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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9014DC it is the complementary color #6FEB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9014DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9014DC shade: #9514D7, #A626EA, #B738FD, #C84AFF and #D95CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9014DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9014DC shade: #9014DC, #7F02C9, #6E00B6, #5D00A3 and #4C0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9014DC shade: #8F14DB, #C514DB, #DB14BB, #DB1485 and #DB1450

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9014DC shade: #8F14DB, #5A14DB, #2414DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9014DC shade matches the following richer shades: #8F14DB and #9400EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9014DC shade: #8F14DB, #8B27C7, #863BB4, #814EA1 and #7D618D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9014DC shade: #2414DB, #5A14DB, #8F14DB, #C414DB and #DB14BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9014DC shade: #5E0D8F, #7610B5, #8F14DB, #A32DEB and #B353EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9014DC shade: #9014DC, #DB1438 and #14DB3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9014DC shade: #9014DC, #DB8F14 and #14DB8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9014DC shade: #9014DC, #DB1438, #60DB14 and #14DBB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9014DC shade: #9014DC, #DB2B14, #60DB14 and #14C4DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

Complementary color

CMYK 53 / 0 / 85 / 8

HEX #6FEB23

RGB 111 235 35

HSL 97.2, 0.83%, 0.53%

LAB 83.4, -64.79, 76

 

CMYK 31 / 91 / 0 / 16

HEX #9514D7

RGB 149 20 215

HSL 279.69, 0.83%, 0.46%

LAB 40.89, 74.76, -70.53

 

CMYK 29 / 84 / 0 / 8

HEX #A626EA

RGB 166 38 234

HSL 279.18, 0.82%, 0.53%

LAB 46.22, 76.97, -72.57

 

CMYK 28 / 78 / 0 / 1

HEX #B738FD

RGB 183 56 253

HSL 278.68, 0.98%, 0.61%

LAB 51.82, 78.16, -74.01

 

CMYK 22 / 71 / 0 / 0

HEX #C84AFF

RGB 200 74 255

HSL 281.77, 1%, 0.65%

LAB 56.48, 75.29, -67.46

 

CMYK 15 / 64 / 0 / 0

HEX #D95CFF

RGB 217 92 255

HSL 286.01, 1%, 0.68%

LAB 61.33, 71.63, -59.55

 

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

CMYK 37 / 99 / 0 / 21

HEX #7F02C9

RGB 127 2 201

HSL 277.69, 0.98%, 0.4%

LAB 35.54, 71.8, -71.31

 

CMYK 40 / 100 / 0 / 29

HEX #6E00B6

RGB 110 0 182

HSL 276.26, 1%, 0.36%

LAB 31.1, 66.44, -67.51

 

CMYK 43 / 100 / 0 / 36

HEX #5D00A3

RGB 93 0 163

HSL 274.23, 1%, 0.32%

LAB 26.65, 60.73, -63.49

 

CMYK 47 / 100 / 0 / 44

HEX #4C0090

RGB 76 0 144

HSL 271.67, 1%, 0.28%

LAB 22.12, 54.92, -59.37

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 10 / 91 / 0 / 14

HEX #C514DB

RGB 197 20 219

HSL 293.37, 0.83%, 0.47%

LAB 48.87, 82.38, -59.53

 

CMYK 0 / 91 / 15 / 14

HEX #DB14BB

RGB 219 20 187

HSL 309.65, 0.83%, 0.47%

LAB 50.86, 81.55, -37.66

 

CMYK 0 / 91 / 39 / 14

HEX #DB1485

RGB 219 20 133

HSL 325.93, 0.83%, 0.47%

LAB 48.58, 75.52, -9.04

 

CMYK 0 / 91 / 63 / 14

HEX #DB1450

RGB 219 20 80

HSL 341.91, 0.83%, 0.47%

LAB 47.16, 71.62, 21.53

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 59 / 91 / 0 / 14

HEX #5A14DB

RGB 90 20 219

HSL 261.11, 0.83%, 0.47%

LAB 33.54, 69.58, -85.22

 

CMYK 84 / 91 / 0 / 14

HEX #2414DB

RGB 36 20 219

HSL 244.82, 0.83%, 0.47%

LAB 29.39, 66.93, -92.24

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 38 / 100 / 0 / 7

HEX #9400EE

RGB 148 0 238

HSL 277.31, 1%, 0.47%

LAB 41.95, 81.49, -81.93

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 30 / 80 / 0 / 22

HEX #8B27C7

RGB 139 39 199

HSL 277.5, 0.67%, 0.47%

LAB 39.69, 65.48, -63.29

 

CMYK 26 / 67 / 0 / 29

HEX #863BB4

RGB 134 59 180

HSL 277.19, 0.51%, 0.47%

LAB 40.4, 52.48, -51.03

 

CMYK 20 / 52 / 0 / 37

HEX #814EA1

RGB 129 78 161

HSL 276.87, 0.35%, 0.47%

LAB 42.29, 36.99, -36.77

 

CMYK 11 / 31 / 0 / 45

HEX #7D618D

RGB 125 97 141

HSL 278.18, 0.18%, 0.47%

LAB 45.4, 19.99, -20

 

CMYK 84 / 91 / 0 / 14

HEX #2414DB

RGB 36 20 219

HSL 244.82, 0.83%, 0.47%

LAB 29.39, 66.93, -92.24

 

CMYK 59 / 91 / 0 / 14

HEX #5A14DB

RGB 90 20 219

HSL 261.11, 0.83%, 0.47%

LAB 33.54, 69.58, -85.22

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 11 / 91 / 0 / 14

HEX #C414DB

RGB 196 20 219

HSL 293.07, 0.83%, 0.47%

LAB 48.7, 82.22, -59.81

 

CMYK 0 / 91 / 14 / 14

HEX #DB14BD

RGB 219 20 189

HSL 309.05, 0.83%, 0.47%

LAB 50.96, 81.8, -38.67

 

CMYK 34 / 91 / 0 / 44

HEX #5E0D8F

RGB 94 13 143

HSL 277.38, 0.83%, 0.31%

LAB 25.72, 53.99, -52.75

 

CMYK 35 / 91 / 0 / 29

HEX #7610B5

RGB 118 16 181

HSL 277.09, 0.84%, 0.39%

LAB 33.05, 64.66, -63.67

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

CMYK 31 / 81 / 0 / 8

HEX #A32DEB

RGB 163 45 235

HSL 277.26, 0.83%, 0.55%

LAB 46.53, 74.8, -72.65

 

CMYK 25 / 65 / 0 / 6

HEX #B353EF

RGB 179 83 239

HSL 276.92, 0.83%, 0.63%

LAB 54.03, 64.1, -62.65

 

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

CMYK 0 / 91 / 74 / 14

HEX #DB1438

RGB 219 20 56

HSL 349.15, 0.83%, 0.47%

LAB 46.77, 70.53, 35.62

 

CMYK 91 / 0 / 71 / 14

HEX #14DB3F

RGB 20 219 63

HSL 132.96, 0.83%, 0.47%

LAB 76.78, -73.21, 61.03

 

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

CMYK 0 / 35 / 91 / 14

HEX #DB8F14

RGB 219 143 20

HSL 37.09, 0.83%, 0.47%

LAB 65.56, 20.52, 67.56

 

CMYK 91 / 0 / 35 / 14

HEX #14DB8F

RGB 20 219 143

HSL 157.09, 0.83%, 0.47%

LAB 77.75, -61.51, 25.21

 

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

CMYK 0 / 91 / 74 / 14

HEX #DB1438

RGB 219 20 56

HSL 349.15, 0.83%, 0.47%

LAB 46.77, 70.53, 35.62

 

CMYK 56 / 0 / 91 / 14

HEX #60DB14

RGB 96 219 20

HSL 97.09, 0.83%, 0.47%

LAB 77.99, -63.65, 73.87

 

CMYK 91 / 0 / 17 / 14

HEX #14DBB6

RGB 20 219 182

HSL 168.84, 0.83%, 0.47%

LAB 78.57, -52.48, 5.81

 

CMYK 35 / 91 / 0 / 14

HEX #9014DC

RGB 144 20 220

HSL 277.2, 0.83%, 0.47%

LAB 40.57, 75.12, -73.96

 

CMYK 0 / 80 / 91 / 14

HEX #DB2B14

RGB 219 43 20

HSL 6.93, 0.83%, 0.47%

LAB 48.06, 65.1, 54.99

 

CMYK 56 / 0 / 91 / 14

HEX #60DB14

RGB 96 219 20

HSL 97.09, 0.83%, 0.47%

LAB 77.99, -63.65, 73.87

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

Description

Color code: HEX #9014DC | qconv.com Color code: HEX #9014DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 20 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 20 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 91 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 91% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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