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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F4E8 it is the complementary color #6F0B17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F4E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F4E8 shade: #95F4E3, #A6FFF6, #B7FFFF, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F4E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F4E8 shade: #90F4E8, #7FE2D5, #6ED0C2, #5DBEAF and #4CAC9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F4E8 shade: #8FF3E7, #8FF3CC, #8FF3B1, #8FF396 and #A3F38F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F4E8 shade: #8FF3E7, #8FE4F3, #8FC9F3, #8FAEF3 and #8F93F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F4E8 shade matches the following richer shades: #8FF3E7 and #85FDEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F4E8 shade: #8FF3E7, #99EAE0, #A3E0D8, #ADD6D1 and #B7CCC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F4E8 shade: #8FF3B1, #8FF3CB, #8FF3E6, #8FE6F3 and #8FCBF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F4E8 shade: #44ECD8, #6AF0E0, #8FF3E7, #B5F7EF and #DAFBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F4E8 shade: #90F4E8, #968FF3 and #F3BE8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F4E8 shade: #90F4E8, #E68FF3 and #F3E68F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F4E8 shade: #90F4E8, #968FF3, #F38F9C and #EDF38F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F4E8 shade: #90F4E8, #B48FF3, #F38F9C and #CFF38F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

Complementary color

CMYK 0 / 90 / 79 / 56

HEX #6F0B17

RGB 111 11 23

HSL 352.8, 0.82%, 0.24%

LAB 22.59, 41.55, 22.51

 

CMYK 39 / 0 / 7 / 4

HEX #95F4E3

RGB 149 244 227

HSL 169.26, 0.81%, 0.77%

LAB 90.15, -31.98, -0.68

 

CMYK 35 / 0 / 4 / 0

HEX #A6FFF6

RGB 166 255 246

HSL 173.93, 1%, 0.83%

LAB 94.43, -28.55, -4.17

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

CMYK 44 / 0 / 6 / 11

HEX #7FE2D5

RGB 127 226 213

HSL 172.12, 0.63%, 0.69%

LAB 83.81, -32.17, -2.73

 

CMYK 47 / 0 / 7 / 18

HEX #6ED0C2

RGB 110 208 194

HSL 171.43, 0.51%, 0.62%

LAB 77.47, -32.23, -1.98

 

CMYK 51 / 0 / 8 / 25

HEX #5DBEAF

RGB 93 190 175

HSL 170.72, 0.43%, 0.55%

LAB 71.04, -32.25, -1.18

 

CMYK 56 / 0 / 9 / 33

HEX #4CAC9C

RGB 76 172 156

HSL 170, 0.39%, 0.49%

LAB 64.52, -32.2, -0.31

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E7

RGB 143 243 231

HSL 172.8, 0.81%, 0.76%

LAB 89.72, -32.09, -3.42

 

CMYK 41 / 0 / 16 / 5

HEX #8FF3CC

RGB 143 243 204

HSL 156.6, 0.81%, 0.76%

LAB 89.06, -38.04, 9.68

 

CMYK 41 / 0 / 27 / 5

HEX #8FF3B1

RGB 143 243 177

HSL 140.4, 0.81%, 0.76%

LAB 88.5, -43.31, 22.85

 

CMYK 41 / 0 / 38 / 5

HEX #8FF396

RGB 143 243 150

HSL 124.2, 0.81%, 0.76%

LAB 88.04, -47.84, 35.89

 

CMYK 33 / 0 / 41 / 5

HEX #A3F38F

RGB 163 243 143

HSL 108, 0.81%, 0.76%

LAB 88.86, -42.75, 40.61

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E7

RGB 143 243 231

HSL 172.8, 0.81%, 0.76%

LAB 89.72, -32.09, -3.42

 

CMYK 41 / 6 / 0 / 5

HEX #8FE4F3

RGB 143 228 243

HSL 189, 0.81%, 0.76%

LAB 85.91, -21.96, -15.39

 

CMYK 41 / 17 / 0 / 5

HEX #8FC9F3

RGB 143 201 243

HSL 205.2, 0.81%, 0.76%

LAB 78.51, -8.12, -26.59

 

CMYK 41 / 28 / 0 / 5

HEX #8FAEF3

RGB 143 174 243

HSL 221.4, 0.81%, 0.76%

LAB 71.27, 6.6, -37.76

 

CMYK 41 / 40 / 0 / 5

HEX #8F93F3

RGB 143 147 243

HSL 237.6, 0.81%, 0.76%

LAB 64.3, 22, -48.68

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E7

RGB 143 243 231

HSL 172.8, 0.81%, 0.76%

LAB 89.72, -32.09, -3.42

 

CMYK 47 / 0 / 6 / 1

HEX #85FDEF

RGB 133 253 239

HSL 173, 0.97%, 0.76%

LAB 92.34, -37.17, -3.78

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E7

RGB 143 243 231

HSL 172.8, 0.81%, 0.76%

LAB 89.72, -32.09, -3.42

 

CMYK 35 / 0 / 4 / 8

HEX #99EAE0

RGB 153 234 224

HSL 172.59, 0.66%, 0.76%

LAB 87.48, -26.85, -3

 

CMYK 27 / 0 / 4 / 12

HEX #A3E0D8

RGB 163 224 216

HSL 172.13, 0.5%, 0.76%

LAB 85.02, -20.94, -2.34

 

CMYK 19 / 0 / 2 / 16

HEX #ADD6D1

RGB 173 214 209

HSL 172.68, 0.33%, 0.76%

LAB 82.69, -14.39, -1.99

 

CMYK 10 / 0 / 1 / 20

HEX #B7CCC9

RGB 183 204 201

HSL 171.43, 0.17%, 0.76%

LAB 80.44, -7.65, -0.93

 

CMYK 41 / 0 / 27 / 5

HEX #8FF3B1

RGB 143 243 177

HSL 140.4, 0.81%, 0.76%

LAB 88.5, -43.31, 22.85

 

CMYK 41 / 0 / 16 / 5

HEX #8FF3CB

RGB 143 243 203

HSL 156, 0.81%, 0.76%

LAB 89.04, -38.25, 10.17

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E6

RGB 143 243 230

HSL 172.2, 0.81%, 0.76%

LAB 89.7, -32.33, -2.94

 

CMYK 41 / 5 / 0 / 5

HEX #8FE6F3

RGB 143 230 243

HSL 187.8, 0.81%, 0.76%

LAB 86.46, -22.95, -14.56

 

CMYK 41 / 16 / 0 / 5

HEX #8FCBF3

RGB 143 203 243

HSL 204, 0.81%, 0.76%

LAB 79.05, -9.18, -25.76

 

CMYK 71 / 0 / 8 / 7

HEX #44ECD8

RGB 68 236 216

HSL 172.86, 0.82%, 0.6%

LAB 85.09, -46.68, -2.64

 

CMYK 56 / 0 / 7 / 6

HEX #6AF0E0

RGB 106 240 224

HSL 172.84, 0.82%, 0.68%

LAB 87.37, -40.44, -3.38

 

CMYK 41 / 0 / 5 / 5

HEX #8FF3E7

RGB 143 243 231

HSL 172.8, 0.81%, 0.76%

LAB 89.72, -32.09, -3.42

 

CMYK 27 / 0 / 3 / 3

HEX #B5F7EF

RGB 181 247 239

HSL 172.73, 0.8%, 0.84%

LAB 92.83, -22.13, -2.82

 

CMYK 13 / 0 / 2 / 2

HEX #DAFBF7

RGB 218 251 247

HSL 172.73, 0.8%, 0.92%

LAB 96.25, -11.37, -1.68

 

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

CMYK 38 / 41 / 0 / 5

HEX #968FF3

RGB 150 143 243

HSL 244.2, 0.81%, 0.76%

LAB 63.84, 26.08, -49.39

 

CMYK 0 / 22 / 41 / 5

HEX #F3BE8F

RGB 243 190 143

HSL 28.2, 0.81%, 0.76%

LAB 80.66, 13.06, 31.01

 

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

CMYK 5 / 41 / 0 / 5

HEX #E68FF3

RGB 230 143 243

HSL 292.2, 0.81%, 0.76%

LAB 71.51, 48.42, -36.81

 

CMYK 0 / 5 / 41 / 5

HEX #F3E68F

RGB 243 230 143

HSL 52.2, 0.81%, 0.76%

LAB 90.61, -7.53, 43.91

 

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

CMYK 38 / 41 / 0 / 5

HEX #968FF3

RGB 150 143 243

HSL 244.2, 0.81%, 0.76%

LAB 63.84, 26.08, -49.39

 

CMYK 0 / 41 / 36 / 5

HEX #F38F9C

RGB 243 143 156

HSL 352.2, 0.81%, 0.76%

LAB 70.25, 39.24, 9.63

 

CMYK 2 / 0 / 41 / 5

HEX #EDF38F

RGB 237 243 143

HSL 63.6, 0.81%, 0.76%

LAB 93.49, -16.28, 47.44

 

CMYK 41 / 0 / 5 / 4

HEX #90F4E8

RGB 144 244 232

HSL 172.8, 0.82%, 0.76%

LAB 90.07, -32.09, -3.43

 

CMYK 26 / 41 / 0 / 5

HEX #B48FF3

RGB 180 143 243

HSL 262.2, 0.81%, 0.76%

LAB 66.38, 34.09, -45.2

 

CMYK 0 / 41 / 36 / 5

HEX #F38F9C

RGB 243 143 156

HSL 352.2, 0.81%, 0.76%

LAB 70.25, 39.24, 9.63

 

CMYK 15 / 0 / 41 / 5

HEX #CFF38F

RGB 207 243 143

HSL 81.6, 0.81%, 0.76%

LAB 91.39, -27.55, 44.35

 

Description

Color code: HEX #90F4E8 | qconv.com Color code: HEX #90F4E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 244 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 244 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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