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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9119B5 it is the complementary color #6EE64A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9119B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9119B5 shade: #9619B0, #A72BC3, #B83DD6, #C94FE9 and #DA61FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9119B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9119B5 shade: #9119B5, #8007A2, #6F008F, #5E007C and #4D0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9119B5 shade: #8F18B3, #B318AD, #B31883, #B31859 and #B31830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9119B5 shade: #8F18B3, #6518B3, #3C18B3 and #1818B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9119B5 shade matches the following richer shades: #8F18B3 and #9807C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9119B5 shade: #8F18B3, #8628A3, #7D3992, #754982 and #6C5A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9119B5 shade: #3C18B3, #6618B3, #8F18B3, #B318AE and #B31885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9119B5 shade: #550E6A, #72138F, #8F18B3, #AC1DD7 and #BC3AE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9119B5 shade: #9119B5, #B3181D and #18B351

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9119B5 shade: #9119B5, #B38F18 and #18B38F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9119B5 shade: #9119B5, #B3181D, #3CB318 and #18B3AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9119B5 shade: #9119B5, #B34118, #3CB318 and #188AB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

Complementary color

CMYK 52 / 0 / 68 / 10

HEX #6EE64A

RGB 110 230 74

HSL 106.15, 0.76%, 0.6%

LAB 82.06, -61.02, 62.99

 

CMYK 15 / 86 / 0 / 31

HEX #9619B0

RGB 150 25 176

HSL 289.67, 0.75%, 0.39%

LAB 38.4, 66.64, -51.76

 

CMYK 14 / 78 / 0 / 24

HEX #A72BC3

RGB 167 43 195

HSL 288.95, 0.64%, 0.47%

LAB 44.07, 68.36, -53.67

 

CMYK 14 / 71 / 0 / 16

HEX #B83DD6

RGB 184 61 214

HSL 288.24, 0.65%, 0.54%

LAB 49.96, 69.15, -55.03

 

CMYK 14 / 66 / 0 / 9

HEX #C94FE9

RGB 201 79 233

HSL 287.53, 0.78%, 0.61%

LAB 55.98, 69.34, -56

 

CMYK 13 / 62 / 0 / 1

HEX #DA61FC

RGB 218 97 252

HSL 286.84, 0.96%, 0.68%

LAB 62.07, 69.16, -56.71

 

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

CMYK 21 / 96 / 0 / 36

HEX #8007A2

RGB 128 7 162

HSL 286.84, 0.92%, 0.33%

LAB 32.59, 63.73, -52.95

 

CMYK 22 / 100 / 0 / 44

HEX #6F008F

RGB 111 0 143

HSL 286.57, 1%, 0.28%

LAB 27.74, 58.84, -49.32

 

CMYK 24 / 100 / 0 / 51

HEX #5E007C

RGB 94 0 124

HSL 285.48, 1%, 0.24%

LAB 23.12, 52.81, -45.05

 

CMYK 27 / 100 / 0 / 59

HEX #4D0069

RGB 77 0 105

HSL 284, 1%, 0.21%

LAB 18.35, 46.6, -40.67

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 0 / 87 / 3 / 30

HEX #B318AD

RGB 179 24 173

HSL 302.32, 0.76%, 0.4%

LAB 43.14, 71.55, -42.1

 

CMYK 0 / 87 / 27 / 30

HEX #B31883

RGB 179 24 131

HSL 318.58, 0.76%, 0.4%

LAB 41.02, 65.87, -20.03

 

CMYK 0 / 87 / 50 / 30

HEX #B31859

RGB 179 24 89

HSL 334.84, 0.76%, 0.4%

LAB 39.51, 61.66, 4.07

 

CMYK 0 / 87 / 73 / 30

HEX #B31830

RGB 179 24 48

HSL 350.71, 0.76%, 0.4%

LAB 38.64, 59.13, 28.91

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 44 / 87 / 0 / 30

HEX #6518B3

RGB 101 24 179

HSL 269.81, 0.76%, 0.4%

LAB 31.05, 60.17, -65.84

 

CMYK 66 / 87 / 0 / 30

HEX #3C18B3

RGB 60 24 179

HSL 253.94, 0.76%, 0.4%

LAB 26.36, 56.01, -73.75

 

CMYK 87 / 87 / 0 / 30

HEX #1818B3

RGB 24 24 179

HSL 240, 0.76%, 0.4%

LAB 24.01, 54.1, -77.73

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 22 / 96 / 0 / 23

HEX #9807C4

RGB 152 7 196

HSL 286.03, 0.93%, 0.4%

LAB 39.26, 73.32, -62.14

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 18 / 75 / 0 / 36

HEX #8628A3

RGB 134 40 163

HSL 285.85, 0.61%, 0.4%

LAB 36.42, 56.85, -47.3

 

CMYK 14 / 61 / 0 / 43

HEX #7D3992

RGB 125 57 146

HSL 285.84, 0.44%, 0.4%

LAB 36.67, 43.82, -36.68

 

CMYK 10 / 44 / 0 / 49

HEX #754982

RGB 117 73 130

HSL 286.32, 0.28%, 0.4%

LAB 38.13, 29.16, -24.67

 

CMYK 4 / 20 / 0 / 56

HEX #6C5A71

RGB 108 90 113

HSL 286.96, 0.11%, 0.4%

LAB 40.72, 11.93, -10.32

 

CMYK 66 / 87 / 0 / 30

HEX #3C18B3

RGB 60 24 179

HSL 253.94, 0.76%, 0.4%

LAB 26.36, 56.01, -73.75

 

CMYK 43 / 87 / 0 / 30

HEX #6618B3

RGB 102 24 179

HSL 270.19, 0.76%, 0.4%

LAB 31.19, 60.29, -65.61

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 0 / 87 / 3 / 30

HEX #B318AE

RGB 179 24 174

HSL 301.94, 0.76%, 0.4%

LAB 43.2, 71.7, -42.6

 

CMYK 0 / 87 / 26 / 30

HEX #B31885

RGB 179 24 133

HSL 317.81, 0.76%, 0.4%

LAB 41.11, 66.11, -21.12

 

CMYK 20 / 87 / 0 / 58

HEX #550E6A

RGB 85 14 106

HSL 286.3, 0.77%, 0.24%

LAB 21.15, 44.37, -36.71

 

CMYK 20 / 87 / 0 / 44

HEX #72138F

RGB 114 19 143

HSL 285.97, 0.77%, 0.32%

LAB 29.48, 55.71, -46.47

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 20 / 87 / 0 / 16

HEX #AC1DD7

RGB 172 29 215

HSL 286.13, 0.76%, 0.48%

LAB 45.02, 76.35, -63.66

 

CMYK 18 / 75 / 0 / 11

HEX #BC3AE4

RGB 188 58 228

HSL 285.88, 0.76%, 0.56%

LAB 51.06, 73.57, -61.18

 

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

CMYK 0 / 87 / 84 / 30

HEX #B3181D

RGB 179 24 29

HSL 358.06, 0.76%, 0.4%

LAB 38.42, 58.49, 39.8

 

CMYK 87 / 0 / 55 / 30

HEX #18B351

RGB 24 179 81

HSL 142.06, 0.76%, 0.4%

LAB 64.18, -58.58, 39.23

 

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

CMYK 0 / 20 / 87 / 30

HEX #B38F18

RGB 179 143 24

HSL 46.06, 0.76%, 0.4%

LAB 61.04, 2.89, 61.15

 

CMYK 87 / 0 / 20 / 30

HEX #18B38F

RGB 24 179 143

HSL 166.06, 0.76%, 0.4%

LAB 65.29, -45.96, 7.89

 

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

CMYK 0 / 87 / 84 / 30

HEX #B3181D

RGB 179 24 29

HSL 358.06, 0.76%, 0.4%

LAB 38.42, 58.49, 39.8

 

CMYK 66 / 0 / 87 / 30

HEX #3CB318

RGB 60 179 24

HSL 106.06, 0.76%, 0.4%

LAB 64.38, -58.53, 61.11

 

CMYK 87 / 0 / 3 / 30

HEX #18B3AE

RGB 24 179 174

HSL 178.06, 0.76%, 0.4%

LAB 66.13, -37.37, -8.06

 

CMYK 20 / 86 / 0 / 29

HEX #9119B5

RGB 145 25 181

HSL 286.15, 0.76%, 0.4%

LAB 37.93, 66.72, -55.52

 

CMYK 0 / 64 / 87 / 30

HEX #B34118

RGB 179 65 24

HSL 15.87, 0.76%, 0.4%

LAB 43.4, 44.51, 46.59

 

CMYK 66 / 0 / 87 / 30

HEX #3CB318

RGB 60 179 24

HSL 106.06, 0.76%, 0.4%

LAB 64.38, -58.53, 61.11

 

CMYK 87 / 23 / 0 / 30

HEX #188AB3

RGB 24 138 179

HSL 195.87, 0.76%, 0.4%

LAB 53.63, -15.12, -29.91

 

Description

Color code: HEX #9119B5 | qconv.com Color code: HEX #9119B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 25 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 25 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 86 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 86% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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