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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90859B it is the complementary color #6F7A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90859B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90859B shade: #958596, #A697A9, #B7A9BC, #C8BBCF and #D9CDE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90859B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90859B shade: #90859B, #7F7388, #6E6175, #5D4F62 and #4C3D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90859B shade: #8E839A, #94839A, #9A8399, #9A8393 and #9A838D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90859B shade: #8E839A, #88839A and #83839A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90859B shade matches the following richer shades: #8E839A, #8E71AC, #8E5FBE, #8E4DD0 and #8E3AE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90859B shade: #8E839A, #8E9587, #8EA775, #8EBA63 and #8ECC51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90859B shade: #83849A, #88839A, #8E839A, #94839A and #9A8399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90859B shade: #655B6F, #7A6D86, #8E839A, #A39AAC and #B8B0BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90859B shade: #90859B, #9A838A and #839A85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90859B shade: #90859B, #9A8E83 and #839A8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90859B shade: #90859B, #9A838A, #8E9A83 and #839A93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90859B shade: #90859B, #9A8383, #8E9A83 and #839A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

Complementary color

CMYK 9 / 0 / 18 / 52

HEX #6F7A64

RGB 111 122 100

HSL 90, 0.1%, 0.44%

LAB 49.76, -8.44, 10.69

 

CMYK 1 / 11 / 0 / 41

HEX #958596

RGB 149 133 150

HSL 296.47, 0.07%, 0.55%

LAB 57.43, 9.25, -6.87

 

CMYK 2 / 11 / 0 / 34

HEX #A697A9

RGB 166 151 169

HSL 290, 0.09%, 0.63%

LAB 64.25, 8.89, -7.39

 

CMYK 3 / 10 / 0 / 26

HEX #B7A9BC

RGB 183 169 188

HSL 284.21, 0.12%, 0.7%

LAB 70.92, 8.56, -7.9

 

CMYK 3 / 10 / 0 / 19

HEX #C8BBCF

RGB 200 187 207

HSL 279, 0.17%, 0.77%

LAB 77.47, 8.25, -8.39

 

CMYK 4 / 9 / 0 / 11

HEX #D9CDE2

RGB 217 205 226

HSL 274.29, 0.27%, 0.85%

LAB 83.92, 7.97, -8.88

 

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

CMYK 7 / 15 / 0 / 47

HEX #7F7388

RGB 127 115 136

HSL 274.29, 0.08%, 0.49%

LAB 50.16, 8.86, -9.78

 

CMYK 6 / 17 / 0 / 54

HEX #6E6175

RGB 110 97 117

HSL 279, 0.09%, 0.42%

LAB 42.99, 9.28, -9.34

 

CMYK 5 / 19 / 0 / 62

HEX #5D4F62

RGB 93 79 98

HSL 284.21, 0.11%, 0.35%

LAB 35.6, 9.76, -8.89

 

CMYK 4 / 23 / 0 / 69

HEX #4C3D4F

RGB 76 61 79

HSL 290, 0.13%, 0.27%

LAB 27.95, 10.32, -8.44

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 4 / 15 / 0 / 40

HEX #94839A

RGB 148 131 154

HSL 284.35, 0.1%, 0.56%

LAB 56.94, 10.85, -9.92

 

CMYK 0 / 15 / 1 / 40

HEX #9A8399

RGB 154 131 153

HSL 302.61, 0.1%, 0.56%

LAB 57.47, 12.8, -8.5

 

CMYK 0 / 15 / 5 / 40

HEX #9A8393

RGB 154 131 147

HSL 318.26, 0.1%, 0.56%

LAB 57.28, 11.64, -5.32

 

CMYK 0 / 15 / 8 / 40

HEX #9A838D

RGB 154 131 141

HSL 333.91, 0.1%, 0.56%

LAB 57.1, 10.53, -2.12

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 12 / 15 / 0 / 40

HEX #88839A

RGB 136 131 154

HSL 253.04, 0.1%, 0.56%

LAB 55.89, 6.62, -11.6

 

CMYK 15 / 15 / 0 / 40

HEX #83839A

RGB 131 131 154

HSL 240, 0.1%, 0.56%

LAB 55.47, 4.89, -12.27

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 17 / 34 / 0 / 33

HEX #8E71AC

RGB 142 113 172

HSL 269.49, 0.26%, 0.56%

LAB 52.44, 23.23, -27.24

 

CMYK 25 / 50 / 0 / 25

HEX #8E5FBE

RGB 142 95 190

HSL 269.68, 0.42%, 0.56%

LAB 49.07, 37.91, -42.95

 

CMYK 32 / 63 / 0 / 18

HEX #8E4DD0

RGB 142 77 208

HSL 269.77, 0.58%, 0.56%

LAB 46.46, 51.95, -57.51

 

CMYK 37 / 74 / 0 / 11

HEX #8E3AE2

RGB 142 58 226

HSL 270, 0.74%, 0.56%

LAB 44.61, 64.94, -70.79

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 5 / 0 / 9 / 42

HEX #8E9587

RGB 142 149 135

HSL 90, 0.06%, 0.56%

LAB 60.78, -5.22, 6.52

 

CMYK 15 / 0 / 30 / 35

HEX #8EA775

RGB 142 167 117

HSL 90, 0.22%, 0.56%

LAB 65.49, -17.84, 23.08

 

CMYK 24 / 0 / 47 / 27

HEX #8EBA63

RGB 142 186 99

HSL 90.34, 0.39%, 0.56%

LAB 70.71, -29.71, 39.26

 

CMYK 30 / 0 / 60 / 20

HEX #8ECC51

RGB 142 204 81

HSL 90.24, 0.55%, 0.56%

LAB 75.78, -39.86, 53.72

 

CMYK 15 / 14 / 0 / 40

HEX #83849A

RGB 131 132 154

HSL 237.39, 0.1%, 0.56%

LAB 55.75, 4.32, -11.86

 

CMYK 12 / 15 / 0 / 40

HEX #88839A

RGB 136 131 154

HSL 253.04, 0.1%, 0.56%

LAB 55.89, 6.62, -11.6

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 4 / 15 / 0 / 40

HEX #94839A

RGB 148 131 154

HSL 284.35, 0.1%, 0.56%

LAB 56.94, 10.85, -9.92

 

CMYK 0 / 15 / 1 / 40

HEX #9A8399

RGB 154 131 153

HSL 302.61, 0.1%, 0.56%

LAB 57.47, 12.8, -8.5

 

CMYK 9 / 18 / 0 / 56

HEX #655B6F

RGB 101 91 111

HSL 270, 0.1%, 0.4%

LAB 40.24, 8.26, -9.89

 

CMYK 9 / 19 / 0 / 47

HEX #7A6D86

RGB 122 109 134

HSL 271.2, 0.1%, 0.48%

LAB 48, 10.18, -11.89

 

CMYK 8 / 15 / 0 / 40

HEX #8E839A

RGB 142 131 154

HSL 268.7, 0.1%, 0.56%

LAB 56.4, 8.72, -10.78

 

CMYK 5 / 10 / 0 / 33

HEX #A39AAC

RGB 163 154 172

HSL 270, 0.1%, 0.64%

LAB 64.86, 6.75, -8.19

 

CMYK 4 / 8 / 0 / 25

HEX #B8B0BF

RGB 184 176 191

HSL 272, 0.1%, 0.72%

LAB 72.89, 5.66, -6.61

 

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

CMYK 0 / 15 / 10 / 40

HEX #9A838A

RGB 154 131 138

HSL 341.74, 0.1%, 0.56%

LAB 57.01, 9.98, -0.51

 

CMYK 15 / 0 / 14 / 40

HEX #839A85

RGB 131 154 133

HSL 125.22, 0.1%, 0.56%

LAB 61.33, -12.34, 8.33

 

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

CMYK 0 / 8 / 15 / 40

HEX #9A8E83

RGB 154 142 131

HSL 28.7, 0.1%, 0.56%

LAB 59.76, 2.53, 7.46

 

CMYK 15 / 0 / 8 / 40

HEX #839A8E

RGB 131 154 142

HSL 148.7, 0.1%, 0.56%

LAB 61.56, -10.57, 3.58

 

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

CMYK 0 / 15 / 10 / 40

HEX #9A838A

RGB 154 131 138

HSL 341.74, 0.1%, 0.56%

LAB 57.01, 9.98, -0.51

 

CMYK 8 / 0 / 15 / 40

HEX #8E9A83

RGB 142 154 131

HSL 91.3, 0.1%, 0.56%

LAB 62.08, -8.67, 10.63

 

CMYK 15 / 0 / 5 / 40

HEX #839A93

RGB 131 154 147

HSL 161.74, 0.1%, 0.56%

LAB 61.69, -9.55, 0.95

 

CMYK 7 / 14 / 0 / 39

HEX #90859B

RGB 144 133 155

HSL 270, 0.1%, 0.56%

LAB 57.14, 8.49, -10.22

 

CMYK 0 / 15 / 15 / 40

HEX #9A8383

RGB 154 131 131

HSL 0, 0.1%, 0.56%

LAB 56.82, 8.76, 3.25

 

CMYK 8 / 0 / 15 / 40

HEX #8E9A83

RGB 142 154 131

HSL 91.3, 0.1%, 0.56%

LAB 62.08, -8.67, 10.63

 

CMYK 15 / 0 / 0 / 40

HEX #839A9A

RGB 131 154 154

HSL 180, 0.1%, 0.56%

LAB 61.89, -8.06, -2.72

 

Description

Color code: HEX #90859B | qconv.com Color code: HEX #90859B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 133 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 133 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 14 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 14% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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