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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #913C35 it is the complementary color #6EC3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #913C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #913C35 shade: #963C30, #A74E43, #B86056, #C97269 and #DA847C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #913C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #913C35 shade: #913C35, #802A22, #6F180F, #5E0600 and #4D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #913C35 shade: #913C35 and #913535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #913C35 shade: #913C35, #915535, #916E35, #918635 and #839135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #913C35 shade matches the following richer shades: #913C35, #A12F25, #B12115 and #C11305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #913C35 shade: #913C35, #814A45, #715755, #606565 and #507376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #913C35 shade: #913560, #913548, #913B35, #915435 and #916C35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #913C35 shade: #54231F, #73302A, #913C35, #AF4940 and #C16058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #913C35 shade: #913C35, #789135 and #355491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #913C35 shade: #913C35, #35913B and #3B3591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #913C35 shade: #913C35, #789135, #358B91 and #4E3591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #913C35 shade: #913C35, #5D9135, #358B91 and #693591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

Complementary color

CMYK 46 / 3 / 0 / 21

HEX #6EC3CA

RGB 110 195 202

HSL 184.57, 0.46%, 0.61%

LAB 73.94, -23.89, -11.54

 

CMYK 0 / 60 / 68 / 41

HEX #963C30

RGB 150 60 48

HSL 7.06, 0.52%, 0.39%

LAB 37.71, 37.02, 26.48

 

CMYK 0 / 53 / 60 / 35

HEX #A74E43

RGB 167 78 67

HSL 6.6, 0.43%, 0.46%

LAB 44.33, 35.72, 23.94

 

CMYK 0 / 48 / 53 / 28

HEX #B86056

RGB 184 96 86

HSL 6.12, 0.41%, 0.53%

LAB 50.95, 34.44, 21.83

 

CMYK 0 / 43 / 48 / 21

HEX #C97269

RGB 201 114 105

HSL 5.63, 0.47%, 0.6%

LAB 57.53, 33.24, 20.02

 

CMYK 0 / 39 / 43 / 15

HEX #DA847C

RGB 218 132 124

HSL 5.11, 0.56%, 0.67%

LAB 64.05, 32.14, 18.46

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 67 / 73 / 50

HEX #802A22

RGB 128 42 34

HSL 5.11, 0.58%, 0.32%

LAB 30.3, 36.6, 25.25

 

CMYK 0 / 78 / 86 / 56

HEX #6F180F

RGB 111 24 15

HSL 5.63, 0.76%, 0.25%

LAB 23.89, 37.32, 28.75

 

CMYK 0 / 94 / 100 / 63

HEX #5E0600

RGB 94 6 0

HSL 3.83, 1%, 0.18%

LAB 17.96, 36.88, 27.57

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 63 / 63 / 43

HEX #913535

RGB 145 53 53

HSL 0, 0.46%, 0.39%

LAB 35.64, 38.88, 20.64

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 41 / 63 / 43

HEX #915535

RGB 145 85 53

HSL 20.87, 0.46%, 0.39%

LAB 42.42, 21.76, 29.04

 

CMYK 0 / 24 / 63 / 43

HEX #916E35

RGB 145 110 53

HSL 37.17, 0.46%, 0.39%

LAB 48.8, 7.28, 36.51

 

CMYK 0 / 8 / 63 / 43

HEX #918635

RGB 145 134 53

HSL 52.83, 0.46%, 0.39%

LAB 55.41, -6.27, 43.88

 

CMYK 10 / 0 / 63 / 43

HEX #839135

RGB 131 145 53

HSL 69.13, 0.46%, 0.39%

LAB 57.4, -18.34, 45.68

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 71 / 77 / 37

HEX #A12F25

RGB 161 47 37

HSL 4.84, 0.63%, 0.39%

LAB 37.38, 46.28, 33.1

 

CMYK 0 / 81 / 88 / 31

HEX #B12115

RGB 177 33 21

HSL 4.62, 0.79%, 0.39%

LAB 38.71, 55.58, 43.92

 

CMYK 0 / 90 / 97 / 24

HEX #C11305

RGB 193 19 5

HSL 4.47, 0.95%, 0.39%

LAB 40.92, 62.82, 53.01

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 43 / 47 / 49

HEX #814A45

RGB 129 74 69

HSL 5, 0.3%, 0.39%

LAB 37.83, 22.75, 13.09

 

CMYK 0 / 23 / 25 / 56

HEX #715755

RGB 113 87 85

HSL 4.29, 0.14%, 0.39%

LAB 39.55, 10.39, 5.28

 

CMYK 5 / 0 / 0 / 60

HEX #606565

RGB 96 101 101

HSL 180, 0.03%, 0.39%

LAB 42.36, -1.93, -0.68

 

CMYK 32 / 3 / 0 / 54

HEX #507376

RGB 80 115 118

HSL 184.74, 0.19%, 0.39%

LAB 46.01, -11.6, -5.66

 

CMYK 0 / 63 / 34 / 43

HEX #913560

RGB 145 53 96

HSL 331.96, 0.46%, 0.39%

LAB 36.76, 43.14, -5.16

 

CMYK 0 / 63 / 50 / 43

HEX #913548

RGB 145 53 72

HSL 347.61, 0.46%, 0.39%

LAB 36.05, 40.46, 9.13

 

CMYK 0 / 59 / 63 / 43

HEX #913B35

RGB 145 59 53

HSL 3.91, 0.46%, 0.39%

LAB 36.75, 35.94, 22.05

 

CMYK 0 / 42 / 63 / 43

HEX #915435

RGB 145 84 53

HSL 20.22, 0.46%, 0.39%

LAB 42.18, 22.33, 28.75

 

CMYK 0 / 26 / 63 / 43

HEX #916C35

RGB 145 108 53

HSL 35.87, 0.46%, 0.39%

LAB 48.26, 8.44, 35.9

 

CMYK 0 / 58 / 63 / 67

HEX #54231F

RGB 84 35 31

HSL 4.53, 0.46%, 0.23%

LAB 20.77, 22.44, 13.67

 

CMYK 0 / 58 / 63 / 55

HEX #73302A

RGB 115 48 42

HSL 4.93, 0.46%, 0.31%

LAB 29.22, 29.06, 18.36

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 0 / 58 / 63 / 31

HEX #AF4940

RGB 175 73 64

HSL 4.86, 0.46%, 0.47%

LAB 44.59, 41.05, 26.32

 

CMYK 0 / 50 / 54 / 24

HEX #C16058

RGB 193 96 88

HSL 4.57, 0.46%, 0.55%

LAB 52.3, 38.07, 22.67

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 17 / 0 / 63 / 43

HEX #789135

RGB 120 145 53

HSL 76.3, 0.46%, 0.39%

LAB 56.59, -23.03, 44.57

 

CMYK 63 / 42 / 0 / 43

HEX #355491

RGB 53 84 145

HSL 219.78, 0.46%, 0.39%

LAB 36.26, 8.81, -37.15

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 63 / 0 / 59 / 43

HEX #35913B

RGB 53 145 59

HSL 123.91, 0.46%, 0.39%

LAB 53.3, -45.24, 37.14

 

CMYK 59 / 63 / 0 / 43

HEX #3B3591

RGB 59 53 145

HSL 243.91, 0.46%, 0.39%

LAB 28.17, 30.44, -50.15

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 17 / 0 / 63 / 43

HEX #789135

RGB 120 145 53

HSL 76.3, 0.46%, 0.39%

LAB 56.59, -23.03, 44.57

 

CMYK 63 / 4 / 0 / 43

HEX #358B91

RGB 53 139 145

HSL 183.91, 0.46%, 0.39%

LAB 53.24, -23.46, -10.85

 

CMYK 46 / 63 / 0 / 43

HEX #4E3591

RGB 78 53 145

HSL 256.3, 0.46%, 0.39%

LAB 29.94, 34.25, -47.2

 

CMYK 0 / 59 / 63 / 43

HEX #913C35

RGB 145 60 53

HSL 4.57, 0.46%, 0.39%

LAB 36.95, 35.44, 22.3

 

CMYK 36 / 0 / 63 / 43

HEX #5D9135

RGB 93 145 53

HSL 93.91, 0.46%, 0.39%

LAB 54.9, -33.73, 42.24

 

CMYK 63 / 4 / 0 / 43

HEX #358B91

RGB 53 139 145

HSL 183.91, 0.46%, 0.39%

LAB 53.24, -23.46, -10.85

 

CMYK 28 / 63 / 0 / 43

HEX #693591

RGB 105 53 145

HSL 273.91, 0.46%, 0.39%

LAB 33.12, 40.55, -41.9

 

Description

Color code: HEX #913C35 | qconv.com Color code: HEX #913C35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 60 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 60 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 63 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 63% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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