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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #901DF0 it is the complementary color #6FE20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #901DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #901DF0 shade: #951DEB, #A62FFE, #B741FF, #C853FF and #D965FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #901DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #901DF0 shade: #901DF0, #7F0BDD, #6E00CA, #5D00B7 and #4C00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #901DF0 shade: #901DF0, #C91DF0, #F01DDE, #F01DA5 and #F01D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #901DF0 shade: #901DF0, #571DF0, #1E1DF0 and #1D1DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #901DF0 shade matches the following richer shades: #901DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #901DF0 shade: #901DF0, #8E31DD, #8D44C9, #8B57B6 and #896BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #901DF0 shade: #1D1DF0, #551DF0, #8E1DF0, #C61DF0 and #F01DE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #901DF0 shade: #650BB0, #7B0DD7, #901DF0, #A344F3 and #B66BF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #901DF0 shade: #901DF0, #F01D55 and #1DF039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #901DF0 shade: #901DF0, #F08E1D and #1DF08E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #901DF0 shade: #901DF0, #F01D55, #80F01D and #1DF0B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #901DF0 shade: #901DF0, #F0241D, #80F01D and #1DE9F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

Complementary color

CMYK 51 / 0 / 93 / 11

HEX #6FE20F

RGB 111 226 15

HSL 92.7, 0.88%, 0.47%

LAB 80.63, -62.14, 76.9

 

CMYK 37 / 88 / 0 / 8

HEX #951DEB

RGB 149 29 235

HSL 274.95, 0.84%, 0.52%

LAB 43.16, 77.01, -78.23

 

CMYK 35 / 81 / 0 / 0

HEX #A62FFE

RGB 166 47 254

HSL 274.49, 0.99%, 0.59%

LAB 48.63, 78.54, -79.87

 

CMYK 28 / 75 / 0 / 0

HEX #B741FF

RGB 183 65 255

HSL 277.26, 1%, 0.63%

LAB 53.02, 75.51, -73.17

 

CMYK 22 / 67 / 0 / 0

HEX #C853FF

RGB 200 83 255

HSL 280.81, 1%, 0.66%

LAB 57.74, 71.76, -65.44

 

CMYK 15 / 60 / 0 / 0

HEX #D965FF

RGB 217 101 255

HSL 285.19, 1%, 0.7%

LAB 62.74, 67.74, -57.3

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 43 / 95 / 0 / 13

HEX #7F0BDD

RGB 127 11 221

HSL 273.14, 0.91%, 0.45%

LAB 37.79, 74.78, -79.19

 

CMYK 46 / 100 / 0 / 21

HEX #6E00CA

RGB 110 0 202

HSL 272.67, 1%, 0.4%

LAB 33.09, 70.62, -76.02

 

CMYK 49 / 100 / 0 / 28

HEX #5D00B7

RGB 93 0 183

HSL 270.49, 1%, 0.36%

LAB 28.76, 65.08, -72.04

 

CMYK 54 / 100 / 0 / 36

HEX #4C00A4

RGB 76 0 164

HSL 267.8, 1%, 0.32%

LAB 24.38, 59.47, -67.94

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 16 / 88 / 0 / 6

HEX #C91DF0

RGB 201 29 240

HSL 288.91, 0.88%, 0.53%

LAB 51.37, 85.11, -67.35

 

CMYK 0 / 88 / 8 / 6

HEX #F01DDE

RGB 240 29 222

HSL 305.12, 0.88%, 0.53%

LAB 56.76, 88.82, -48.19

 

CMYK 0 / 88 / 31 / 6

HEX #F01DA5

RGB 240 29 165

HSL 321.33, 0.88%, 0.53%

LAB 54.15, 81.94, -19.35

 

CMYK 0 / 88 / 55 / 6

HEX #F01D6D

RGB 240 29 109

HSL 337.25, 0.88%, 0.53%

LAB 52.41, 77.12, 11.61

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 64 / 88 / 0 / 6

HEX #571DF0

RGB 87 29 240

HSL 256.49, 0.88%, 0.53%

LAB 36.36, 72.19, -92.54

 

CMYK 88 / 88 / 0 / 6

HEX #1E1DF0

RGB 30 29 240

HSL 240.28, 0.88%, 0.53%

LAB 32.8, 69.71, -98.55

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 36 / 78 / 0 / 13

HEX #8E31DD

RGB 142 49 221

HSL 272.44, 0.72%, 0.53%

LAB 43.02, 67.28, -70.55

 

CMYK 30 / 66 / 0 / 21

HEX #8D44C9

RGB 141 68 201

HSL 272.93, 0.55%, 0.53%

LAB 44.25, 54.53, -57.04

 

CMYK 24 / 52 / 0 / 29

HEX #8B57B6

RGB 139 87 182

HSL 272.84, 0.39%, 0.53%

LAB 46.56, 39.66, -42.32

 

CMYK 16 / 34 / 0 / 36

HEX #896BA3

RGB 137 107 163

HSL 272.14, 0.23%, 0.53%

LAB 50.07, 23.07, -25.71

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 65 / 88 / 0 / 6

HEX #551DF0

RGB 85 29 240

HSL 255.92, 0.88%, 0.53%

LAB 36.18, 72.06, -92.84

 

CMYK 41 / 88 / 0 / 6

HEX #8E1DF0

RGB 142 29 240

HSL 272.13, 0.88%, 0.53%

LAB 42.64, 77.21, -81.95

 

CMYK 18 / 88 / 0 / 6

HEX #C61DF0

RGB 198 29 240

HSL 288.06, 0.88%, 0.53%

LAB 50.89, 84.66, -68.14

 

CMYK 0 / 88 / 6 / 6

HEX #F01DE2

RGB 240 29 226

HSL 303.98, 0.88%, 0.53%

LAB 56.97, 89.36, -50.12

 

CMYK 43 / 94 / 0 / 31

HEX #650BB0

RGB 101 11 176

HSL 272.73, 0.88%, 0.37%

LAB 29.76, 62.47, -66.17

 

CMYK 43 / 94 / 0 / 16

HEX #7B0DD7

RGB 123 13 215

HSL 272.67, 0.89%, 0.45%

LAB 36.75, 72.85, -77.47

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 33 / 72 / 0 / 5

HEX #A344F3

RGB 163 68 243

HSL 272.57, 0.88%, 0.61%

LAB 49.97, 68.31, -71.56

 

CMYK 26 / 56 / 0 / 4

HEX #B66BF5

RGB 182 107 245

HSL 272.61, 0.87%, 0.69%

LAB 59.02, 54.51, -57.96

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 0 / 88 / 65 / 6

HEX #F01D55

RGB 240 29 85

HSL 344.08, 0.88%, 0.53%

LAB 51.9, 75.7, 25.47

 

CMYK 88 / 0 / 76 / 6

HEX #1DF039

RGB 29 240 57

HSL 127.96, 0.88%, 0.53%

LAB 83.38, -79.05, 69.68

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 0 / 41 / 88 / 6

HEX #F08E1D

RGB 240 142 29

HSL 32.13, 0.88%, 0.53%

LAB 67.99, 30.05, 68.39

 

CMYK 88 / 0 / 41 / 6

HEX #1DF08E

RGB 29 240 142

HSL 152.13, 0.88%, 0.53%

LAB 84.24, -68.49, 34.38

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 0 / 88 / 65 / 6

HEX #F01D55

RGB 240 29 85

HSL 344.08, 0.88%, 0.53%

LAB 51.9, 75.7, 25.47

 

CMYK 47 / 0 / 88 / 6

HEX #80F01D

RGB 128 240 29

HSL 91.85, 0.88%, 0.53%

LAB 85.5, -61.93, 79.19

 

CMYK 88 / 0 / 23 / 6

HEX #1DF0B8

RGB 29 240 184

HSL 164.08, 0.88%, 0.53%

LAB 85.02, -59.74, 13.96

 

CMYK 40 / 88 / 0 / 6

HEX #901DF0

RGB 144 29 240

HSL 272.7, 0.88%, 0.53%

LAB 42.91, 77.44, -81.5

 

CMYK 0 / 85 / 88 / 6

HEX #F0241D

RGB 240 36 29

HSL 1.99, 0.88%, 0.53%

LAB 51.7, 72.59, 55.91

 

CMYK 47 / 0 / 88 / 6

HEX #80F01D

RGB 128 240 29

HSL 91.85, 0.88%, 0.53%

LAB 85.5, -61.93, 79.19

 

CMYK 88 / 3 / 0 / 6

HEX #1DE9F0

RGB 29 233 240

HSL 181.99, 0.88%, 0.53%

LAB 84.4, -41.97, -16.36

 

Description

Color code: HEX #901DF0 | qconv.com Color code: HEX #901DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 29 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 29 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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