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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9029F0 it is the complementary color #6FD60F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9029F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9029F0 shade: #9529EB, #A63BFE, #B74DFF, #C85FFF and #D971FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9029F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9029F0 shade: #9029F0, #7F17DD, #6E05CA, #5D00B7 and #4C00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9029F0 shade: #8F28F0, #C528F0, #F028E4, #F028AE and #F02879

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9029F0 shade: #8F28F0, #5928F0 and #2828F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9029F0 shade matches the following richer shades: #8F28F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9029F0 shade: #8F28F0, #8F3ADD, #8E4DCA, #8D60B8 and #8D72A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9029F0 shade: #282BF0, #5A28F0, #8F28F0, #C428F0 and #F028E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9029F0 shade: #660CB9, #7B0FDF, #8F28F0, #A34EF2 and #B775F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9029F0 shade: #9029F0, #F02860 and #28F03F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9029F0 shade: #9029F0, #F08F28 and #28F08F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9029F0 shade: #9029F0, #F02860, #88F028 and #28F0B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9029F0 shade: #9029F0, #F02B28, #88F028 and #28ECF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

Complementary color

CMYK 48 / 0 / 93 / 16

HEX #6FD60F

RGB 111 214 15

HSL 91.06, 0.87%, 0.45%

LAB 76.99, -57.78, 73.93

 

CMYK 37 / 83 / 0 / 8

HEX #9529EB

RGB 149 41 235

HSL 273.4, 0.83%, 0.54%

LAB 44.2, 73.95, -76.54

 

CMYK 35 / 77 / 0 / 0

HEX #A63BFE

RGB 166 59 254

HSL 272.92, 0.99%, 0.61%

LAB 49.97, 74.65, -77.68

 

CMYK 28 / 70 / 0 / 0

HEX #B74DFF

RGB 183 77 255

HSL 275.73, 1%, 0.65%

LAB 54.65, 70.88, -70.53

 

CMYK 22 / 63 / 0 / 0

HEX #C85FFF

RGB 200 95 255

HSL 279.38, 1%, 0.69%

LAB 59.6, 66.58, -62.44

 

CMYK 15 / 56 / 0 / 0

HEX #D971FF

RGB 217 113 255

HSL 283.94, 1%, 0.72%

LAB 64.79, 62.2, -54.04

 

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

CMYK 43 / 90 / 0 / 13

HEX #7F17DD

RGB 127 23 221

HSL 271.52, 0.81%, 0.48%

LAB 38.46, 72.79, -78.1

 

CMYK 46 / 98 / 0 / 21

HEX #6E05CA

RGB 110 5 202

HSL 271.98, 0.95%, 0.41%

LAB 33.32, 69.91, -75.63

 

CMYK 49 / 100 / 0 / 28

HEX #5D00B7

RGB 93 0 183

HSL 270.49, 1%, 0.36%

LAB 28.76, 65.08, -72.04

 

CMYK 54 / 100 / 0 / 36

HEX #4C00A4

RGB 76 0 164

HSL 267.8, 1%, 0.32%

LAB 24.38, 59.47, -67.94

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 18 / 83 / 0 / 6

HEX #C528F0

RGB 197 40 240

HSL 287.1, 0.87%, 0.55%

LAB 51.47, 82.34, -67.21

 

CMYK 0 / 83 / 5 / 6

HEX #F028E4

RGB 240 40 228

HSL 303.6, 0.87%, 0.55%

LAB 57.7, 87.83, -50.09

 

CMYK 0 / 83 / 28 / 6

HEX #F028AE

RGB 240 40 174

HSL 319.8, 0.87%, 0.55%

LAB 55.17, 80.98, -23.07

 

CMYK 0 / 83 / 50 / 6

HEX #F02879

RGB 240 40 121

HSL 335.7, 0.87%, 0.55%

LAB 53.41, 75.97, 5.78

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 63 / 83 / 0 / 6

HEX #5928F0

RGB 89 40 240

HSL 254.7, 0.87%, 0.55%

LAB 37.72, 68.82, -90.27

 

CMYK 83 / 83 / 0 / 6

HEX #2828F0

RGB 40 40 240

HSL 240, 0.87%, 0.55%

LAB 34.52, 65.95, -95.68

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 35 / 74 / 0 / 13

HEX #8F3ADD

RGB 143 58 221

HSL 271.29, 0.71%, 0.55%

LAB 44.36, 63.97, -68.35

 

CMYK 30 / 62 / 0 / 21

HEX #8E4DCA

RGB 142 77 202

HSL 271.2, 0.54%, 0.55%

LAB 46.07, 50.52, -54.68

 

CMYK 23 / 48 / 0 / 28

HEX #8D60B8

RGB 141 96 184

HSL 270.68, 0.38%, 0.55%

LAB 48.87, 35.62, -39.8

 

CMYK 15 / 31 / 0 / 35

HEX #8D72A5

RGB 141 114 165

HSL 271.76, 0.22%, 0.55%

LAB 52.3, 20.71, -23.4

 

CMYK 83 / 82 / 0 / 6

HEX #282BF0

RGB 40 43 240

HSL 239.1, 0.87%, 0.55%

LAB 34.94, 64.69, -94.98

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 18 / 83 / 0 / 6

HEX #C428F0

RGB 196 40 240

HSL 286.8, 0.87%, 0.55%

LAB 51.32, 82.18, -67.47

 

CMYK 0 / 83 / 4 / 6

HEX #F028E6

RGB 240 40 230

HSL 303, 0.87%, 0.55%

LAB 57.8, 88.12, -51.05

 

CMYK 45 / 94 / 0 / 27

HEX #660CB9

RGB 102 12 185

HSL 271.21, 0.88%, 0.39%

LAB 30.86, 64.39, -69.73

 

CMYK 45 / 93 / 0 / 13

HEX #7B0FDF

RGB 123 15 223

HSL 271.15, 0.87%, 0.47%

LAB 37.63, 74.25, -80.63

 

CMYK 40 / 83 / 0 / 6

HEX #8F28F0

RGB 143 40 240

HSL 270.9, 0.87%, 0.55%

LAB 43.72, 74.52, -80.17

 

CMYK 33 / 68 / 0 / 5

HEX #A34EF2

RGB 163 78 242

HSL 271.1, 0.86%, 0.63%

LAB 51.43, 63.77, -68.62

 

CMYK 25 / 52 / 0 / 4

HEX #B775F5

RGB 183 117 245

HSL 270.94, 0.86%, 0.71%

LAB 61.12, 49.55, -54.61

 

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

CMYK 0 / 83 / 60 / 6

HEX #F02860

RGB 240 40 96

HSL 343.2, 0.87%, 0.55%

LAB 52.83, 74.26, 20.05

 

CMYK 83 / 0 / 74 / 6

HEX #28F03F

RGB 40 240 63

HSL 126.9, 0.87%, 0.55%

LAB 83.51, -77.74, 67.93

 

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

CMYK 0 / 40 / 83 / 6

HEX #F08F28

RGB 240 143 40

HSL 30.9, 0.87%, 0.55%

LAB 68.26, 29.78, 65.26

 

CMYK 83 / 0 / 40 / 6

HEX #28F08F

RGB 40 240 143

HSL 150.9, 0.87%, 0.55%

LAB 84.36, -67.51, 34.05

 

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

CMYK 0 / 83 / 60 / 6

HEX #F02860

RGB 240 40 96

HSL 343.2, 0.87%, 0.55%

LAB 52.83, 74.26, 20.05

 

CMYK 43 / 0 / 83 / 6

HEX #88F028

RGB 136 240 40

HSL 91.2, 0.87%, 0.55%

LAB 85.86, -59.13, 77.45

 

CMYK 83 / 0 / 24 / 6

HEX #28F0B7

RGB 40 240 183

HSL 162.9, 0.87%, 0.55%

LAB 85.09, -59.24, 14.6

 

CMYK 40 / 83 / 0 / 6

HEX #9029F0

RGB 144 41 240

HSL 271.06, 0.87%, 0.55%

LAB 43.95, 74.36, -79.79

 

CMYK 0 / 82 / 83 / 6

HEX #F02B28

RGB 240 43 40

HSL 0.9, 0.87%, 0.55%

LAB 52.29, 71.31, 51.34

 

CMYK 43 / 0 / 83 / 6

HEX #88F028

RGB 136 240 40

HSL 91.2, 0.87%, 0.55%

LAB 85.86, -59.13, 77.45

 

CMYK 83 / 2 / 0 / 6

HEX #28ECF0

RGB 40 236 240

HSL 181.2, 0.87%, 0.55%

LAB 85.37, -42.68, -14.89

 

Description

Color code: HEX #9029F0 | qconv.com Color code: HEX #9029F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 41 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 41 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 83 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 83% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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