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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90E515 it is the complementary color #6F1AEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90E515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90E515 shade: #95E510, #A6F723, #B7FF36, #C8FF49 and #D9FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90E515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90E515 shade: #90E515, #7FD302, #6EC100, #5DAF00 and #4C9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90E515 shade: #8FE415, #C7E415, #E4C915, #E49115 and #E45915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90E515 shade: #8FE415, #57E415, #20E415, #15E442 and #15E47A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90E515 shade matches the following richer shades: #8FE415 and #93F801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90E515 shade: #8FE415, #8CD029, #88BC3D, #84A851 and #819366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90E515 shade: #E4C915, #C9E415, #91E415, #5AE415 and #23E415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90E515 shade: #60990E, #78BE11, #8FE415, #A2EC36 and #B3EF5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90E515 shade: #90E515, #15E491 and #E415E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90E515 shade: #90E515, #1591E4 and #E41591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90E515 shade: #90E515, #15E491, #6815E4 and #E41568

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90E515 shade: #90E515, #15E4CF, #6815E4 and #E41529

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

Complementary color

CMYK 53 / 89 / 0 / 8

HEX #6F1AEA

RGB 111 26 234

HSL 264.52, 0.83%, 0.51%

LAB 37.95, 73.42, -86.43

 

CMYK 35 / 0 / 93 / 10

HEX #95E510

RGB 149 229 16

HSL 82.54, 0.87%, 0.48%

LAB 83.16, -51.14, 79.51

 

CMYK 33 / 0 / 86 / 3

HEX #A6F723

RGB 166 247 35

HSL 82.92, 0.93%, 0.55%

LAB 89.28, -52.07, 81.98

 

CMYK 28 / 0 / 79 / 0

HEX #B7FF36

RGB 183 255 54

HSL 81.49, 1%, 0.61%

LAB 92.51, -48.66, 80.8

 

CMYK 22 / 0 / 71 / 0

HEX #C8FF49

RGB 200 255 73

HSL 78.13, 1%, 0.64%

LAB 93.57, -41.52, 76.44

 

CMYK 15 / 0 / 64 / 0

HEX #D9FF5C

RGB 217 255 92

HSL 73.99, 1%, 0.68%

LAB 94.76, -33.95, 71.11

 

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

CMYK 40 / 0 / 99 / 17

HEX #7FD302

RGB 127 211 2

HSL 84.11, 0.98%, 0.42%

LAB 76.74, -51.71, 75.33

 

CMYK 43 / 0 / 100 / 24

HEX #6EC100

RGB 110 193 0

HSL 85.8, 1%, 0.38%

LAB 70.49, -50.33, 70.33

 

CMYK 47 / 0 / 100 / 31

HEX #5DAF00

RGB 93 175 0

HSL 88.11, 1%, 0.34%

LAB 64.15, -48.86, 65.07

 

CMYK 52 / 0 / 100 / 38

HEX #4C9D00

RGB 76 157 0

HSL 90.96, 1%, 0.31%

LAB 57.7, -47.26, 59.72

 

CMYK 37 / 0 / 91 / 11

HEX #8FE415

RGB 143 228 21

HSL 84.64, 0.83%, 0.49%

LAB 82.58, -52.73, 78.28

 

CMYK 13 / 0 / 91 / 11

HEX #C7E415

RGB 199 228 21

HSL 68.41, 0.83%, 0.49%

LAB 85.85, -31.55, 82.27

 

CMYK 0 / 12 / 91 / 11

HEX #E4C915

RGB 228 201 21

HSL 52.17, 0.83%, 0.49%

LAB 80.92, -6.16, 79.42

 

CMYK 0 / 36 / 91 / 11

HEX #E49115

RGB 228 145 21

HSL 35.94, 0.83%, 0.49%

LAB 67.13, 23.31, 69.01

 

CMYK 0 / 61 / 91 / 11

HEX #E45915

RGB 228 89 21

HSL 19.71, 0.83%, 0.49%

LAB 55.78, 51.37, 60.77

 

CMYK 37 / 0 / 91 / 11

HEX #8FE415

RGB 143 228 21

HSL 84.64, 0.83%, 0.49%

LAB 82.58, -52.73, 78.28

 

CMYK 62 / 0 / 91 / 11

HEX #57E415

RGB 87 228 21

HSL 100.87, 0.83%, 0.49%

LAB 80.5, -68.79, 75.71

 

CMYK 86 / 0 / 91 / 11

HEX #20E415

RGB 32 228 21

HSL 116.81, 0.83%, 0.49%

LAB 79.53, -77.19, 74.5

 

CMYK 91 / 0 / 71 / 11

HEX #15E442

RGB 21 228 66

HSL 133.04, 0.83%, 0.49%

LAB 79.64, -75.48, 62.9

 

CMYK 91 / 0 / 46 / 11

HEX #15E47A

RGB 21 228 122

HSL 149.28, 0.83%, 0.49%

LAB 80.21, -68.44, 39.06

 

CMYK 37 / 0 / 91 / 11

HEX #8FE415

RGB 143 228 21

HSL 84.64, 0.83%, 0.49%

LAB 82.58, -52.73, 78.28

 

CMYK 41 / 0 / 100 / 3

HEX #93F801

RGB 147 248 1

HSL 84.53, 0.99%, 0.49%

LAB 88.61, -59.47, 85.06

 

CMYK 37 / 0 / 91 / 11

HEX #8FE415

RGB 143 228 21

HSL 84.64, 0.83%, 0.49%

LAB 82.58, -52.73, 78.28

 

CMYK 33 / 0 / 80 / 18

HEX #8CD029

RGB 140 208 41

HSL 84.43, 0.67%, 0.49%

LAB 76.59, -44.94, 69

 

CMYK 28 / 0 / 68 / 26

HEX #88BC3D

RGB 136 188 61

HSL 84.57, 0.51%, 0.49%

LAB 70.55, -36.54, 56.35

 

CMYK 21 / 0 / 52 / 34

HEX #84A851

RGB 132 168 81

HSL 84.83, 0.35%, 0.49%

LAB 64.57, -26.9, 40.59

 

CMYK 12 / 0 / 31 / 42

HEX #819366

RGB 129 147 102

HSL 84, 0.18%, 0.49%

LAB 58.5, -14.67, 21.76

 

CMYK 0 / 12 / 91 / 11

HEX #E4C915

RGB 228 201 21

HSL 52.17, 0.83%, 0.49%

LAB 80.92, -6.16, 79.42

 

CMYK 12 / 0 / 91 / 11

HEX #C9E415

RGB 201 228 21

HSL 67.83, 0.83%, 0.49%

LAB 85.99, -30.74, 82.44

 

CMYK 36 / 0 / 91 / 11

HEX #91E415

RGB 145 228 21

HSL 84.06, 0.83%, 0.49%

LAB 82.68, -52.04, 78.4

 

CMYK 61 / 0 / 91 / 11

HEX #5AE415

RGB 90 228 21

HSL 100, 0.83%, 0.49%

LAB 80.58, -68.11, 75.81

 

CMYK 85 / 0 / 91 / 11

HEX #23E415

RGB 35 228 21

HSL 115.94, 0.83%, 0.49%

LAB 79.56, -76.94, 74.54

 

CMYK 37 / 0 / 91 / 40

HEX #60990E

RGB 96 153 14

HSL 84.6, 0.83%, 0.33%

LAB 57.37, -38.48, 57.65

 

CMYK 37 / 0 / 91 / 25

HEX #78BE11

RGB 120 190 17

HSL 84.28, 0.84%, 0.41%

LAB 70.08, -45.37, 68.16

 

CMYK 37 / 0 / 91 / 11

HEX #8FE415

RGB 143 228 21

HSL 84.64, 0.83%, 0.49%

LAB 82.58, -52.73, 78.28

 

CMYK 31 / 0 / 77 / 7

HEX #A2EC36

RGB 162 236 54

HSL 84.4, 0.83%, 0.57%

LAB 85.98, -48.24, 74.39

 

CMYK 25 / 0 / 62 / 6

HEX #B3EF5C

RGB 179 239 92

HSL 84.49, 0.82%, 0.65%

LAB 88.01, -41, 63.17

 

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

CMYK 91 / 0 / 36 / 11

HEX #15E491

RGB 21 228 145

HSL 155.94, 0.83%, 0.49%

LAB 80.57, -64.23, 27.97

 

CMYK 0 / 91 / 0 / 11

HEX #E415E4

RGB 228 21 228

HSL 300, 0.83%, 0.49%

LAB 54.69, 88.62, -55.01

 

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

CMYK 91 / 36 / 0 / 11

HEX #1591E4

RGB 21 145 228

HSL 204.06, 0.83%, 0.49%

LAB 58.05, -1.23, -50.62

 

CMYK 0 / 91 / 36 / 11

HEX #E41591

RGB 228 21 145

HSL 324.06, 0.83%, 0.49%

LAB 50.77, 78.49, -12.81

 

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

CMYK 91 / 0 / 36 / 11

HEX #15E491

RGB 21 228 145

HSL 155.94, 0.83%, 0.49%

LAB 80.57, -64.23, 27.97

 

CMYK 54 / 91 / 0 / 11

HEX #6815E4

RGB 104 21 228

HSL 264.06, 0.83%, 0.49%

LAB 36.14, 72.56, -86.02

 

CMYK 0 / 91 / 54 / 11

HEX #E41568

RGB 228 21 104

HSL 335.94, 0.83%, 0.49%

LAB 49.53, 75.1, 10.28

 

CMYK 37 / 0 / 91 / 10

HEX #90E515

RGB 144 229 21

HSL 84.52, 0.83%, 0.49%

LAB 82.93, -52.78, 78.58

 

CMYK 91 / 0 / 9 / 11

HEX #15E4CF

RGB 21 228 207

HSL 173.91, 0.83%, 0.49%

LAB 81.92, -49.53, -2.6

 

CMYK 54 / 91 / 0 / 11

HEX #6815E4

RGB 104 21 228

HSL 264.06, 0.83%, 0.49%

LAB 36.14, 72.56, -86.02

 

CMYK 0 / 91 / 82 / 11

HEX #E41529

RGB 228 21 41

HSL 354.2, 0.83%, 0.49%

LAB 48.5, 72.21, 46.46

 

Description

Color code: HEX #90E515 | qconv.com Color code: HEX #90E515 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 229 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 229 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 91 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 91% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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