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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #911DA9 it is the complementary color #6EE256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #911DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #911DA9 shade: #961DA4, #A72FB7, #B841CA, #C953DD and #DA65F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #911DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #911DA9 shade: #911DA9, #800B96, #6F0083, #5E0070 and #4D005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #911DA9 shade: #911CAA, #AA1C9C, #AA1C76, #AA1C50 and #AA1C29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #911DA9 shade: #911CAA, #6B1CAA, #451CAA, #1F1CAA and #1C1CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #911DA9 shade matches the following richer shades: #911CAA and #9C0CBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #911DA9 shade: #911CAA, #872C99, #7C3D89, #724D79 and #675D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #911DA9 shade: #441CAA, #6A1CAA, #901CAA, #AA1C9E and #AA1C78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #911DA9 shade: #551063, #731686, #911CAA, #B022CD and #C23BDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #911DA9 shade: #911DA9, #AA1F1C and #1CAA57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #911DA9 shade: #911DA9, #AA901C and #1CAA90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #911DA9 shade: #911DA9, #AA1F1C, #36AA1C and #1CA7AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #911DA9 shade: #911DA9, #AA491C, #36AA1C and #1C7DAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

Complementary color

CMYK 51 / 0 / 62 / 11

HEX #6EE256

RGB 110 226 86

HSL 109.71, 0.71%, 0.61%

LAB 80.95, -58.46, 56.96

 

CMYK 9 / 82 / 0 / 36

HEX #961DA4

RGB 150 29 164

HSL 293.78, 0.7%, 0.38%

LAB 37.92, 63.58, -45.36

 

CMYK 9 / 74 / 0 / 28

HEX #A72FB7

RGB 167 47 183

HSL 292.94, 0.59%, 0.45%

LAB 43.75, 64.93, -47.15

 

CMYK 9 / 68 / 0 / 21

HEX #B841CA

RGB 184 65 202

HSL 292.12, 0.56%, 0.52%

LAB 49.78, 65.45, -48.43

 

CMYK 9 / 62 / 0 / 13

HEX #C953DD

RGB 201 83 221

HSL 291.3, 0.67%, 0.6%

LAB 55.91, 65.45, -49.35

 

CMYK 9 / 58 / 0 / 6

HEX #DA65F0

RGB 218 101 240

HSL 290.5, 0.82%, 0.67%

LAB 62.09, 65.14, -50.05

 

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

CMYK 15 / 93 / 0 / 41

HEX #800B96

RGB 128 11 150

HSL 290.5, 0.86%, 0.32%

LAB 31.88, 60.97, -46.79

 

CMYK 15 / 100 / 0 / 49

HEX #6F0083

RGB 111 0 131

HSL 290.84, 1%, 0.26%

LAB 26.79, 56.64, -43.38

 

CMYK 16 / 100 / 0 / 56

HEX #5E0070

RGB 94 0 112

HSL 290.36, 1%, 0.22%

LAB 22.12, 50.53, -38.96

 

CMYK 17 / 100 / 0 / 64

HEX #4D005D

RGB 77 0 93

HSL 289.68, 1%, 0.18%

LAB 17.31, 44.22, -34.42

 

CMYK 15 / 84 / 0 / 33

HEX #911CAA

RGB 145 28 170

HSL 289.44, 0.72%, 0.39%

LAB 37.39, 63.98, -49.85

 

CMYK 0 / 84 / 8 / 33

HEX #AA1C9C

RGB 170 28 156

HSL 305.92, 0.72%, 0.39%

LAB 40.86, 66.47, -35.65

 

CMYK 0 / 84 / 31 / 33

HEX #AA1C76

RGB 170 28 118

HSL 321.97, 0.72%, 0.39%

LAB 39.04, 61.43, -15.13

 

CMYK 0 / 84 / 53 / 33

HEX #AA1C50

RGB 170 28 80

HSL 338.03, 0.72%, 0.39%

LAB 37.76, 57.72, 7.09

 

CMYK 0 / 84 / 76 / 33

HEX #AA1C29

RGB 170 28 41

HSL 354.51, 0.72%, 0.39%

LAB 37, 55.43, 30.82

 

CMYK 15 / 84 / 0 / 33

HEX #911CAA

RGB 145 28 170

HSL 289.44, 0.72%, 0.39%

LAB 37.39, 63.98, -49.85

 

CMYK 37 / 84 / 0 / 33

HEX #6B1CAA

RGB 107 28 170

HSL 273.38, 0.72%, 0.39%

LAB 31.48, 57.71, -59.72

 

CMYK 59 / 84 / 0 / 33

HEX #451CAA

RGB 69 28 170

HSL 257.32, 0.72%, 0.39%

LAB 26.73, 52.85, -67.71

 

CMYK 82 / 84 / 0 / 33

HEX #1F1CAA

RGB 31 28 170

HSL 241.27, 0.72%, 0.39%

LAB 23.75, 49.92, -72.73

 

CMYK 84 / 84 / 0 / 33

HEX #1C1CAA

RGB 28 28 170

HSL 240, 0.72%, 0.39%

LAB 23.6, 49.77, -72.98

 

CMYK 15 / 84 / 0 / 33

HEX #911CAA

RGB 145 28 170

HSL 289.44, 0.72%, 0.39%

LAB 37.39, 63.98, -49.85

 

CMYK 16 / 94 / 0 / 27

HEX #9C0CBA

RGB 156 12 186

HSL 289.66, 0.88%, 0.39%

LAB 39.37, 71.57, -56.07

 

CMYK 15 / 84 / 0 / 33

HEX #911CAA

RGB 145 28 170

HSL 289.44, 0.72%, 0.39%

LAB 37.39, 63.98, -49.85

 

CMYK 12 / 71 / 0 / 40

HEX #872C99

RGB 135 44 153

HSL 290.09, 0.55%, 0.39%

LAB 36.47, 53.58, -41.18

 

CMYK 9 / 55 / 0 / 46

HEX #7C3D89

RGB 124 61 137

HSL 289.74, 0.38%, 0.39%

LAB 36.8, 39.57, -30.98

 

CMYK 6 / 36 / 0 / 53

HEX #724D79

RGB 114 77 121

HSL 290.45, 0.22%, 0.39%

LAB 38.32, 23.79, -18.86

 

CMYK 2 / 11 / 0 / 59

HEX #675D69

RGB 103 93 105

HSL 290, 0.06%, 0.39%

LAB 40.79, 6.46, -5.37

 

CMYK 60 / 84 / 0 / 33

HEX #441CAA

RGB 68 28 170

HSL 256.9, 0.72%, 0.39%

LAB 26.63, 52.74, -67.88

 

CMYK 38 / 84 / 0 / 33

HEX #6A1CAA

RGB 106 28 170

HSL 272.96, 0.72%, 0.39%

LAB 31.34, 57.56, -59.96

 

CMYK 15 / 84 / 0 / 33

HEX #901CAA

RGB 144 28 170

HSL 289.01, 0.72%, 0.39%

LAB 37.23, 63.8, -50.12

 

CMYK 0 / 84 / 7 / 33

HEX #AA1C9E

RGB 170 28 158

HSL 305.07, 0.72%, 0.39%

LAB 40.97, 66.76, -36.68

 

CMYK 0 / 84 / 29 / 33

HEX #AA1C78

RGB 170 28 120

HSL 321.13, 0.72%, 0.39%

LAB 39.13, 61.67, -16.26

 

CMYK 14 / 84 / 0 / 61

HEX #551063

RGB 85 16 99

HSL 289.88, 0.72%, 0.23%

LAB 20.84, 42.31, -32.63

 

CMYK 14 / 84 / 0 / 47

HEX #731686

RGB 115 22 134

HSL 289.82, 0.72%, 0.31%

LAB 29.26, 53.36, -41.22

 

CMYK 15 / 84 / 0 / 33

HEX #911CAA

RGB 145 28 170

HSL 289.44, 0.72%, 0.39%

LAB 37.39, 63.98, -49.85

 

CMYK 14 / 83 / 0 / 20

HEX #B022CD

RGB 176 34 205

HSL 289.82, 0.72%, 0.47%

LAB 45.33, 74.14, -57.36

 

CMYK 12 / 73 / 0 / 13

HEX #C23BDD

RGB 194 59 221

HSL 290, 0.7%, 0.55%

LAB 51.63, 73.12, -56.25

 

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

CMYK 0 / 82 / 84 / 33

HEX #AA1F1C

RGB 170 31 28

HSL 1.27, 0.72%, 0.39%

LAB 37.13, 54.21, 38.46

 

CMYK 84 / 0 / 49 / 33

HEX #1CAA57

RGB 28 170 87

HSL 144.93, 0.72%, 0.39%

LAB 61.38, -54.2, 32.78

 

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

CMYK 0 / 15 / 84 / 33

HEX #AA901C

RGB 170 144 28

HSL 49.01, 0.72%, 0.39%

LAB 60.41, -1.63, 59.15

 

CMYK 84 / 0 / 15 / 33

HEX #1CAA90

RGB 28 170 144

HSL 169.01, 0.72%, 0.39%

LAB 62.52, -41.59, 3.35

 

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

CMYK 0 / 82 / 84 / 33

HEX #AA1F1C

RGB 170 31 28

HSL 1.27, 0.72%, 0.39%

LAB 37.13, 54.21, 38.46

 

CMYK 68 / 0 / 84 / 33

HEX #36AA1C

RGB 54 170 28

HSL 109.01, 0.72%, 0.39%

LAB 61.32, -56.6, 57.35

 

CMYK 84 / 2 / 0 / 33

HEX #1CA7AA

RGB 28 167 170

HSL 181.27, 0.72%, 0.39%

LAB 62.33, -32.71, -11.5

 

CMYK 14 / 83 / 0 / 34

HEX #911DA9

RGB 145 29 169

HSL 289.71, 0.71%, 0.39%

LAB 37.41, 63.54, -49.22

 

CMYK 0 / 57 / 84 / 33

HEX #AA491C

RGB 170 73 28

HSL 19.01, 0.72%, 0.39%

LAB 43.35, 37.39, 44.2

 

CMYK 68 / 0 / 84 / 33

HEX #36AA1C

RGB 54 170 28

HSL 109.01, 0.72%, 0.39%

LAB 61.32, -56.6, 57.35

 

CMYK 84 / 26 / 0 / 33

HEX #1C7DAA

RGB 28 125 170

HSL 199.01, 0.72%, 0.39%

LAB 49.27, -10.74, -31.5

 

Description

Color code: HEX #911DA9 | qconv.com Color code: HEX #911DA9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 29 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 29 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 83 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 83% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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