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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9060DC it is the complementary color #6F9F23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9060DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9060DC shade: #9560D7, #A672EA, #B784FD, #C896FF and #D9A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9060DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9060DC shade: #9060DC, #7F4EC9, #6E3CB6, #5D2AA3 and #4C1890

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9060DC shade: #9060DC, #B160DC, #D260DC, #DC60C3 and #DC60A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9060DC shade: #9060DC, #6E60DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9060DC shade matches the following richer shades: #9060DC, #8C50EB and #8940FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9060DC shade: #9060DC, #936FCC, #977FBC, #9A8FAD and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9060DC shade: #6072DC, #6E60DC, #8F60DC, #B060DC and #D160DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9060DC shade: #632ABF, #783ED4, #9060DC, #A781E3 and #BFA3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9060DC shade: #9060DC, #DC6093 and #62DC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9060DC shade: #9060DC, #DC8F60 and #60DC8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9060DC shade: #9060DC, #DC6093, #ACDC60 and #60DCA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9060DC shade: #9060DC, #DC606E, #ACDC60 and #60DCCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

Complementary color

CMYK 30 / 0 / 78 / 38

HEX #6F9F23

RGB 111 159 35

HSL 83.23, 0.64%, 0.38%

LAB 60.16, -34.59, 55.04

 

CMYK 31 / 55 / 0 / 16

HEX #9560D7

RGB 149 96 215

HSL 266.72, 0.6%, 0.61%

LAB 51.45, 45.26, -53.45

 

CMYK 29 / 51 / 0 / 8

HEX #A672EA

RGB 166 114 234

HSL 266, 0.74%, 0.68%

LAB 58.11, 44.28, -53.4

 

CMYK 28 / 48 / 0 / 1

HEX #B784FD

RGB 183 132 253

HSL 265.29, 0.97%, 0.75%

LAB 64.69, 43.35, -53.33

 

CMYK 22 / 41 / 0 / 0

HEX #C896FF

RGB 200 150 255

HSL 268.57, 1%, 0.79%

LAB 70.39, 38.57, -45.32

 

CMYK 15 / 34 / 0 / 0

HEX #D9A8FF

RGB 217 168 255

HSL 273.79, 1%, 0.83%

LAB 76.06, 33.71, -36.37

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 37 / 61 / 0 / 21

HEX #7F4EC9

RGB 127 78 201

HSL 263.9, 0.53%, 0.55%

LAB 44.49, 46.37, -56.74

 

CMYK 40 / 67 / 0 / 29

HEX #6E3CB6

RGB 110 60 182

HSL 264.59, 0.5%, 0.47%

LAB 37.71, 47.37, -56.71

 

CMYK 43 / 74 / 0 / 36

HEX #5D2AA3

RGB 93 42 163

HSL 265.29, 0.59%, 0.4%

LAB 30.94, 48.16, -56.46

 

CMYK 47 / 83 / 0 / 44

HEX #4C1890

RGB 76 24 144

HSL 266, 0.71%, 0.33%

LAB 24.33, 48.35, -55.73

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 20 / 56 / 0 / 14

HEX #B160DC

RGB 177 96 220

HSL 279.19, 0.64%, 0.62%

LAB 54.95, 53.36, -50.51

 

CMYK 5 / 56 / 0 / 14

HEX #D260DC

RGB 210 96 220

HSL 295.16, 0.64%, 0.62%

LAB 59.19, 61.75, -43.52

 

CMYK 0 / 56 / 11 / 14

HEX #DC60C3

RGB 220 96 195

HSL 312.1, 0.64%, 0.62%

LAB 59.45, 60.23, -28.85

 

CMYK 0 / 56 / 26 / 14

HEX #DC60A2

RGB 220 96 162

HSL 328.06, 0.64%, 0.62%

LAB 58.22, 55.48, -11.75

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 50 / 56 / 0 / 14

HEX #6E60DC

RGB 110 96 220

HSL 246.77, 0.64%, 0.62%

LAB 48.07, 37.8, -61.92

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 40 / 66 / 0 / 8

HEX #8C50EB

RGB 140 80 235

HSL 263.23, 0.79%, 0.62%

LAB 48.65, 56.7, -69.33

 

CMYK 45 / 75 / 0 / 2

HEX #8940FB

RGB 137 64 251

HSL 263.42, 0.96%, 0.62%

LAB 46.91, 67.61, -81.15

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 28 / 46 / 0 / 20

HEX #936FCC

RGB 147 111 204

HSL 263.23, 0.48%, 0.62%

LAB 53.95, 33.59, -43.22

 

CMYK 20 / 32 / 0 / 26

HEX #977FBC

RGB 151 127 188

HSL 263.61, 0.31%, 0.62%

LAB 57.45, 21.65, -28.61

 

CMYK 11 / 17 / 0 / 32

HEX #9A8FAD

RGB 154 143 173

HSL 262, 0.15%, 0.62%

LAB 61.25, 10.06, -14.25

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 56 / 48 / 0 / 14

HEX #6072DC

RGB 96 114 220

HSL 231.29, 0.64%, 0.62%

LAB 51.48, 24.09, -56.48

 

CMYK 50 / 56 / 0 / 14

HEX #6E60DC

RGB 110 96 220

HSL 246.77, 0.64%, 0.62%

LAB 48.07, 37.8, -61.92

 

CMYK 35 / 56 / 0 / 14

HEX #8F60DC

RGB 143 96 220

HSL 262.74, 0.64%, 0.62%

LAB 51.12, 45.07, -56.85

 

CMYK 20 / 56 / 0 / 14

HEX #B060DC

RGB 176 96 220

HSL 278.71, 0.64%, 0.62%

LAB 54.83, 53.11, -50.71

 

CMYK 5 / 56 / 0 / 14

HEX #D160DC

RGB 209 96 220

HSL 294.68, 0.64%, 0.62%

LAB 59.06, 61.49, -43.74

 

CMYK 48 / 78 / 0 / 25

HEX #632ABF

RGB 99 42 191

HSL 262.95, 0.64%, 0.46%

LAB 34.13, 56.38, -67.91

 

CMYK 43 / 71 / 0 / 17

HEX #783ED4

RGB 120 62 212

HSL 263.2, 0.64%, 0.54%

LAB 41.52, 56.02, -67.94

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 26 / 43 / 0 / 11

HEX #A781E3

RGB 167 129 227

HSL 263.27, 0.64%, 0.7%

LAB 61.19, 34.51, -44.62

 

CMYK 18 / 30 / 0 / 8

HEX #BFA3EA

RGB 191 163 234

HSL 263.66, 0.63%, 0.78%

LAB 71.7, 24.09, -31.92

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 0 / 56 / 33 / 14

HEX #DC6093

RGB 220 96 147

HSL 335.32, 0.64%, 0.62%

LAB 57.74, 53.59, -3.74

 

CMYK 55 / 0 / 56 / 14

HEX #62DC60

RGB 98 220 96

HSL 119.03, 0.64%, 0.62%

LAB 78.83, -58.23, 50.02

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 0 / 35 / 56 / 14

HEX #DC8F60

RGB 220 143 96

HSL 22.74, 0.64%, 0.62%

LAB 66.29, 24.45, 36.85

 

CMYK 56 / 0 / 35 / 14

HEX #60DC8F

RGB 96 220 143

HSL 142.74, 0.64%, 0.62%

LAB 79.42, -51.63, 27.69

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 0 / 56 / 33 / 14

HEX #DC6093

RGB 220 96 147

HSL 335.32, 0.64%, 0.62%

LAB 57.74, 53.59, -3.74

 

CMYK 22 / 0 / 56 / 14

HEX #ACDC60

RGB 172 220 96

HSL 83.23, 0.64%, 0.62%

LAB 82.27, -34.7, 54.91

 

CMYK 56 / 0 / 24 / 14

HEX #60DCA8

RGB 96 220 168

HSL 154.84, 0.64%, 0.62%

LAB 79.9, -46.68, 15.3

 

CMYK 35 / 56 / 0 / 14

HEX #9060DC

RGB 144 96 220

HSL 263.23, 0.64%, 0.62%

LAB 51.22, 45.31, -56.68

 

CMYK 0 / 56 / 50 / 14

HEX #DC606E

RGB 220 96 110

HSL 353.23, 0.64%, 0.62%

LAB 56.79, 49.73, 16.56

 

CMYK 22 / 0 / 56 / 14

HEX #ACDC60

RGB 172 220 96

HSL 83.23, 0.64%, 0.62%

LAB 82.27, -34.7, 54.91

 

CMYK 56 / 0 / 7 / 14

HEX #60DCCD

RGB 96 220 205

HSL 172.74, 0.64%, 0.62%

LAB 80.78, -38.04, -3.06

 

Description

Color code: HEX #9060DC | qconv.com Color code: HEX #9060DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 96 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 96 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 56 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 56% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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