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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9017E8 it is the complementary color #6FE817. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9017E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9017E8 shade: #9517E3, #A629F6, #B73BFF, #C84DFF and #D95FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9017E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9017E8 shade: #9017E8, #7F05D5, #6E00C2, #5D00AF and #4C009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9017E8 shade: #9016E8, #C816E8, #E816CF, #E81696 and #E8165E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9017E8 shade: #9016E8, #5716E8, #1F16E8 and #1616E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9017E8 shade matches the following richer shades: #9016E8 and #9302FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9017E8 shade: #9016E8, #8C2BD3, #8940BE, #8654AA and #826995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9017E8 shade: #1D16E8, #5516E8, #8D16E8, #C516E8 and #E816D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9017E8 shade: #610F9C, #7813C2, #9016E8, #A13CEB and #B362EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9017E8 shade: #9017E8, #E81647 and #16E839

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9017E8 shade: #9017E8, #E88D16 and #16E88D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9017E8 shade: #9017E8, #E81647, #71E816 and #16E8B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9017E8 shade: #9017E8, #E82416, #71E816 and #16DAE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

Complementary color

CMYK 52 / 0 / 90 / 9

HEX #6FE817

RGB 111 232 23

HSL 94.74, 0.82%, 0.5%

LAB 82.46, -64.1, 77.35

 

CMYK 34 / 90 / 0 / 11

HEX #9517E3

RGB 149 23 227

HSL 277.06, 0.82%, 0.49%

LAB 42.07, 76.59, -75.47

 

CMYK 33 / 83 / 0 / 4

HEX #A629F6

RGB 166 41 246

HSL 276.59, 0.92%, 0.56%

LAB 47.43, 78.58, -77.36

 

CMYK 28 / 77 / 0 / 0

HEX #B73BFF

RGB 183 59 255

HSL 277.96, 1%, 0.62%

LAB 52.3, 77.59, -74.34

 

CMYK 22 / 70 / 0 / 0

HEX #C84DFF

RGB 200 77 255

HSL 281.46, 1%, 0.65%

LAB 56.89, 74.15, -66.81

 

CMYK 15 / 63 / 0 / 0

HEX #D95FFF

RGB 217 95 255

HSL 285.75, 1%, 0.69%

LAB 61.79, 70.36, -58.82

 

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

CMYK 40 / 98 / 0 / 16

HEX #7F05D5

RGB 127 5 213

HSL 275.19, 0.95%, 0.43%

LAB 36.79, 73.85, -76.23

 

CMYK 43 / 100 / 0 / 24

HEX #6E00C2

RGB 110 0 194

HSL 274.02, 1%, 0.38%

LAB 32.28, 68.94, -72.67

 

CMYK 47 / 100 / 0 / 31

HEX #5D00AF

RGB 93 0 175

HSL 271.89, 1%, 0.34%

LAB 27.91, 63.33, -68.68

 

CMYK 51 / 100 / 0 / 39

HEX #4C009C

RGB 76 0 156

HSL 269.23, 1%, 0.31%

LAB 23.46, 57.65, -64.57

 

CMYK 38 / 91 / 0 / 9

HEX #9016E8

RGB 144 22 232

HSL 274.86, 0.83%, 0.5%

LAB 41.73, 77.18, -78.9

 

CMYK 14 / 91 / 0 / 9

HEX #C816E8

RGB 200 22 232

HSL 290.86, 0.83%, 0.5%

LAB 50.31, 84.68, -64.56

 

CMYK 0 / 91 / 11 / 9

HEX #E816CF

RGB 232 22 207

HSL 307.14, 0.83%, 0.5%

LAB 54.28, 86.29, -43.67

 

CMYK 0 / 91 / 35 / 9

HEX #E81696

RGB 232 22 150

HSL 323.43, 0.83%, 0.5%

LAB 51.76, 79.7, -14.24

 

CMYK 0 / 91 / 59 / 9

HEX #E8165E

RGB 232 22 94

HSL 339.43, 0.83%, 0.5%

LAB 50.14, 75.28, 17.38

 

CMYK 38 / 91 / 0 / 9

HEX #9016E8

RGB 144 22 232

HSL 274.86, 0.83%, 0.5%

LAB 41.73, 77.18, -78.9

 

CMYK 63 / 91 / 0 / 9

HEX #5716E8

RGB 87 22 232

HSL 258.57, 0.83%, 0.5%

LAB 34.86, 72.03, -90.49

 

CMYK 87 / 91 / 0 / 9

HEX #1F16E8

RGB 31 22 232

HSL 242.57, 0.83%, 0.5%

LAB 31.09, 69.7, -96.85

 

CMYK 91 / 91 / 0 / 9

HEX #1616E8

RGB 22 22 232

HSL 240, 0.83%, 0.5%

LAB 30.81, 69.54, -97.34

 

CMYK 38 / 91 / 0 / 9

HEX #9016E8

RGB 144 22 232

HSL 274.86, 0.83%, 0.5%

LAB 41.73, 77.18, -78.9

 

CMYK 42 / 99 / 0 / 1

HEX #9302FC

RGB 147 2 252

HSL 274.8, 0.98%, 0.5%

LAB 43.17, 83.95, -87.8

 

CMYK 38 / 91 / 0 / 9

HEX #9016E8

RGB 144 22 232

HSL 274.86, 0.83%, 0.5%

LAB 41.73, 77.18, -78.9

 

CMYK 34 / 80 / 0 / 17

HEX #8C2BD3

RGB 140 43 211

HSL 274.64, 0.66%, 0.5%

LAB 41.23, 66.87, -67.74

 

CMYK 28 / 66 / 0 / 25

HEX #8940BE

RGB 137 64 190

HSL 274.76, 0.5%, 0.5%

LAB 42.31, 53.04, -53.8

 

CMYK 21 / 51 / 0 / 33

HEX #8654AA

RGB 134 84 170

HSL 274.88, 0.34%, 0.5%

LAB 44.68, 37.13, -38.3

 

CMYK 13 / 30 / 0 / 42

HEX #826995

RGB 130 105 149

HSL 274.09, 0.17%, 0.5%

LAB 48.28, 18.73, -20.29

 

CMYK 88 / 91 / 0 / 9

HEX #1D16E8

RGB 29 22 232

HSL 242, 0.83%, 0.5%

LAB 31.02, 69.66, -96.97

 

CMYK 63 / 91 / 0 / 9

HEX #5516E8

RGB 85 22 232

HSL 258, 0.83%, 0.5%

LAB 34.66, 71.9, -90.81

 

CMYK 39 / 91 / 0 / 9

HEX #8D16E8

RGB 141 22 232

HSL 274, 0.83%, 0.5%

LAB 41.32, 76.84, -79.61

 

CMYK 15 / 91 / 0 / 9

HEX #C516E8

RGB 197 22 232

HSL 290, 0.83%, 0.5%

LAB 49.82, 84.23, -65.37

 

CMYK 0 / 91 / 9 / 9

HEX #E816D3

RGB 232 22 211

HSL 306, 0.83%, 0.5%

LAB 54.48, 86.82, -45.63

 

CMYK 38 / 90 / 0 / 39

HEX #610F9C

RGB 97 15 156

HSL 274.89, 0.82%, 0.34%

LAB 27.53, 56.79, -57.77

 

CMYK 38 / 90 / 0 / 24

HEX #7813C2

RGB 120 19 194

HSL 274.63, 0.82%, 0.42%

LAB 34.71, 67.04, -68.62

 

CMYK 38 / 91 / 0 / 9

HEX #9016E8

RGB 144 22 232

HSL 274.86, 0.83%, 0.5%

LAB 41.73, 77.18, -78.9

 

CMYK 31 / 74 / 0 / 8

HEX #A13CEB

RGB 161 60 235

HSL 274.63, 0.81%, 0.58%

LAB 48.02, 69.38, -70.24

 

CMYK 25 / 59 / 0 / 6

HEX #B362EF

RGB 179 98 239

HSL 274.47, 0.82%, 0.66%

LAB 56.64, 56.99, -58.46

 

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

CMYK 0 / 91 / 69 / 9

HEX #E81647

RGB 232 22 71

HSL 346, 0.83%, 0.5%

LAB 49.72, 74.09, 30.81

 

CMYK 91 / 0 / 75 / 9

HEX #16E839

RGB 22 232 57

HSL 130, 0.83%, 0.5%

LAB 80.84, -77.25, 67.18

 

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

CMYK 0 / 39 / 91 / 9

HEX #E88D16

RGB 232 141 22

HSL 34, 0.83%, 0.5%

LAB 66.72, 27.13, 68.71

 

CMYK 91 / 0 / 39 / 9

HEX #16E88D

RGB 22 232 141

HSL 154, 0.83%, 0.5%

LAB 81.73, -66.34, 31.56

 

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

CMYK 0 / 91 / 69 / 9

HEX #E81647

RGB 232 22 71

HSL 346, 0.83%, 0.5%

LAB 49.72, 74.09, 30.81

 

CMYK 51 / 0 / 91 / 9

HEX #71E816

RGB 113 232 22

HSL 94, 0.83%, 0.5%

LAB 82.53, -63.57, 77.59

 

CMYK 91 / 0 / 21 / 9

HEX #16E8B7

RGB 22 232 183

HSL 166, 0.83%, 0.5%

LAB 82.54, -57.26, 10.96

 

CMYK 38 / 90 / 0 / 9

HEX #9017E8

RGB 144 23 232

HSL 274.74, 0.82%, 0.5%

LAB 41.8, 77, -78.8

 

CMYK 0 / 84 / 91 / 9

HEX #E82416

RGB 232 36 22

HSL 4, 0.83%, 0.5%

LAB 50.07, 70.35, 56.84

 

CMYK 51 / 0 / 91 / 9

HEX #71E816

RGB 113 232 22

HSL 94, 0.83%, 0.5%

LAB 82.53, -63.57, 77.59

 

CMYK 91 / 6 / 0 / 9

HEX #16DAE8

RGB 22 218 232

HSL 184, 0.83%, 0.5%

LAB 79.69, -37.88, -19.22

 

Description

Color code: HEX #9017E8 | qconv.com Color code: HEX #9017E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 23 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 23 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 90 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 90% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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