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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90147E it is the complementary color #6FEB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90147E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90147E shade: #951479, #A6268C, #B7389F, #C84AB2 and #D95CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90147E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90147E shade: #90147E, #7F026B, #6E0058, #5D0045 and #4C0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90147E shade: #8F137D, #8F135C, #8F133A, #8F1319 and #8F1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90147E shade: #8F137D, #80138F, #5E138F, #3D138F and #1B138F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90147E shade matches the following richer shades: #8F137D and #9C0686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90147E shade: #8F137D, #822074, #752D6A, #683B61 and #5A4858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90147E shade: #5E138F, #7F138F, #8F137F, #8F135E and #8F133C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90147E shade: #47093E, #6B0E5D, #8F137D, #B3189D and #D81DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90147E shade: #90147E, #8F3C13 and #138F6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90147E shade: #90147E, #7F8F13 and #137F8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90147E shade: #90147E, #8F3C13, #138F24 and #13668F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90147E shade: #90147E, #8F6213, #138F24 and #13418F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

Complementary color

CMYK 53 / 0 / 45 / 8

HEX #6FEB81

RGB 111 235 129

HSL 128.71, 0.76%, 0.68%

LAB 84.16, -56.34, 41.02

 

CMYK 0 / 87 / 19 / 42

HEX #951479

RGB 149 20 121

HSL 313.02, 0.76%, 0.33%

LAB 34.54, 58.78, -24.3

 

CMYK 0 / 77 / 16 / 35

HEX #A6268C

RGB 166 38 140

HSL 312.19, 0.63%, 0.4%

LAB 40.22, 60.66, -26.97

 

CMYK 0 / 69 / 13 / 28

HEX #B7389F

RGB 183 56 159

HSL 311.34, 0.53%, 0.47%

LAB 46.18, 61.5, -28.94

 

CMYK 0 / 63 / 11 / 22

HEX #C84AB2

RGB 200 74 178

HSL 310.48, 0.53%, 0.54%

LAB 52.28, 61.69, -30.42

 

CMYK 0 / 58 / 9 / 15

HEX #D95CC5

RGB 217 92 197

HSL 309.6, 0.62%, 0.61%

LAB 58.45, 61.5, -31.58

 

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

CMYK 0 / 98 / 16 / 50

HEX #7F026B

RGB 127 2 107

HSL 309.6, 0.97%, 0.25%

LAB 28.42, 55.3, -25.28

 

CMYK 0 / 100 / 20 / 57

HEX #6E0058

RGB 110 0 88

HSL 312, 1%, 0.22%

LAB 23.74, 49.58, -20.43

 

CMYK 0 / 100 / 26 / 64

HEX #5D0045

RGB 93 0 69

HSL 315.48, 1%, 0.18%

LAB 19.04, 43.38, -15.13

 

CMYK 0 / 100 / 34 / 70

HEX #4C0032

RGB 76 0 50

HSL 320.53, 1%, 0.15%

LAB 14.21, 37.01, -9.44

 

CMYK 0 / 87 / 13 / 44

HEX #8F137D

RGB 143 19 125

HSL 308.71, 0.77%, 0.32%

LAB 33.53, 58.26, -28.48

 

CMYK 0 / 87 / 36 / 44

HEX #8F135C

RGB 143 19 92

HSL 324.68, 0.77%, 0.32%

LAB 31.98, 54, -9.79

 

CMYK 0 / 87 / 59 / 44

HEX #8F133A

RGB 143 19 58

HSL 341.13, 0.77%, 0.32%

LAB 30.9, 50.9, 11.06

 

CMYK 0 / 87 / 83 / 44

HEX #8F1319

RGB 143 19 25

HSL 357.1, 0.77%, 0.32%

LAB 30.34, 49.23, 31.62

 

CMYK 0 / 87 / 87 / 44

HEX #8F1313

RGB 143 19 19

HSL 0, 0.77%, 0.32%

LAB 30.28, 49.07, 34.97

 

CMYK 0 / 87 / 13 / 44

HEX #8F137D

RGB 143 19 125

HSL 308.71, 0.77%, 0.32%

LAB 33.53, 58.26, -28.48

 

CMYK 10 / 87 / 0 / 44

HEX #80138F

RGB 128 19 143

HSL 292.74, 0.77%, 0.32%

LAB 31.89, 58.2, -42.46

 

CMYK 34 / 87 / 0 / 44

HEX #5E138F

RGB 94 19 143

HSL 276.29, 0.77%, 0.32%

LAB 26.24, 52.44, -51.89

 

CMYK 57 / 87 / 0 / 44

HEX #3D138F

RGB 61 19 143

HSL 260.32, 0.77%, 0.32%

LAB 21.73, 48.1, -59.47

 

CMYK 81 / 87 / 0 / 44

HEX #1B138F

RGB 27 19 143

HSL 243.87, 0.77%, 0.32%

LAB 18.72, 45.39, -64.54

 

CMYK 0 / 87 / 13 / 44

HEX #8F137D

RGB 143 19 125

HSL 308.71, 0.77%, 0.32%

LAB 33.53, 58.26, -28.48

 

CMYK 0 / 96 / 14 / 39

HEX #9C0686

RGB 156 6 134

HSL 308.8, 0.93%, 0.32%

LAB 35.83, 64.15, -30.31

 

CMYK 0 / 87 / 13 / 44

HEX #8F137D

RGB 143 19 125

HSL 308.71, 0.77%, 0.32%

LAB 33.53, 58.26, -28.48

 

CMYK 0 / 75 / 11 / 49

HEX #822074

RGB 130 32 116

HSL 308.57, 0.6%, 0.32%

LAB 31.9, 50.33, -25.54

 

CMYK 0 / 62 / 9 / 54

HEX #752D6A

RGB 117 45 106

HSL 309.17, 0.44%, 0.32%

LAB 31.11, 39.67, -20.56

 

CMYK 0 / 43 / 7 / 59

HEX #683B61

RGB 104 59 97

HSL 309.33, 0.28%, 0.32%

LAB 31.66, 26.06, -14.12

 

CMYK 0 / 20 / 2 / 65

HEX #5A4858

RGB 90 72 88

HSL 306.67, 0.11%, 0.32%

LAB 32.95, 10.81, -6.58

 

CMYK 34 / 87 / 0 / 44

HEX #5E138F

RGB 94 19 143

HSL 276.29, 0.77%, 0.32%

LAB 26.24, 52.44, -51.89

 

CMYK 11 / 87 / 0 / 44

HEX #7F138F

RGB 127 19 143

HSL 292.26, 0.77%, 0.32%

LAB 31.72, 58.02, -42.75

 

CMYK 0 / 87 / 11 / 44

HEX #8F137F

RGB 143 19 127

HSL 307.74, 0.77%, 0.32%

LAB 33.64, 58.55, -29.56

 

CMYK 0 / 87 / 34 / 44

HEX #8F135E

RGB 143 19 94

HSL 323.71, 0.77%, 0.32%

LAB 32.06, 54.22, -10.97

 

CMYK 0 / 87 / 58 / 44

HEX #8F133C

RGB 143 19 60

HSL 340.16, 0.77%, 0.32%

LAB 30.95, 51.04, 9.8

 

CMYK 0 / 87 / 13 / 72

HEX #47093E

RGB 71 9 62

HSL 308.71, 0.78%, 0.16%

LAB 14.86, 34.37, -17.11

 

CMYK 0 / 87 / 13 / 58

HEX #6B0E5D

RGB 107 14 93

HSL 309.03, 0.77%, 0.24%

LAB 24.42, 46.68, -22.72

 

CMYK 0 / 87 / 13 / 44

HEX #8F137D

RGB 143 19 125

HSL 308.71, 0.77%, 0.32%

LAB 33.53, 58.26, -28.48

 

CMYK 0 / 87 / 12 / 30

HEX #B3189D

RGB 179 24 157

HSL 308.52, 0.76%, 0.4%

LAB 42.26, 69.23, -33.92

 

CMYK 0 / 87 / 13 / 15

HEX #D81DBD

RGB 216 29 189

HSL 308.66, 0.76%, 0.48%

LAB 50.86, 79.95, -38.85

 

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

CMYK 0 / 58 / 87 / 44

HEX #8F3C13

RGB 143 60 19

HSL 19.84, 0.77%, 0.32%

LAB 36.21, 32.97, 40.15

 

CMYK 87 / 0 / 23 / 44

HEX #138F6E

RGB 19 143 110

HSL 164.03, 0.77%, 0.32%

LAB 52.85, -39.78, 8.72

 

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

CMYK 11 / 0 / 87 / 44

HEX #7F8F13

RGB 127 143 19

HSL 67.74, 0.77%, 0.32%

LAB 56.29, -20.83, 56.52

 

CMYK 87 / 11 / 0 / 44

HEX #137F8F

RGB 19 127 143

HSL 187.74, 0.77%, 0.32%

LAB 48.64, -22.21, -16.72

 

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

CMYK 0 / 58 / 87 / 44

HEX #8F3C13

RGB 143 60 19

HSL 19.84, 0.77%, 0.32%

LAB 36.21, 32.97, 40.15

 

CMYK 87 / 0 / 75 / 44

HEX #138F24

RGB 19 143 36

HSL 128.23, 0.77%, 0.32%

LAB 51.74, -52.74, 45.34

 

CMYK 87 / 29 / 0 / 44

HEX #13668F

RGB 19 102 143

HSL 199.84, 0.77%, 0.32%

LAB 40.61, -8.15, -29.13

 

CMYK 0 / 86 / 13 / 44

HEX #90147E

RGB 144 20 126

HSL 308.71, 0.76%, 0.32%

LAB 33.85, 58.41, -28.59

 

CMYK 0 / 31 / 87 / 44

HEX #8F6213

RGB 143 98 19

HSL 38.23, 0.77%, 0.32%

LAB 45.11, 11.58, 47.74

 

CMYK 87 / 0 / 75 / 44

HEX #138F24

RGB 19 143 36

HSL 128.23, 0.77%, 0.32%

LAB 51.74, -52.74, 45.34

 

CMYK 87 / 55 / 0 / 44

HEX #13418F

RGB 19 65 143

HSL 217.74, 0.77%, 0.32%

LAB 29.16, 16.07, -47.39

 

Description

Color code: HEX #90147E | qconv.com Color code: HEX #90147E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 20 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 20 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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