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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90D0F3 it is the complementary color #6F2F0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90D0F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90D0F3 shade: #95D0EE, #A6E2FF, #B7F4FF, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90D0F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90D0F3 shade: #90D0F3, #7FBEE0, #6EACCD, #5D9ABA and #4C88A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90D0F3 shade: #90D0F2, #90B5F2, #909BF2, #A090F2 and #BB90F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90D0F3 shade: #90D0F2, #90B5F2, #909BF2 and #9090F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90D0F3 shade matches the following richer shades: #90D0F2 and #86D3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90D0F3 shade: #90D0F2, #9ACDE8, #A4CADE, #AEC7D5 and #B8C4CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90D0F3 shade: #90F2E0, #90EAF2, #90D0F2, #90B6F2 and #909CF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90D0F3 shade: #46B0EA, #6BC0EE, #90D0F2, #B5DFF6 and #DBEFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90D0F3 shade: #90D0F3, #C690F2 and #F2ED90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90D0F3 shade: #90D0F3, #F290D0 and #D0F290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90D0F3 shade: #90D0F3, #C690F2, #F2B390 and #BCF290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90D0F3 shade: #90D0F3, #E490F2, #F2B390 and #9FF290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

Complementary color

CMYK 0 / 58 / 89 / 56

HEX #6F2F0C

RGB 111 47 12

HSL 21.21, 0.8%, 0.24%

LAB 27.95, 26.33, 33.96

 

CMYK 37 / 13 / 0 / 7

HEX #95D0EE

RGB 149 208 238

HSL 200.22, 0.72%, 0.76%

LAB 80.56, -11.54, -20.78

 

CMYK 35 / 11 / 0 / 0

HEX #A6E2FF

RGB 166 226 255

HSL 199.55, 1%, 0.83%

LAB 86.86, -12.14, -20.16

 

CMYK 28 / 4 / 0 / 0

HEX #B7F4FF

RGB 183 244 255

HSL 189.17, 1%, 0.86%

LAB 92.57, -16.59, -11.49

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

CMYK 43 / 15 / 0 / 12

HEX #7FBEE0

RGB 127 190 224

HSL 201.03, 0.61%, 0.69%

LAB 74.01, -11.36, -23.3

 

CMYK 46 / 16 / 0 / 20

HEX #6EACCD

RGB 110 172 205

HSL 200.84, 0.49%, 0.62%

LAB 67.45, -11.12, -23

 

CMYK 50 / 17 / 0 / 27

HEX #5D9ABA

RGB 93 154 186

HSL 200.65, 0.4%, 0.55%

LAB 60.77, -10.82, -22.7

 

CMYK 54 / 19 / 0 / 35

HEX #4C88A7

RGB 76 136 167

HSL 200.44, 0.37%, 0.48%

LAB 53.96, -10.43, -22.39

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 40 / 25 / 0 / 5

HEX #90B5F2

RGB 144 181 242

HSL 217.35, 0.79%, 0.76%

LAB 73.15, 2.69, -34.3

 

CMYK 40 / 36 / 0 / 5

HEX #909BF2

RGB 144 155 242

HSL 233.27, 0.79%, 0.76%

LAB 66.35, 17.37, -44.9

 

CMYK 34 / 40 / 0 / 5

HEX #A090F2

RGB 160 144 242

HSL 249.8, 0.79%, 0.76%

LAB 64.83, 27.84, -47.22

 

CMYK 23 / 40 / 0 / 5

HEX #BB90F2

RGB 187 144 242

HSL 266.33, 0.79%, 0.76%

LAB 67.22, 35.26, -43.3

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 40 / 25 / 0 / 5

HEX #90B5F2

RGB 144 181 242

HSL 217.35, 0.79%, 0.76%

LAB 73.15, 2.69, -34.3

 

CMYK 40 / 36 / 0 / 5

HEX #909BF2

RGB 144 155 242

HSL 233.27, 0.79%, 0.76%

LAB 66.35, 17.37, -44.9

 

CMYK 40 / 40 / 0 / 5

HEX #9090F2

RGB 144 144 242

HSL 240, 0.79%, 0.76%

LAB 63.58, 23.71, -49.27

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 47 / 16 / 0 / 1

HEX #86D3FC

RGB 134 211 252

HSL 200.85, 0.95%, 0.76%

LAB 81.12, -13.12, -27.45

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 34 / 12 / 0 / 9

HEX #9ACDE8

RGB 154 205 232

HSL 200.77, 0.63%, 0.76%

LAB 79.82, -10.13, -18.66

 

CMYK 26 / 9 / 0 / 13

HEX #A4CADE

RGB 164 202 222

HSL 200.69, 0.47%, 0.76%

LAB 79.28, -8.08, -14.06

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 9 / 3 / 0 / 20

HEX #B8C4CB

RGB 184 196 203

HSL 202.11, 0.15%, 0.76%

LAB 78.45, -2.72, -4.92

 

CMYK 40 / 0 / 7 / 5

HEX #90F2E0

RGB 144 242 224

HSL 168.98, 0.79%, 0.76%

LAB 89.31, -32.98, -0.38

 

CMYK 40 / 3 / 0 / 5

HEX #90EAF2

RGB 144 234 242

HSL 184.9, 0.79%, 0.76%

LAB 87.58, -24.92, -12.36

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 40 / 25 / 0 / 5

HEX #90B6F2

RGB 144 182 242

HSL 216.73, 0.79%, 0.76%

LAB 73.41, 2.14, -33.89

 

CMYK 40 / 36 / 0 / 5

HEX #909CF2

RGB 144 156 242

HSL 232.65, 0.79%, 0.76%

LAB 66.61, 16.79, -44.5

 

CMYK 70 / 25 / 0 / 8

HEX #46B0EA

RGB 70 176 234

HSL 201.22, 0.8%, 0.6%

LAB 68.24, -12.01, -37.83

 

CMYK 55 / 19 / 0 / 7

HEX #6BC0EE

RGB 107 192 238

HSL 201.07, 0.79%, 0.68%

LAB 74.19, -12.97, -30.68

 

CMYK 40 / 14 / 0 / 5

HEX #90D0F2

RGB 144 208 242

HSL 200.82, 0.79%, 0.76%

LAB 80.43, -11.81, -23.12

 

CMYK 26 / 9 / 0 / 4

HEX #B5DFF6

RGB 181 223 246

HSL 201.23, 0.78%, 0.84%

LAB 86.63, -8.55, -15.68

 

CMYK 13 / 5 / 0 / 2

HEX #DBEFFB

RGB 219 239 251

HSL 202.5, 0.8%, 0.92%

LAB 93.35, -4.22, -8.03

 

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

CMYK 18 / 40 / 0 / 5

HEX #C690F2

RGB 198 144 242

HSL 273.06, 0.79%, 0.76%

LAB 68.29, 38.4, -41.54

 

CMYK 0 / 2 / 40 / 5

HEX #F2ED90

RGB 242 237 144

HSL 56.94, 0.79%, 0.76%

LAB 92.34, -11.31, 45.58

 

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

CMYK 0 / 40 / 14 / 5

HEX #F290D0

RGB 242 144 208

HSL 320.82, 0.79%, 0.76%

LAB 71.81, 45.55, -17

 

CMYK 14 / 0 / 40 / 5

HEX #D0F290

RGB 208 242 144

HSL 80.82, 0.79%, 0.76%

LAB 91.2, -26.59, 43.64

 

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

CMYK 18 / 40 / 0 / 5

HEX #C690F2

RGB 198 144 242

HSL 273.06, 0.79%, 0.76%

LAB 68.29, 38.4, -41.54

 

CMYK 0 / 26 / 40 / 5

HEX #F2B390

RGB 242 179 144

HSL 21.43, 0.79%, 0.76%

LAB 77.95, 18.58, 26.84

 

CMYK 22 / 0 / 40 / 5

HEX #BCF290

RGB 188 242 144

HSL 93.06, 0.79%, 0.76%

LAB 89.96, -33.77, 41.79

 

CMYK 41 / 14 / 0 / 5

HEX #90D0F3

RGB 144 208 243

HSL 201.21, 0.8%, 0.76%

LAB 80.47, -11.55, -23.61

 

CMYK 6 / 40 / 0 / 5

HEX #E490F2

RGB 228 144 242

HSL 291.43, 0.79%, 0.76%

LAB 71.45, 47.13, -36.37

 

CMYK 0 / 26 / 40 / 5

HEX #F2B390

RGB 242 179 144

HSL 21.43, 0.79%, 0.76%

LAB 77.95, 18.58, 26.84

 

CMYK 34 / 0 / 40 / 5

HEX #9FF290

RGB 159 242 144

HSL 110.82, 0.79%, 0.76%

LAB 88.39, -43.45, 39.47

 

Description

Color code: HEX #90D0F3 | qconv.com Color code: HEX #90D0F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 208 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 208 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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