, 0.46%

LAB 44.85, 25.59, -3.73

 

CMYK 0 / 38 / 11 / 44

HEX #905A80

RGB 144 90 128

HSL 317.78, 0.23%, 0.46%

LAB 45.36, 28.15, -12.05

 

CMYK 0 / 38 / 1 / 44

HEX #905A8E

RGB 144 90 142

HSL 302.22, 0.23%, 0.46%

LAB 45.9, 30.79, -19.65

 

CMYK 9 / 38 / 0 / 44

HEX #835A90

RGB 131 90 144

HSL 285.56, 0.23%, 0.46%

LAB 44.45, 26.84, -23.21

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 56 / 47 / 36

HEX #A34756

RGB 163 71 86

HSL 350.22, 0.39%, 0.46%

LAB 42.71, 39.48, 10.09

 

CMYK 0 / 71 / 59 / 29

HEX #B6344A

RGB 182 52 74

HSL 349.85, 0.56%, 0.46%

LAB 42.61, 53.24, 17.91

 

CMYK 0 / 84 / 70 / 21

HEX #C9213D

RGB 201 33 61

HSL 350, 0.72%, 0.46%

LAB 44.01, 63.72, 28.45

 

CMYK 0 / 94 / 78 / 14

HEX #DC0E30

RGB 220 14 48

HSL 350.1, 0.88%, 0.46%

LAB 46.64, 71.23, 40.19

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 13 / 11 / 51

HEX #7D6D6F

RGB 125 109 111

HSL 352.5, 0.07%, 0.46%

LAB 47.55, 6.64, 1.19

 

CMYK 17 / 0 / 3 / 50

HEX #6A807C

RGB 106 128 124

HSL 169.09, 0.09%, 0.46%

LAB 51.79, -8.83, -0.5

 

CMYK 41 / 0 / 7 / 42

HEX #579389

RGB 87 147 137

HSL 170, 0.26%, 0.46%

LAB 56.78, -21.98, -0.84

 

CMYK 59 / 0 / 10 / 35

HEX #44A695

RGB 68 166 149

HSL 169.59, 0.42%, 0.46%

LAB 62.23, -32.8, 0.23

 

CMYK 0 / 38 / 11 / 44

HEX #905A80

RGB 144 90 128

HSL 317.78, 0.23%, 0.46%

LAB 45.36, 28.15, -12.05

 

CMYK 0 / 38 / 22 / 44

HEX #905A71

RGB 144 90 113

HSL 334.44, 0.23%, 0.46%

LAB 44.85, 25.59, -3.73

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 34 / 38 / 44

HEX #905F5A

RGB 144 95 90

HSL 5.56, 0.23%, 0.46%

LAB 45.43, 19.33, 11.05

 

CMYK 0 / 24 / 38 / 44

HEX #906E5A

RGB 144 110 90

HSL 22.22, 0.23%, 0.46%

LAB 49.28, 10.59, 16.35

 

CMYK 0 / 38 / 31 / 64

HEX #5D3A40

RGB 93 58 64

HSL 349.71, 0.23%, 0.3%

LAB 28.7, 16.42, 2.75

 

CMYK 0 / 37 / 31 / 54

HEX #764A51

RGB 118 74 81

HSL 350.45, 0.23%, 0.38%

LAB 36.64, 19.74, 3.67

 

CMYK 0 / 38 / 31 / 44

HEX #905A63

RGB 144 90 99

HSL 350, 0.23%, 0.46%

LAB 44.44, 23.46, 4.19

 

CMYK 0 / 32 / 27 / 36

HEX #A46F77

RGB 164 111 119

HSL 350.94, 0.23%, 0.54%

LAB 52.5, 22.18, 4.14

 

CMYK 0 / 24 / 21 / 29

HEX #B4888F

RGB 180 136 143

HSL 350.45, 0.23%, 0.62%

LAB 61.04, 17.87, 2.8

 

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

CMYK 1 / 0 / 38 / 44

HEX #8E905A

RGB 142 144 90

HSL 62.22, 0.23%, 0.46%

LAB 58.45, -9.44, 28.47

 

CMYK 38 / 17 / 0 / 44

HEX #5A7890

RGB 90 120 144

HSL 206.67, 0.23%, 0.46%

LAB 49.03, -4.42, -16.47

 

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

CMYK 31 / 0 / 38 / 44

HEX #63905A

RGB 99 144 90

HSL 110, 0.23%, 0.46%

LAB 55.42, -26.32, 23.94

 

CMYK 38 / 31 / 0 / 44

HEX #5A6390

RGB 90 99 144

HSL 230, 0.23%, 0.46%

LAB 42.93, 8.23, -25.87

 

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

CMYK 1 / 0 / 38 / 44

HEX #8E905A

RGB 142 144 90

HSL 62.22, 0.23%, 0.46%

LAB 58.45, -9.44, 28.47

 

CMYK 38 / 0 / 6 / 44

HEX #5A9087

RGB 90 144 135

HSL 170, 0.23%, 0.46%

LAB 55.96, -20.06, -0.89

 

CMYK 36 / 38 / 0 / 44

HEX #5C5A90

RGB 92 90 144

HSL 242.22, 0.23%, 0.46%

LAB 40.58, 14.44, -29.54

 

CMYK 0 / 37 / 31 / 43

HEX #915B64

RGB 145 91 100

HSL 350, 0.23%, 0.46%

LAB 44.83, 23.42, 4.16

 

CMYK 13 / 0 / 38 / 44

HEX #7E905A

RGB 126 144 90

HSL 80, 0.23%, 0.46%

LAB 57.19, -16.01, 26.6

 

CMYK 38 / 0 / 6 / 44

HEX #5A9087

RGB 90 144 135

HSL 170, 0.23%, 0.46%

LAB 55.96, -20.06, -0.89

 

CMYK 25 / 38 / 0 / 44

HEX #6C5A90

RGB 108 90 144

HSL 260, 0.23%, 0.46%

LAB 42.02, 19.35, -27.17

 

Description

Color code: HEX #915B64 | qconv.com Color code: HEX #915B64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 91 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 91 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 31 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 31% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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