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Color name
HEX #900D4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #900D4C it is the complementary color #6FF2B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #900D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #900D4C shade: #950D47, #A61F5A, #B7316D, #C84380 and #D95593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #900D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #900D4C shade: #900D4C, #7F0039, #6E0026, #5D0013 and #4C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #900D4C shade: #900D4C, #900D29 and #900D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #900D4C shade: #900D4C, #900D6F, #8E0D90, #6A0D90 and #470D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #900D4C shade matches the following richer shades: #900D4C and #9D004C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #900D4C shade: #900D4C, #831A4D, #77274D, #6A334E and #5D404E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #900D4C shade: #8E0D90, #900D6F, #900D4C, #900D29 and #90130D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #900D4C shade: #450624, #6A0938, #900D4C, #B61060 and #DC1474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #900D4C shade: #900D4C, #906B0D and #0D8190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #900D4C shade: #900D4C, #4C900D and #0D4C90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #900D4C shade: #900D4C, #906B0D, #0D9051 and #0D3290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #900D4C shade: #900D4C, #8E900D, #0D9051 and #0F0D90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

Complementary color

CMYK 54 / 0 / 26 / 5

HEX #6FF2B3

RGB 111 242 179

HSL 151.15, 0.83%, 0.69%

LAB 87.06, -50.42, 19.64

 

CMYK 0 / 91 / 52 / 42

HEX #950D47

RGB 149 13 71

HSL 334.41, 0.84%, 0.32%

LAB 32.11, 54.65, 4.31

 

CMYK 0 / 81 / 46 / 35

HEX #A61F5A

RGB 166 31 90

HSL 333.78, 0.69%, 0.39%

LAB 37.53, 56.74, 0.23

 

CMYK 0 / 73 / 40 / 28

HEX #B7316D

RGB 183 49 109

HSL 333.13, 0.58%, 0.45%

LAB 43.31, 57.66, -2.87

 

CMYK 0 / 67 / 36 / 22

HEX #C84380

RGB 200 67 128

HSL 332.48, 0.55%, 0.52%

LAB 49.32, 57.84, -5.28

 

CMYK 0 / 61 / 32 / 15

HEX #D95593

RGB 217 85 147

HSL 331.82, 0.63%, 0.59%

LAB 55.44, 57.59, -7.2

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 100 / 55 / 50

HEX #7F0039

RGB 127 0 57

HSL 333.07, 1%, 0.25%

LAB 26.18, 50.16, 4.62

 

CMYK 0 / 100 / 65 / 57

HEX #6E0026

RGB 110 0 38

HSL 339.27, 1%, 0.22%

LAB 21.78, 44.52, 11.14

 

CMYK 0 / 100 / 80 / 64

HEX #5D0013

RGB 93 0 19

HSL 347.74, 1%, 0.18%

LAB 17.34, 38.92, 18.02

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 91 / 72 / 44

HEX #900D29

RGB 144 13 41

HSL 347.18, 0.83%, 0.31%

LAB 30.34, 51.39, 21.63

 

CMYK 0 / 91 / 91 / 44

HEX #900D0D

RGB 144 13 13

HSL 0, 0.83%, 0.31%

LAB 30.03, 50.47, 37.91

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 91 / 23 / 44

HEX #900D6F

RGB 144 13 111

HSL 315.11, 0.83%, 0.31%

LAB 32.62, 57.67, -21.03

 

CMYK 1 / 91 / 0 / 44

HEX #8E0D90

RGB 142 13 144

HSL 299.08, 0.83%, 0.31%

LAB 34.09, 62.07, -39.41

 

CMYK 26 / 91 / 0 / 44

HEX #6A0D90

RGB 106 13 144

HSL 282.6, 0.83%, 0.31%

LAB 27.75, 55.97, -49.96

 

CMYK 51 / 91 / 0 / 44

HEX #470D90

RGB 71 13 144

HSL 266.56, 0.83%, 0.31%

LAB 22.45, 51.34, -58.86

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 100 / 52 / 38

HEX #9D004C

RGB 157 0 76

HSL 330.96, 1%, 0.31%

LAB 33.33, 58.83, 2.99

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 80 / 41 / 49

HEX #831A4D

RGB 131 26 77

HSL 330.86, 0.67%, 0.31%

LAB 29.66, 47.35, -3.67

 

CMYK 0 / 67 / 35 / 53

HEX #77274D

RGB 119 39 77

HSL 331.5, 0.51%, 0.31%

LAB 29.18, 38.69, -4.64

 

CMYK 0 / 52 / 26 / 58

HEX #6A334E

RGB 106 51 78

HSL 330.55, 0.35%, 0.31%

LAB 29.37, 28.07, -5.25

 

CMYK 0 / 31 / 16 / 64

HEX #5D404E

RGB 93 64 78

HSL 331.03, 0.18%, 0.31%

LAB 30.75, 15.07, -3.39

 

CMYK 1 / 91 / 0 / 44

HEX #8E0D90

RGB 142 13 144

HSL 299.08, 0.83%, 0.31%

LAB 34.09, 62.07, -39.41

 

CMYK 0 / 91 / 23 / 44

HEX #900D6F

RGB 144 13 111

HSL 315.11, 0.83%, 0.31%

LAB 32.62, 57.67, -21.03

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 91 / 72 / 44

HEX #900D29

RGB 144 13 41

HSL 347.18, 0.83%, 0.31%

LAB 30.34, 51.39, 21.63

 

CMYK 0 / 87 / 91 / 44

HEX #90130D

RGB 144 19 13

HSL 2.75, 0.83%, 0.31%

LAB 30.46, 49.23, 38.24

 

CMYK 0 / 91 / 48 / 73

HEX #450624

RGB 69 6 36

HSL 331.43, 0.84%, 0.15%

LAB 12.75, 31.18, -1.5

 

CMYK 0 / 92 / 47 / 58

HEX #6A0938

RGB 106 9 56

HSL 330.93, 0.84%, 0.23%

LAB 22.11, 42.86, -1.17

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 91 / 47 / 29

HEX #B61060

RGB 182 16 96

HSL 331.08, 0.84%, 0.39%

LAB 39.85, 64.34, 0.18

 

CMYK 0 / 91 / 47 / 14

HEX #DC1474

RGB 220 20 116

HSL 331.2, 0.83%, 0.47%

LAB 48.23, 74.27, 0.85

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 26 / 91 / 44

HEX #906B0D

RGB 144 107 13

HSL 43.05, 0.83%, 0.31%

LAB 47.59, 6.69, 51.51

 

CMYK 91 / 10 / 0 / 44

HEX #0D8190

RGB 13 129 144

HSL 186.87, 0.83%, 0.31%

LAB 49.25, -23.31, -16.37

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 47 / 0 / 91 / 44

HEX #4C900D

RGB 76 144 13

HSL 91.15, 0.83%, 0.31%

LAB 53.51, -41.8, 54.21

 

CMYK 91 / 47 / 0 / 44

HEX #0D4C90

RGB 13 76 144

HSL 211.15, 0.83%, 0.31%

LAB 32.41, 8.47, -42.77

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 0 / 26 / 91 / 44

HEX #906B0D

RGB 144 107 13

HSL 43.05, 0.83%, 0.31%

LAB 47.59, 6.69, 51.51

 

CMYK 91 / 0 / 44 / 44

HEX #0D9051

RGB 13 144 81

HSL 151.15, 0.83%, 0.31%

LAB 52.54, -47.23, 24.59

 

CMYK 91 / 65 / 0 / 44

HEX #0D3290

RGB 13 50 144

HSL 223.05, 0.83%, 0.31%

LAB 24.89, 26.53, -54.99

 

CMYK 0 / 91 / 47 / 44

HEX #900D4C

RGB 144 13 76

HSL 331.15, 0.83%, 0.31%

LAB 31.21, 53.81, -0.43

 

CMYK 1 / 0 / 91 / 44

HEX #8E900D

RGB 142 144 13

HSL 60.92, 0.83%, 0.31%

LAB 57.78, -14.77, 59.47

 

CMYK 91 / 0 / 44 / 44

HEX #0D9051

RGB 13 144 81

HSL 151.15, 0.83%, 0.31%

LAB 52.54, -47.23, 24.59

 

CMYK 90 / 91 / 0 / 44

HEX #0F0D90

RGB 15 13 144

HSL 240.92, 0.83%, 0.31%

LAB 17.47, 47.63, -67.26

 

Description

Color code: HEX #900D4C | qconv.com Color code: HEX #900D4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 13 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 13 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 47 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 47% 44% C M Y K

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Provide designers and agencies with accurate color values.

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