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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90EB28 it is the complementary color #6F14D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90EB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90EB28 shade: #95EB23, #A6FD36, #B7FF49, #C8FF5C and #D9FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90EB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90EB28 shade: #90EB28, #7FD915, #6EC702, #5DB500 and #4CA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90EB28 shade: #90EB28, #C4EB28, #EBDC28, #EBA828 and #EB7328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90EB28 shade: #90EB28, #5BEB28, #28EB29, #28EB5E and #28EB92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90EB28 shade matches the following richer shades: #90EB28 and #91FE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90EB28 shade: #90EB28, #8ED83B, #8DC54E, #8CB261 and #8B9F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90EB28 shade: #EBDE28, #C4EB28, #90EB28, #5CEB28 and #28EB28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90EB28 shade: #65B010, #7BD613, #90EB28, #A3EE4E and #B7F273

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90EB28 shade: #90EB28, #28EBAA and #EB28DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90EB28 shade: #90EB28, #2890EB and #EB2890

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90EB28 shade: #90EB28, #28EBAA, #8328EB and #EB2869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90EB28 shade: #90EB28, #28EBE4, #8328EB and #EB282E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

Complementary color

CMYK 48 / 91 / 0 / 16

HEX #6F14D7

RGB 111 20 215

HSL 268, 0.83%, 0.46%

LAB 35.57, 70.44, -79.47

 

CMYK 37 / 0 / 85 / 8

HEX #95EB23

RGB 149 235 35

HSL 85.8, 0.83%, 0.53%

LAB 84.96, -53.11, 77.97

 

CMYK 34 / 0 / 79 / 1

HEX #A6FD36

RGB 166 253 54

HSL 86.23, 0.98%, 0.6%

LAB 91.06, -53.81, 79.16

 

CMYK 28 / 0 / 71 / 0

HEX #B7FF49

RGB 183 255 73

HSL 83.74, 1%, 0.64%

LAB 92.61, -47.74, 75.16

 

CMYK 22 / 0 / 64 / 0

HEX #C8FF5C

RGB 200 255 92

HSL 80.25, 1%, 0.68%

LAB 93.7, -40.35, 69.67

 

CMYK 15 / 0 / 56 / 0

HEX #D9FF6F

RGB 217 255 111

HSL 75.83, 1%, 0.72%

LAB 94.92, -32.56, 63.5

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 41 / 0 / 90 / 15

HEX #7FD915

RGB 127 217 21

HSL 87.55, 0.82%, 0.47%

LAB 78.57, -53.75, 74.69

 

CMYK 45 / 0 / 99 / 22

HEX #6EC702

RGB 110 199 2

HSL 87.11, 0.98%, 0.39%

LAB 72.34, -52.64, 71.56

 

CMYK 49 / 0 / 100 / 29

HEX #5DB500

RGB 93 181 0

HSL 89.17, 1%, 0.35%

LAB 66.04, -51.16, 66.55

 

CMYK 53 / 0 / 100 / 36

HEX #4CA300

RGB 76 163 0

HSL 92.02, 1%, 0.32%

LAB 59.64, -49.53, 61.25

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 17 / 0 / 83 / 8

HEX #C4EB28

RGB 196 235 40

HSL 72, 0.83%, 0.54%

LAB 87.63, -35.52, 80.23

 

CMYK 0 / 6 / 83 / 8

HEX #EBDC28

RGB 235 220 40

HSL 55.38, 0.83%, 0.54%

LAB 86.5, -12.35, 80.44

 

CMYK 0 / 29 / 83 / 8

HEX #EBA828

RGB 235 168 40

HSL 39.38, 0.83%, 0.54%

LAB 73.43, 14.48, 69.43

 

CMYK 0 / 51 / 83 / 8

HEX #EB7328

RGB 235 115 40

HSL 23.08, 0.83%, 0.54%

LAB 61.72, 42.1, 59.34

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 61 / 0 / 83 / 8

HEX #5BEB28

RGB 91 235 40

HSL 104.31, 0.83%, 0.54%

LAB 82.8, -69.54, 74.14

 

CMYK 83 / 0 / 83 / 8

HEX #28EB29

RGB 40 235 41

HSL 120.31, 0.83%, 0.54%

LAB 81.85, -77.67, 72.69

 

CMYK 83 / 0 / 60 / 8

HEX #28EB5E

RGB 40 235 94

HSL 136.62, 0.83%, 0.54%

LAB 82.2, -73.28, 54.53

 

CMYK 83 / 0 / 38 / 8

HEX #28EB92

RGB 40 235 146

HSL 152.62, 0.83%, 0.54%

LAB 82.88, -65.22, 30.59

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 43 / 0 / 92 / 0

HEX #91FE15

RGB 145 254 21

HSL 88.07, 0.99%, 0.54%

LAB 90.3, -62.1, 84.61

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 34 / 0 / 73 / 15

HEX #8ED83B

RGB 142 216 59

HSL 88.28, 0.67%, 0.54%

LAB 79.14, -46.67, 65.9

 

CMYK 28 / 0 / 60 / 23

HEX #8DC54E

RGB 141 197 78

HSL 88.24, 0.51%, 0.54%

LAB 73.64, -37.37, 52.63

 

CMYK 21 / 0 / 46 / 30

HEX #8CB261

RGB 140 178 97

HSL 88.15, 0.34%, 0.54%

LAB 68.23, -26.85, 37.15

 

CMYK 13 / 0 / 27 / 38

HEX #8B9F74

RGB 139 159 116

HSL 87.91, 0.18%, 0.54%

LAB 62.97, -14.97, 20.17

 

CMYK 0 / 6 / 83 / 8

HEX #EBDE28

RGB 235 222 40

HSL 56, 0.83%, 0.54%

LAB 87.03, -13.34, 80.88

 

CMYK 17 / 0 / 83 / 8

HEX #C4EB28

RGB 196 235 40

HSL 72, 0.83%, 0.54%

LAB 87.63, -35.52, 80.23

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 61 / 0 / 83 / 8

HEX #5CEB28

RGB 92 235 40

HSL 104, 0.83%, 0.54%

LAB 82.83, -69.31, 74.17

 

CMYK 83 / 0 / 83 / 8

HEX #28EB28

RGB 40 235 40

HSL 120, 0.83%, 0.54%

LAB 81.85, -77.72, 72.92

 

CMYK 43 / 0 / 91 / 31

HEX #65B010

RGB 101 176 16

HSL 88.13, 0.83%, 0.38%

LAB 64.85, -46.28, 63.63

 

CMYK 43 / 0 / 91 / 16

HEX #7BD613

RGB 123 214 19

HSL 88, 0.84%, 0.46%

LAB 77.49, -53.94, 74.01

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 32 / 0 / 67 / 7

HEX #A3EE4E

RGB 163 238 78

HSL 88.13, 0.82%, 0.62%

LAB 86.74, -47.32, 67.1

 

CMYK 24 / 0 / 52 / 5

HEX #B7F273

RGB 183 242 115

HSL 87.87, 0.83%, 0.7%

LAB 89.3, -38.82, 54.69

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 83 / 0 / 28 / 8

HEX #28EBAA

RGB 40 235 170

HSL 160, 0.83%, 0.54%

LAB 83.32, -60.29, 18.87

 

CMYK 0 / 83 / 6 / 8

HEX #EB28DE

RGB 235 40 222

HSL 304, 0.83%, 0.54%

LAB 56.54, 86.07, -48.6

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 83 / 39 / 0 / 8

HEX #2890EB

RGB 40 144 235

HSL 208, 0.83%, 0.54%

LAB 58.41, 3.19, -53.91

 

CMYK 0 / 83 / 39 / 8

HEX #EB2890

RGB 235 40 144

HSL 328, 0.83%, 0.54%

LAB 53.16, 76.76, -8.49

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 83 / 0 / 28 / 8

HEX #28EBAA

RGB 40 235 170

HSL 160, 0.83%, 0.54%

LAB 83.32, -60.29, 18.87

 

CMYK 44 / 83 / 0 / 8

HEX #8328EB

RGB 131 40 235

HSL 268, 0.83%, 0.54%

LAB 41.75, 71.91, -80.64

 

CMYK 0 / 83 / 55 / 8

HEX #EB2869

RGB 235 40 105

HSL 340, 0.83%, 0.54%

LAB 52.06, 73.57, 13.41

 

CMYK 39 / 0 / 83 / 8

HEX #90EB28

RGB 144 235 40

HSL 88, 0.83%, 0.54%

LAB 84.74, -54.62, 76.6

 

CMYK 83 / 0 / 3 / 8

HEX #28EBE4

RGB 40 235 228

HSL 177.85, 0.83%, 0.54%

LAB 84.72, -45.66, -9.54

 

CMYK 44 / 83 / 0 / 8

HEX #8328EB

RGB 131 40 235

HSL 268, 0.83%, 0.54%

LAB 41.75, 71.91, -80.64

 

CMYK 0 / 83 / 80 / 8

HEX #EB282E

RGB 235 40 46

HSL 358.15, 0.83%, 0.54%

LAB 51.13, 70.79, 46.83

 

Description

Color code: HEX #90EB28 | qconv.com Color code: HEX #90EB28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 235 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 235 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 83% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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