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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #913747 it is the complementary color #6EC8B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #913747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #913747 shade: #963742, #A74955, #B85B68, #C96D7B and #DA7F8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #913747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #913747 shade: #913747, #802534, #6F1321, #5E010E and #4D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #913747 shade: #903646 and #903636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #913747 shade: #903646, #90365E, #903676, #90368F and #793690

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #913747 shade matches the following richer shades: #903646, #A0263C, #B01631 and #C00627

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #913747 shade: #903646, #804650, #70565B, #5F6665 and #4F7770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #913747 shade: #903676, #90365E, #903647, #903E36 and #905636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #913747 shade: #542029, #722B37, #903646, #AE4255 and #C0596B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #913747 shade: #913747, #8E9036 and #366A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #913747 shade: #913747, #479036 and #364790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #913747 shade: #913747, #8E9036, #36907F and #383690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #913747 shade: #913747, #739036, #36907F and #533690

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

Complementary color

CMYK 45 / 0 / 8 / 22

HEX #6EC8B8

RGB 110 200 184

HSL 169.33, 0.45%, 0.61%

LAB 74.88, -30.84, -0.39

 

CMYK 0 / 63 / 56 / 41

HEX #963742

RGB 150 55 66

HSL 353.05, 0.46%, 0.4%

LAB 37.13, 40.74, 14.57

 

CMYK 0 / 56 / 49 / 35

HEX #A74955

RGB 167 73 85

HSL 352.34, 0.39%, 0.47%

LAB 43.71, 39.83, 12.19

 

CMYK 0 / 51 / 43 / 28

HEX #B85B68

RGB 184 91 104

HSL 351.61, 0.4%, 0.54%

LAB 50.3, 38.82, 10.27

 

CMYK 0 / 46 / 39 / 21

HEX #C96D7B

RGB 201 109 123

HSL 350.87, 0.46%, 0.61%

LAB 56.87, 37.81, 8.67

 

CMYK 0 / 42 / 35 / 15

HEX #DA7F8E

RGB 218 127 142

HSL 350.11, 0.55%, 0.68%

LAB 63.37, 36.84, 7.3

 

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

CMYK 0 / 71 / 59 / 50

HEX #802534

RGB 128 37 52

HSL 350.11, 0.55%, 0.32%

LAB 29.81, 40.01, 13.05

 

CMYK 0 / 83 / 70 / 56

HEX #6F1321

RGB 111 19 33

HSL 350.87, 0.71%, 0.25%

LAB 23.52, 39.85, 16.91

 

CMYK 0 / 99 / 85 / 63

HEX #5E010E

RGB 94 1 14

HSL 351.61, 0.98%, 0.19%

LAB 17.61, 38.72, 21.26

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 63 / 51 / 44

HEX #903646

RGB 144 54 70

HSL 349.33, 0.45%, 0.39%

LAB 36, 39.44, 10.31

 

CMYK 0 / 63 / 63 / 44

HEX #903636

RGB 144 54 54

HSL 0, 0.45%, 0.39%

LAB 35.66, 38.11, 20.01

 

CMYK 0 / 63 / 51 / 44

HEX #903646

RGB 144 54 70

HSL 349.33, 0.45%, 0.39%

LAB 36, 39.44, 10.31

 

CMYK 0 / 63 / 35 / 44

HEX #90365E

RGB 144 54 94

HSL 333.33, 0.45%, 0.39%

LAB 36.7, 42.1, -4

 

CMYK 0 / 63 / 18 / 44

HEX #903676

RGB 144 54 118

HSL 317.33, 0.45%, 0.39%

LAB 37.62, 45.49, -17.72

 

CMYK 0 / 63 / 1 / 44

HEX #90368F

RGB 144 54 143

HSL 300.67, 0.45%, 0.39%

LAB 38.81, 49.69, -31.28

 

CMYK 16 / 63 / 0 / 44

HEX #793690

RGB 121 54 144

HSL 284.67, 0.45%, 0.39%

LAB 35.43, 43.85, -37.46

 

CMYK 0 / 63 / 51 / 44

HEX #903646

RGB 144 54 70

HSL 349.33, 0.45%, 0.39%

LAB 36, 39.44, 10.31

 

CMYK 0 / 76 / 63 / 37

HEX #A0263C

RGB 160 38 60

HSL 349.18, 0.62%, 0.39%

LAB 36.34, 50.51, 17.66

 

CMYK 0 / 88 / 72 / 31

HEX #B01631

RGB 176 22 49

HSL 349.48, 0.78%, 0.39%

LAB 37.89, 58.77, 27.25

 

CMYK 0 / 97 / 80 / 25

HEX #C00627

RGB 192 6 39

HSL 349.35, 0.94%, 0.39%

LAB 40.38, 64.75, 37.02

 

CMYK 0 / 63 / 51 / 44

HEX #903646

RGB 144 54 70

HSL 349.33, 0.45%, 0.39%

LAB 36, 39.44, 10.31

 

CMYK 0 / 45 / 38 / 50

HEX #804650

RGB 128 70 80

HSL 349.66, 0.29%, 0.39%

LAB 37.02, 26.01, 5.04

 

CMYK 0 / 23 / 19 / 56

HEX #70565B

RGB 112 86 91

HSL 348.46, 0.13%, 0.39%

LAB 39.34, 11.6, 1.24

 

CMYK 7 / 0 / 1 / 60

HEX #5F6665

RGB 95 102 101

HSL 171.43, 0.04%, 0.39%

LAB 42.57, -2.91, -0.37

 

CMYK 34 / 0 / 6 / 53

HEX #4F7770

RGB 79 119 112

HSL 169.5, 0.2%, 0.39%

LAB 47.01, -15.66, -0.62

 

CMYK 0 / 63 / 18 / 44

HEX #903676

RGB 144 54 118

HSL 317.33, 0.45%, 0.39%

LAB 37.62, 45.49, -17.72

 

CMYK 0 / 63 / 35 / 44

HEX #90365E

RGB 144 54 94

HSL 333.33, 0.45%, 0.39%

LAB 36.7, 42.1, -4

 

CMYK 0 / 63 / 51 / 44

HEX #903647

RGB 144 54 71

HSL 348.67, 0.45%, 0.39%

LAB 36.03, 39.54, 9.71

 

CMYK 0 / 57 / 63 / 44

HEX #903E36

RGB 144 62 54

HSL 5.33, 0.45%, 0.39%

LAB 37.19, 34.1, 21.96

 

CMYK 0 / 40 / 63 / 44

HEX #905636

RGB 144 86 54

HSL 21.33, 0.45%, 0.39%

LAB 42.54, 20.82, 28.58

 

CMYK 0 / 62 / 51 / 67

HEX #542029

RGB 84 32 41

HSL 349.62, 0.45%, 0.23%

LAB 20.35, 25.16, 6.21

 

CMYK 0 / 62 / 52 / 55

HEX #722B37

RGB 114 43 55

HSL 349.86, 0.45%, 0.31%

LAB 28.33, 32.46, 8.62

 

CMYK 0 / 63 / 51 / 44

HEX #903646

RGB 144 54 70

HSL 349.33, 0.45%, 0.39%

LAB 36, 39.44, 10.31

 

CMYK 0 / 62 / 51 / 32

HEX #AE4255

RGB 174 66 85

HSL 349.44, 0.45%, 0.47%

LAB 43.58, 45.66, 12.19

 

CMYK 0 / 54 / 44 / 25

HEX #C0596B

RGB 192 89 107

HSL 349.51, 0.45%, 0.55%

LAB 51.17, 43.04, 9.86

 

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

CMYK 1 / 0 / 63 / 44

HEX #8E9036

RGB 142 144 54

HSL 61.33, 0.45%, 0.39%

LAB 58, -12.94, 46.15

 

CMYK 63 / 26 / 0 / 44

HEX #366A90

RGB 54 106 144

HSL 205.33, 0.45%, 0.39%

LAB 42.92, -5.18, -26.04

 

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

CMYK 51 / 0 / 63 / 44

HEX #479036

RGB 71 144 54

HSL 108.67, 0.45%, 0.39%

LAB 53.55, -40.6, 39.97

 

CMYK 63 / 51 / 0 / 44

HEX #364790

RGB 54 71 144

HSL 228.67, 0.45%, 0.39%

LAB 32.49, 17.26, -42.56

 

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

CMYK 1 / 0 / 63 / 44

HEX #8E9036

RGB 142 144 54

HSL 61.33, 0.45%, 0.39%

LAB 58, -12.94, 46.15

 

CMYK 63 / 0 / 12 / 44

HEX #36907F

RGB 54 144 127

HSL 168.67, 0.45%, 0.39%

LAB 54.31, -30.9, 1.13

 

CMYK 61 / 63 / 0 / 44

HEX #383690

RGB 56 54 144

HSL 241.33, 0.45%, 0.39%

LAB 28.09, 28.91, -49.66

 

CMYK 0 / 62 / 51 / 43

HEX #913747

RGB 145 55 71

HSL 349.33, 0.45%, 0.39%

LAB 36.38, 39.41, 10.22

 

CMYK 20 / 0 / 63 / 44

HEX #739036

RGB 115 144 54

HSL 79.33, 0.45%, 0.39%

LAB 55.95, -24.53, 43.31

 

CMYK 63 / 0 / 12 / 44

HEX #36907F

RGB 54 144 127

HSL 168.67, 0.45%, 0.39%

LAB 54.31, -30.9, 1.13

 

CMYK 42 / 63 / 0 / 44

HEX #533690

RGB 83 54 144

HSL 259.33, 0.45%, 0.39%

LAB 30.62, 34.47, -45.45

 

Description

Color code: HEX #913747 | qconv.com Color code: HEX #913747 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 55 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 55 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 51 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 51% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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