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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90AED4 it is the complementary color #6F512B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90AED4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90AED4 shade: #95AECF, #A6C0E2, #B7D2F5, #C8E4FF and #D9F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90AED4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90AED4 shade: #90AED4, #7F9CC1, #6E8AAE, #5D789B and #4C6688

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90AED4 shade: #90AED4, #909CD4, #9790D4, #A990D4 and #BB90D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90AED4 shade: #90AED4, #909CD4 and #9090D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90AED4 shade matches the following richer shades: #90AED4, #84ADE0, #78ABEC and #6BAAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90AED4 shade: #90AED4, #9DAFC7, #A9B1BB, #B5B2AF and #C2B4A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90AED4 shade: #90D3D4, #90C1D4, #90AFD4, #909DD4 and #9690D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90AED4 shade: #5583BD, #7398C8, #90AED4, #AEC4DF and #CCD9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90AED4 shade: #90AED4, #C390D4 and #CAD490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90AED4 shade: #90AED4, #D490AF and #AFD490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90AED4 shade: #90AED4, #C390D4, #D4B590 and #A1D490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90AED4 shade: #90AED4, #D490D0, #D4B590 and #90D494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

Complementary color

CMYK 0 / 27 / 61 / 56

HEX #6F512B

RGB 111 81 43

HSL 33.53, 0.44%, 0.3%

LAB 36.82, 7.87, 26.97

 

CMYK 28 / 16 / 0 / 19

HEX #95AECF

RGB 149 174 207

HSL 214.14, 0.38%, 0.7%

LAB 70.29, -1.06, -19.56

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 25 / 14 / 0 / 4

HEX #B7D2F5

RGB 183 210 245

HSL 213.87, 0.76%, 0.84%

LAB 83.31, -1.41, -20.14

 

CMYK 22 / 11 / 0 / 0

HEX #C8E4FF

RGB 200 228 255

HSL 209.45, 1%, 0.89%

LAB 89.39, -3.55, -16.15

 

CMYK 15 / 4 / 0 / 0

HEX #D9F6FF

RGB 217 246 255

HSL 194.21, 1%, 0.93%

LAB 95.11, -7.59, -7.5

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 34 / 19 / 0 / 24

HEX #7F9CC1

RGB 127 156 193

HSL 213.64, 0.35%, 0.63%

LAB 63.46, -1.05, -22.34

 

CMYK 37 / 21 / 0 / 32

HEX #6E8AAE

RGB 110 138 174

HSL 213.75, 0.28%, 0.56%

LAB 56.63, -0.78, -22.14

 

CMYK 40 / 23 / 0 / 39

HEX #5D789B

RGB 93 120 155

HSL 213.87, 0.25%, 0.49%

LAB 49.65, -0.45, -21.97

 

CMYK 44 / 25 / 0 / 47

HEX #4C6688

RGB 76 102 136

HSL 214, 0.28%, 0.42%

LAB 42.49, -0.04, -21.83

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 32 / 26 / 0 / 17

HEX #909CD4

RGB 144 156 212

HSL 229.41, 0.44%, 0.7%

LAB 65.33, 8.77, -29.96

 

CMYK 29 / 32 / 0 / 17

HEX #9790D4

RGB 151 144 212

HSL 246.18, 0.44%, 0.7%

LAB 62.74, 17.67, -33.92

 

CMYK 20 / 32 / 0 / 17

HEX #A990D4

RGB 169 144 212

HSL 262.06, 0.44%, 0.7%

LAB 64.27, 23.06, -31.43

 

CMYK 12 / 32 / 0 / 17

HEX #BB90D4

RGB 187 144 212

HSL 277.94, 0.44%, 0.7%

LAB 65.95, 28.64, -28.69

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 32 / 26 / 0 / 17

HEX #909CD4

RGB 144 156 212

HSL 229.41, 0.44%, 0.7%

LAB 65.33, 8.77, -29.96

 

CMYK 32 / 32 / 0 / 17

HEX #9090D4

RGB 144 144 212

HSL 240, 0.44%, 0.7%

LAB 62.19, 15.65, -34.82

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 41 / 23 / 0 / 12

HEX #84ADE0

RGB 132 173 224

HSL 213.26, 0.6%, 0.7%

LAB 69.59, -0.87, -30.05

 

CMYK 49 / 28 / 0 / 7

HEX #78ABEC

RGB 120 171 236

HSL 213.62, 0.75%, 0.7%

LAB 68.88, 0.7, -37.77

 

CMYK 57 / 32 / 0 / 2

HEX #6BAAF9

RGB 107 170 249

HSL 213.38, 0.92%, 0.7%

LAB 68.54, 2.43, -45.42

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 21 / 12 / 0 / 22

HEX #9DAFC7

RGB 157 175 199

HSL 214.29, 0.27%, 0.7%

LAB 70.84, -1.04, -14.29

 

CMYK 10 / 5 / 0 / 27

HEX #A9B1BB

RGB 169 177 187

HSL 213.33, 0.12%, 0.7%

LAB 71.87, -0.8, -6.06

 

CMYK 0 / 2 / 3 / 29

HEX #B5B2AF

RGB 181 178 175

HSL 30, 0.04%, 0.7%

LAB 72.73, 0.51, 1.9

 

CMYK 0 / 7 / 16 / 24

HEX #C2B4A2

RGB 194 180 162

HSL 33.75, 0.21%, 0.7%

LAB 74.01, 1.98, 10.97

 

CMYK 32 / 0 / 0 / 17

HEX #90D3D4

RGB 144 211 212

HSL 180.88, 0.44%, 0.7%

LAB 80.33, -20.74, -7.25

 

CMYK 32 / 9 / 0 / 17

HEX #90C1D4

RGB 144 193 212

HSL 196.76, 0.44%, 0.7%

LAB 75.34, -11.5, -14.7

 

CMYK 32 / 17 / 0 / 17

HEX #90AFD4

RGB 144 175 212

HSL 212.65, 0.44%, 0.7%

LAB 70.42, -1.84, -22.15

 

CMYK 32 / 26 / 0 / 17

HEX #909DD4

RGB 144 157 212

HSL 228.53, 0.44%, 0.7%

LAB 65.59, 8.2, -29.55

 

CMYK 29 / 32 / 0 / 17

HEX #9690D4

RGB 150 144 212

HSL 245.29, 0.44%, 0.7%

LAB 62.66, 17.38, -34.06

 

CMYK 55 / 31 / 0 / 26

HEX #5583BD

RGB 85 131 189

HSL 213.46, 0.44%, 0.54%

LAB 53.85, 1.4, -35.14

 

CMYK 43 / 24 / 0 / 22

HEX #7398C8

RGB 115 152 200

HSL 213.88, 0.44%, 0.62%

LAB 61.89, -0.19, -28.74

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 22 / 12 / 0 / 13

HEX #AEC4DF

RGB 174 196 223

HSL 213.06, 0.43%, 0.78%

LAB 78.35, -1.67, -15.93

 

CMYK 13 / 8 / 0 / 8

HEX #CCD9EB

RGB 204 217 235

HSL 214.84, 0.44%, 0.86%

LAB 86.24, -0.81, -10.31

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 8 / 32 / 0 / 17

HEX #C390D4

RGB 195 144 212

HSL 285, 0.44%, 0.7%

LAB 66.75, 31.17, -27.4

 

CMYK 5 / 0 / 32 / 17

HEX #CAD490

RGB 202 212 144

HSL 68.82, 0.44%, 0.7%

LAB 82.73, -14.19, 32.58

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 0 / 32 / 17 / 17

HEX #D490AF

RGB 212 144 175

HSL 332.65, 0.44%, 0.7%

LAB 67.31, 30.22, -5.72

 

CMYK 17 / 0 / 32 / 17

HEX #AFD490

RGB 175 212 144

HSL 92.65, 0.44%, 0.7%

LAB 80.86, -24.2, 29.75

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 8 / 32 / 0 / 17

HEX #C390D4

RGB 195 144 212

HSL 285, 0.44%, 0.7%

LAB 66.75, 31.17, -27.4

 

CMYK 0 / 15 / 32 / 17

HEX #D4B590

RGB 212 181 144

HSL 32.65, 0.44%, 0.7%

LAB 75.49, 5.78, 23.01

 

CMYK 24 / 0 / 32 / 17

HEX #A1D490

RGB 161 212 144

HSL 105, 0.44%, 0.7%

LAB 80, -29.13, 28.45

 

CMYK 32 / 18 / 0 / 17

HEX #90AED4

RGB 144 174 212

HSL 213.53, 0.44%, 0.7%

LAB 70.14, -1.29, -22.57

 

CMYK 0 / 32 / 2 / 17

HEX #D490D0

RGB 212 144 208

HSL 303.53, 0.44%, 0.7%

LAB 68.39, 35.85, -22.52

 

CMYK 0 / 15 / 32 / 17

HEX #D4B590

RGB 212 181 144

HSL 32.65, 0.44%, 0.7%

LAB 75.49, 5.78, 23.01

 

CMYK 32 / 0 / 30 / 17

HEX #90D494

RGB 144 212 148

HSL 123.53, 0.44%, 0.7%

LAB 79.13, -34.13, 25.04

 

Description

Color code: HEX #90AED4 | qconv.com Color code: HEX #90AED4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 174 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 174 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 18 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 18% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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