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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9041A8 it is the complementary color #6FBE57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9041A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9041A8 shade: #9541A3, #A653B6, #B765C9, #C877DC and #D989EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9041A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9041A8 shade: #9041A8, #7F2F95, #6E1D82, #5D0B6F and #4C005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9041A8 shade: #9041A8, #A841A5, #A84189, #A8416D and #A84151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9041A8 shade: #9041A8, #7541A8, #5941A8 and #4141A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9041A8 shade matches the following richer shades: #9041A8, #9A2EBB, #A51BCE and #AF08E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9041A8 shade: #9041A8, #865495, #7C6782, #727A6F and #688D5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9041A8 shade: #5941A8, #7541A8, #9041A8, #A841A5 and #A84189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9041A8 shade: #5D2A6D, #77368B, #9041A8, #A556BD and #B574C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9041A8 shade: #9041A8, #A84145 and #41A867

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9041A8 shade: #9041A8, #A89041 and #41A890

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9041A8 shade: #9041A8, #A84145, #59A841 and #41A8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9041A8 shade: #9041A8, #A85D41, #59A841 and #418DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

Complementary color

CMYK 42 / 0 / 54 / 25

HEX #6FBE57

RGB 111 190 87

HSL 106.02, 0.44%, 0.54%

LAB 70.1, -43.71, 44.01

 

CMYK 9 / 60 / 0 / 36

HEX #9541A3

RGB 149 65 163

HSL 291.43, 0.43%, 0.45%

LAB 42.48, 49.69, -37.49

 

CMYK 9 / 54 / 0 / 29

HEX #A653B6

RGB 166 83 182

HSL 290.3, 0.4%, 0.52%

LAB 49.09, 49.17, -38.09

 

CMYK 9 / 50 / 0 / 21

HEX #B765C9

RGB 183 101 201

HSL 289.2, 0.48%, 0.59%

LAB 55.68, 48.49, -38.53

 

CMYK 9 / 46 / 0 / 14

HEX #C877DC

RGB 200 119 220

HSL 288.12, 0.59%, 0.66%

LAB 62.2, 47.75, -38.88

 

CMYK 9 / 43 / 0 / 6

HEX #D989EF

RGB 217 137 239

HSL 287.06, 0.76%, 0.74%

LAB 68.66, 46.99, -39.17

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 15 / 68 / 0 / 42

HEX #7F2F95

RGB 127 47 149

HSL 287.06, 0.52%, 0.38%

LAB 35.43, 49.68, -40.47

 

CMYK 15 / 78 / 0 / 49

HEX #6E1D82

RGB 110 29 130

HSL 288.12, 0.64%, 0.31%

LAB 28.92, 49.31, -39.32

 

CMYK 16 / 90 / 0 / 56

HEX #5D0B6F

RGB 93 11 111

HSL 289.2, 0.82%, 0.24%

LAB 22.7, 47.66, -37.38

 

CMYK 17 / 100 / 0 / 64

HEX #4C005C

RGB 76 0 92

HSL 289.57, 1%, 0.18%

LAB 17.03, 43.86, -34.21

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 61 / 2 / 34

HEX #A841A5

RGB 168 65 165

HSL 301.75, 0.44%, 0.46%

LAB 45.39, 55.02, -33.91

 

CMYK 0 / 61 / 18 / 34

HEX #A84189

RGB 168 65 137

HSL 318.06, 0.44%, 0.46%

LAB 44.11, 50.47, -19.1

 

CMYK 0 / 61 / 35 / 34

HEX #A8416D

RGB 168 65 109

HSL 334.37, 0.44%, 0.46%

LAB 43.08, 46.66, -3.51

 

CMYK 0 / 61 / 52 / 34

HEX #A84151

RGB 168 65 81

HSL 350.68, 0.44%, 0.46%

LAB 42.31, 43.69, 12.75

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 30 / 61 / 0 / 34

HEX #7541A8

RGB 117 65 168

HSL 270.29, 0.44%, 0.46%

LAB 38.53, 42.7, -47.03

 

CMYK 47 / 61 / 0 / 34

HEX #5941A8

RGB 89 65 168

HSL 253.98, 0.44%, 0.46%

LAB 35.46, 36.31, -52.14

 

CMYK 61 / 61 / 0 / 34

HEX #4141A8

RGB 65 65 168

HSL 240, 0.44%, 0.46%

LAB 33.42, 31.67, -55.55

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 18 / 75 / 0 / 27

HEX #9A2EBB

RGB 154 46 187

HSL 285.96, 0.61%, 0.46%

LAB 41.86, 63.39, -52.64

 

CMYK 20 / 87 / 0 / 19

HEX #A51BCE

RGB 165 27 206

HSL 286.26, 0.77%, 0.46%

LAB 43.12, 74.05, -61.6

 

CMYK 22 / 96 / 0 / 12

HEX #AF08E1

RGB 175 8 225

HSL 286.18, 0.93%, 0.46%

LAB 45.25, 81.46, -68.97

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 10 / 44 / 0 / 42

HEX #865495

RGB 134 84 149

HSL 286.15, 0.28%, 0.46%

LAB 43.62, 32.39, -27.46

 

CMYK 5 / 21 / 0 / 49

HEX #7C6782

RGB 124 103 130

HSL 286.67, 0.12%, 0.46%

LAB 46.44, 13.62, -11.84

 

CMYK 7 / 0 / 9 / 52

HEX #727A6F

RGB 114 122 111

HSL 103.64, 0.05%, 0.46%

LAB 50.27, -5.21, 4.99

 

CMYK 26 / 0 / 35 / 45

HEX #688D5C

RGB 104 141 92

HSL 105.31, 0.21%, 0.46%

LAB 54.83, -22.68, 22.11

 

CMYK 47 / 61 / 0 / 34

HEX #5941A8

RGB 89 65 168

HSL 253.98, 0.44%, 0.46%

LAB 35.46, 36.31, -52.14

 

CMYK 30 / 61 / 0 / 34

HEX #7541A8

RGB 117 65 168

HSL 270.29, 0.44%, 0.46%

LAB 38.53, 42.7, -47.03

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 61 / 2 / 34

HEX #A841A5

RGB 168 65 165

HSL 301.75, 0.44%, 0.46%

LAB 45.39, 55.02, -33.91

 

CMYK 0 / 61 / 18 / 34

HEX #A84189

RGB 168 65 137

HSL 318.06, 0.44%, 0.46%

LAB 44.11, 50.47, -19.1

 

CMYK 15 / 61 / 0 / 57

HEX #5D2A6D

RGB 93 42 109

HSL 285.67, 0.44%, 0.3%

LAB 26.98, 34.79, -29.24

 

CMYK 14 / 61 / 0 / 45

HEX #77368B

RGB 119 54 139

HSL 285.88, 0.44%, 0.38%

LAB 34.85, 42.25, -35.34

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 13 / 54 / 0 / 26

HEX #A556BD

RGB 165 86 189

HSL 286.02, 0.44%, 0.54%

LAB 49.89, 48.79, -40.9

 

CMYK 10 / 42 / 0 / 22

HEX #B574C8

RGB 181 116 200

HSL 286.43, 0.43%, 0.62%

LAB 58.49, 39.75, -33.57

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 61 / 59 / 34

HEX #A84145

RGB 168 65 69

HSL 357.67, 0.44%, 0.46%

LAB 42.05, 42.7, 19.81

 

CMYK 61 / 0 / 39 / 34

HEX #41A867

RGB 65 168 103

HSL 142.14, 0.44%, 0.46%

LAB 61.75, -44.67, 24.97

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 14 / 61 / 34

HEX #A89041

RGB 168 144 65

HSL 46.02, 0.44%, 0.46%

LAB 60.47, -0.64, 44.39

 

CMYK 61 / 0 / 14 / 34

HEX #41A890

RGB 65 168 144

HSL 166.02, 0.44%, 0.46%

LAB 62.63, -35.61, 3.6

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 61 / 59 / 34

HEX #A84145

RGB 168 65 69

HSL 357.67, 0.44%, 0.46%

LAB 42.05, 42.7, 19.81

 

CMYK 47 / 0 / 61 / 34

HEX #59A841

RGB 89 168 65

HSL 106.02, 0.44%, 0.46%

LAB 62.09, -43.86, 44.75

 

CMYK 61 / 0 / 2 / 34

HEX #41A8A5

RGB 65 168 165

HSL 178.25, 0.44%, 0.46%

LAB 63.22, -29.98, -7.3

 

CMYK 14 / 61 / 0 / 34

HEX #9041A8

RGB 144 65 168

HSL 286.02, 0.44%, 0.46%

LAB 42.06, 49.41, -41.19

 

CMYK 0 / 45 / 61 / 34

HEX #A85D41

RGB 168 93 65

HSL 16.31, 0.44%, 0.46%

LAB 47.67, 27.92, 29.33

 

CMYK 47 / 0 / 61 / 34

HEX #59A841

RGB 89 168 65

HSL 106.02, 0.44%, 0.46%

LAB 62.09, -43.86, 44.75

 

CMYK 61 / 16 / 0 / 34

HEX #418DA8

RGB 65 141 168

HSL 195.73, 0.44%, 0.46%

LAB 55.07, -15.17, -21.29

 

Description

Color code: HEX #9041A8 | qconv.com Color code: HEX #9041A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 65 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 65 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 61 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 61% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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