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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90C6E3 it is the complementary color #6F391C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90C6E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90C6E3 shade: #95C6DE, #A6D8F1, #B7EAFF, #C8FCFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90C6E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90C6E3 shade: #90C6E3, #7FB4D0, #6EA2BD, #5D90AA and #4C7E97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90C6E3 shade: #90C6E3, #90B0E3, #909AE3, #9D90E3 and #B490E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90C6E3 shade: #90C6E3, #90B0E3, #909AE3 and #9090E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90C6E3 shade matches the following richer shades: #90C6E3, #85C9EE and #7ACDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90C6E3 shade: #90C6E3, #9BC3D8, #A7BFCD, #B2BCC2 and #BDB9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90C6E3 shade: #90E3D2, #90DDE3, #90C7E3, #90B1E3 and #909BE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90C6E3 shade: #4EA4D2, #6FB5DB, #90C6E3, #B1D7EB and #D2E8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90C6E3 shade: #90C6E3, #BC90E3 and #E3DD90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90C6E3 shade: #90C6E3, #E390C7 and #C7E390

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90C6E3 shade: #90C6E3, #BC90E3, #E3AC90 and #B7E390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90C6E3 shade: #90C6E3, #D590E3, #E3AC90 and #9EE390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

Complementary color

CMYK 0 / 49 / 75 / 56

HEX #6F391C

RGB 111 57 28

HSL 20.96, 0.6%, 0.27%

LAB 30.37, 21.3, 28.1

 

CMYK 33 / 11 / 0 / 13

HEX #95C6DE

RGB 149 198 222

HSL 199.73, 0.53%, 0.73%

LAB 77.31, -10.29, -17.1

 

CMYK 31 / 10 / 0 / 5

HEX #A6D8F1

RGB 166 216 241

HSL 200, 0.73%, 0.8%

LAB 83.74, -10.36, -17.47

 

CMYK 28 / 8 / 0 / 0

HEX #B7EAFF

RGB 183 234 255

HSL 197.5, 1%, 0.86%

LAB 89.92, -11.56, -15.45

 

CMYK 22 / 1 / 0 / 0

HEX #C8FCFF

RGB 200 252 255

HSL 183.27, 1%, 0.89%

LAB 95.63, -15.7, -6.85

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 39 / 13 / 0 / 18

HEX #7FB4D0

RGB 127 180 208

HSL 200.74, 0.46%, 0.66%

LAB 70.67, -10.28, -19.66

 

CMYK 42 / 14 / 0 / 26

HEX #6EA2BD

RGB 110 162 189

HSL 200.51, 0.37%, 0.59%

LAB 64.02, -10.12, -19.33

 

CMYK 45 / 15 / 0 / 33

HEX #5D90AA

RGB 93 144 170

HSL 200.26, 0.31%, 0.52%

LAB 57.25, -9.92, -19

 

CMYK 50 / 17 / 0 / 41

HEX #4C7E97

RGB 76 126 151

HSL 200, 0.33%, 0.45%

LAB 50.33, -9.65, -18.67

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 37 / 22 / 0 / 11

HEX #90B0E3

RGB 144 176 227

HSL 216.87, 0.6%, 0.73%

LAB 71.23, 1.46, -29.11

 

CMYK 37 / 32 / 0 / 11

HEX #909AE3

RGB 144 154 227

HSL 232.77, 0.6%, 0.73%

LAB 65.43, 13.85, -38.11

 

CMYK 31 / 37 / 0 / 11

HEX #9D90E3

RGB 157 144 227

HSL 249.4, 0.6%, 0.73%

LAB 63.89, 23.18, -40.44

 

CMYK 21 / 37 / 0 / 11

HEX #B490E3

RGB 180 144 227

HSL 266.02, 0.6%, 0.73%

LAB 65.9, 29.8, -37.15

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 37 / 22 / 0 / 11

HEX #90B0E3

RGB 144 176 227

HSL 216.87, 0.6%, 0.73%

LAB 71.23, 1.46, -29.11

 

CMYK 37 / 32 / 0 / 11

HEX #909AE3

RGB 144 154 227

HSL 232.77, 0.6%, 0.73%

LAB 65.43, 13.85, -38.11

 

CMYK 37 / 37 / 0 / 11

HEX #9090E3

RGB 144 144 227

HSL 240, 0.6%, 0.73%

LAB 62.86, 19.62, -42.12

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 44 / 16 / 0 / 7

HEX #85C9EE

RGB 133 201 238

HSL 201.14, 0.76%, 0.73%

LAB 77.84, -11.92, -24.99

 

CMYK 51 / 18 / 0 / 2

HEX #7ACDF9

RGB 122 205 249

HSL 200.79, 0.91%, 0.73%

LAB 78.83, -13.5, -29.39

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 28 / 10 / 0 / 15

HEX #9BC3D8

RGB 155 195 216

HSL 200.66, 0.44%, 0.73%

LAB 76.65, -8.44, -14.82

 

CMYK 19 / 7 / 0 / 20

HEX #A7BFCD

RGB 167 191 205

HSL 202.11, 0.28%, 0.73%

LAB 76, -5.16, -9.77

 

CMYK 8 / 3 / 0 / 24

HEX #B2BCC2

RGB 178 188 194

HSL 202.5, 0.12%, 0.73%

LAB 75.65, -2.27, -4.22

 

CMYK 0 / 2 / 4 / 26

HEX #BDB9B6

RGB 189 185 182

HSL 25.71, 0.05%, 0.73%

LAB 75.39, 0.86, 2.01

 

CMYK 37 / 0 / 7 / 11

HEX #90E3D2

RGB 144 227 210

HSL 167.71, 0.6%, 0.73%

LAB 84.75, -29.03, 0.32

 

CMYK 37 / 3 / 0 / 11

HEX #90DDE3

RGB 144 221 227

HSL 184.34, 0.6%, 0.73%

LAB 83.54, -22.17, -10.46

 

CMYK 37 / 12 / 0 / 11

HEX #90C7E3

RGB 144 199 227

HSL 200.24, 0.6%, 0.73%

LAB 77.47, -10.94, -19.58

 

CMYK 37 / 22 / 0 / 11

HEX #90B1E3

RGB 144 177 227

HSL 216.14, 0.6%, 0.73%

LAB 71.5, 0.91, -28.69

 

CMYK 37 / 32 / 0 / 11

HEX #909BE3

RGB 144 155 227

HSL 232.05, 0.6%, 0.73%

LAB 65.68, 13.28, -37.7

 

CMYK 63 / 22 / 0 / 18

HEX #4EA4D2

RGB 78 164 210

HSL 200.91, 0.59%, 0.56%

LAB 64.02, -12.01, -31.15

 

CMYK 49 / 17 / 0 / 14

HEX #6FB5DB

RGB 111 181 219

HSL 201.11, 0.6%, 0.65%

LAB 70.55, -11.76, -25.93

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 25 / 9 / 0 / 8

HEX #B1D7EB

RGB 177 215 235

HSL 200.69, 0.59%, 0.81%

LAB 83.94, -8.07, -13.93

 

CMYK 14 / 5 / 0 / 5

HEX #D2E8F3

RGB 210 232 243

HSL 200, 0.58%, 0.89%

LAB 90.73, -5.06, -7.8

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 17 / 37 / 0 / 11

HEX #BC90E3

RGB 188 144 227

HSL 271.81, 0.6%, 0.73%

LAB 66.66, 32.18, -35.91

 

CMYK 0 / 3 / 37 / 11

HEX #E3DD90

RGB 227 221 144

HSL 55.66, 0.6%, 0.73%

LAB 87.03, -9.12, 38.56

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 0 / 37 / 12 / 11

HEX #E390C7

RGB 227 144 199

HSL 320.24, 0.6%, 0.73%

LAB 69.75, 39.21, -15.29

 

CMYK 12 / 0 / 37 / 11

HEX #C7E390

RGB 199 227 144

HSL 80.24, 0.6%, 0.73%

LAB 86.55, -22.72, 37.54

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 17 / 37 / 0 / 11

HEX #BC90E3

RGB 188 144 227

HSL 271.81, 0.6%, 0.73%

LAB 66.66, 32.18, -35.91

 

CMYK 0 / 24 / 37 / 11

HEX #E3AC90

RGB 227 172 144

HSL 20.24, 0.6%, 0.73%

LAB 74.73, 16.45, 22.21

 

CMYK 19 / 0 / 37 / 11

HEX #B7E390

RGB 183 227 144

HSL 91.81, 0.6%, 0.73%

LAB 85.51, -28.54, 35.99

 

CMYK 37 / 13 / 0 / 11

HEX #90C6E3

RGB 144 198 227

HSL 200.96, 0.6%, 0.73%

LAB 77.2, -10.41, -19.99

 

CMYK 6 / 37 / 0 / 11

HEX #D590E3

RGB 213 144 227

HSL 289.88, 0.6%, 0.73%

LAB 69.21, 39.75, -31.75

 

CMYK 0 / 24 / 37 / 11

HEX #E3AC90

RGB 227 172 144

HSL 20.24, 0.6%, 0.73%

LAB 74.73, 16.45, 22.21

 

CMYK 30 / 0 / 37 / 11

HEX #9EE390

RGB 158 227 144

HSL 109.88, 0.6%, 0.73%

LAB 84.08, -37.11, 33.84

 

Description

Color code: HEX #90C6E3 | qconv.com Color code: HEX #90C6E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 198 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 198 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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