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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9052BF it is the complementary color #6FAD40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9052BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9052BF shade: #9552BA, #A664CD, #B776E0, #C888F3 and #D99AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9052BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9052BF shade: #9052BF, #7F40AC, #6E2E99, #5D1C86 and #4C0A73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9052BF shade: #9153BF, #AE53BF, #BF53B3, #BF5396 and #BF5379

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9052BF shade: #9153BF, #7453BF, #5653BF and #5353BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9052BF shade matches the following richer shades: #9153BF, #9340D2, #962DE5 and #981AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9052BF shade: #9153BF, #8E66AC, #8B7999, #898C86 and #869F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9052BF shade: #5753BF, #7453BF, #9053BF, #AD53BF and #BF53B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9052BF shade: #66348C, #7C3FAA, #9153BF, #A471CA and #B78FD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9052BF shade: #9052BF, #BF536C and #53BF65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9052BF shade: #9052BF, #BF9053 and #53BF90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9052BF shade: #9052BF, #BF536C, #82BF53 and #53BFA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9052BF shade: #9052BF, #BF5A53, #82BF53 and #53B8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

Complementary color

CMYK 36 / 0 / 63 / 32

HEX #6FAD40

RGB 111 173 64

HSL 94.13, 0.46%, 0.46%

LAB 64.67, -38.77, 48.37

 

CMYK 20 / 56 / 0 / 27

HEX #9552BA

RGB 149 82 186

HSL 278.65, 0.43%, 0.53%

LAB 46.93, 45.96, -43.98

 

CMYK 19 / 51 / 0 / 20

HEX #A664CD

RGB 166 100 205

HSL 277.71, 0.51%, 0.6%

LAB 53.63, 45.15, -44.17

 

CMYK 18 / 47 / 0 / 12

HEX #B776E0

RGB 183 118 224

HSL 276.79, 0.63%, 0.67%

LAB 60.25, 44.33, -44.31

 

CMYK 18 / 44 / 0 / 5

HEX #C888F3

RGB 200 136 243

HSL 275.89, 0.82%, 0.74%

LAB 66.79, 43.51, -44.42

 

CMYK 15 / 40 / 0 / 0

HEX #D99AFF

RGB 217 154 255

HSL 277.43, 1%, 0.8%

LAB 72.95, 41.25, -41.21

 

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

CMYK 26 / 63 / 0 / 33

HEX #7F40AC

RGB 127 64 172

HSL 275, 0.46%, 0.46%

LAB 39.84, 46.59, -47.23

 

CMYK 28 / 70 / 0 / 40

HEX #6E2E99

RGB 110 46 153

HSL 275.89, 0.54%, 0.39%

LAB 33.07, 47.15, -46.84

 

CMYK 31 / 79 / 0 / 47

HEX #5D1C86

RGB 93 28 134

HSL 276.79, 0.65%, 0.32%

LAB 26.39, 47.14, -46.05

 

CMYK 34 / 91 / 0 / 55

HEX #4C0A73

RGB 76 10 115

HSL 277.71, 0.84%, 0.25%

LAB 20.01, 45.88, -44.48

 

CMYK 24 / 57 / 0 / 25

HEX #9153BF

RGB 145 83 191

HSL 274.44, 0.46%, 0.54%

LAB 46.93, 45.53, -46.92

 

CMYK 9 / 57 / 0 / 25

HEX #AE53BF

RGB 174 83 191

HSL 290.56, 0.46%, 0.54%

LAB 50.62, 53.08, -40.82

 

CMYK 0 / 57 / 6 / 25

HEX #BF53B3

RGB 191 83 179

HSL 306.67, 0.46%, 0.54%

LAB 52.42, 55.51, -30.89

 

CMYK 0 / 57 / 21 / 25

HEX #BF5396

RGB 191 83 150

HSL 322.78, 0.46%, 0.54%

LAB 51.23, 50.98, -15.7

 

CMYK 0 / 57 / 37 / 25

HEX #BF5379

RGB 191 83 121

HSL 338.89, 0.46%, 0.54%

LAB 50.27, 47.18, 0.17

 

CMYK 24 / 57 / 0 / 25

HEX #9153BF

RGB 145 83 191

HSL 274.44, 0.46%, 0.54%

LAB 46.93, 45.53, -46.92

 

CMYK 39 / 57 / 0 / 25

HEX #7453BF

RGB 116 83 191

HSL 258.33, 0.46%, 0.54%

LAB 43.74, 38.39, -52.2

 

CMYK 55 / 57 / 0 / 25

HEX #5653BF

RGB 86 83 191

HSL 241.67, 0.46%, 0.54%

LAB 41.1, 31.87, -56.6

 

CMYK 57 / 57 / 0 / 25

HEX #5353BF

RGB 83 83 191

HSL 240, 0.46%, 0.54%

LAB 40.88, 31.29, -56.97

 

CMYK 24 / 57 / 0 / 25

HEX #9153BF

RGB 145 83 191

HSL 274.44, 0.46%, 0.54%

LAB 46.93, 45.53, -46.92

 

CMYK 30 / 70 / 0 / 18

HEX #9340D2

RGB 147 64 210

HSL 274.11, 0.62%, 0.54%

LAB 44.97, 59.66, -61.03

 

CMYK 34 / 80 / 0 / 10

HEX #962DE5

RGB 150 45 229

HSL 274.24, 0.78%, 0.54%

LAB 44.26, 71.6, -73.03

 

CMYK 39 / 90 / 0 / 3

HEX #981AF8

RGB 152 26 248

HSL 274.05, 0.94%, 0.54%

LAB 44.51, 80.62, -83.34

 

CMYK 24 / 57 / 0 / 25

HEX #9153BF

RGB 145 83 191

HSL 274.44, 0.46%, 0.54%

LAB 46.93, 45.53, -46.92

 

CMYK 17 / 41 / 0 / 33

HEX #8E66AC

RGB 142 102 172

HSL 274.29, 0.3%, 0.54%

LAB 49.78, 29.65, -31.39

 

CMYK 9 / 21 / 0 / 40

HEX #8B7999

RGB 139 121 153

HSL 273.75, 0.14%, 0.54%

LAB 53.45, 13.27, -14.67

 

CMYK 2 / 0 / 4 / 45

HEX #898C86

RGB 137 140 134

HSL 90, 0.03%, 0.54%

LAB 57.84, -2.27, 2.81

 

CMYK 16 / 0 / 28 / 38

HEX #869F73

RGB 134 159 115

HSL 94.09, 0.19%, 0.54%

LAB 62.59, -17.03, 20.16

 

CMYK 54 / 57 / 0 / 25

HEX #5753BF

RGB 87 83 191

HSL 242.22, 0.46%, 0.54%

LAB 41.18, 32.07, -56.48

 

CMYK 39 / 57 / 0 / 25

HEX #7453BF

RGB 116 83 191

HSL 258.33, 0.46%, 0.54%

LAB 43.74, 38.39, -52.2

 

CMYK 25 / 57 / 0 / 25

HEX #9053BF

RGB 144 83 191

HSL 273.89, 0.46%, 0.54%

LAB 46.81, 45.28, -47.11

 

CMYK 9 / 57 / 0 / 25

HEX #AD53BF

RGB 173 83 191

HSL 290, 0.46%, 0.54%

LAB 50.49, 52.81, -41.05

 

CMYK 0 / 57 / 6 / 25

HEX #BF53B4

RGB 191 83 180

HSL 306.11, 0.46%, 0.54%

LAB 52.46, 55.68, -31.4

 

CMYK 27 / 63 / 0 / 45

HEX #66348C

RGB 102 52 140

HSL 274.09, 0.46%, 0.38%

LAB 32.2, 39.12, -40.32

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAA

RGB 124 63 170

HSL 274.21, 0.46%, 0.46%

LAB 39.14, 45.92, -47.19

 

CMYK 24 / 57 / 0 / 25

HEX #9153BF

RGB 145 83 191

HSL 274.44, 0.46%, 0.54%

LAB 46.93, 45.53, -46.92

 

CMYK 19 / 44 / 0 / 21

HEX #A471CA

RGB 164 113 202

HSL 274.38, 0.46%, 0.62%

LAB 56.05, 36.8, -38.66

 

CMYK 14 / 33 / 0 / 16

HEX #B78FD5

RGB 183 143 213

HSL 274.29, 0.45%, 0.7%

LAB 65.37, 28.16, -30.18

 

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

CMYK 0 / 57 / 43 / 25

HEX #BF536C

RGB 191 83 108

HSL 346.11, 0.46%, 0.54%

LAB 49.91, 45.73, 7.47

 

CMYK 57 / 0 / 47 / 25

HEX #53BF65

RGB 83 191 101

HSL 130, 0.46%, 0.54%

LAB 69.5, -50.11, 36.15

 

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

CMYK 0 / 25 / 57 / 25

HEX #BF9053

RGB 191 144 83

HSL 33.89, 0.46%, 0.54%

LAB 63.05, 10.76, 38.96

 

CMYK 57 / 0 / 25 / 25

HEX #53BF90

RGB 83 191 144

HSL 153.89, 0.46%, 0.54%

LAB 70.26, -42.17, 14.53

 

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

CMYK 0 / 57 / 43 / 25

HEX #BF536C

RGB 191 83 108

HSL 346.11, 0.46%, 0.54%

LAB 49.91, 45.73, 7.47

 

CMYK 32 / 0 / 57 / 25

HEX #82BF53

RGB 130 191 83

HSL 93.89, 0.46%, 0.54%

LAB 71.3, -38.17, 47.55

 

CMYK 57 / 0 / 13 / 25

HEX #53BFA6

RGB 83 191 166

HSL 166.11, 0.46%, 0.54%

LAB 70.77, -37.09, 3.3

 

CMYK 25 / 57 / 0 / 25

HEX #9052BF

RGB 144 82 191

HSL 274.13, 0.46%, 0.54%

LAB 46.61, 45.81, -47.44

 

CMYK 0 / 53 / 57 / 25

HEX #BF5A53

RGB 191 90 83

HSL 3.89, 0.46%, 0.54%

LAB 50.7, 39.96, 23.45

 

CMYK 32 / 0 / 57 / 25

HEX #82BF53

RGB 130 191 83

HSL 93.89, 0.46%, 0.54%

LAB 71.3, -38.17, 47.55

 

CMYK 57 / 4 / 0 / 25

HEX #53B8BF

RGB 83 184 191

HSL 183.89, 0.46%, 0.54%

LAB 69.39, -27.18, -12.45

 

Description

Color code: HEX #9052BF | qconv.com Color code: HEX #9052BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 82 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 82 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 57 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 57% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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