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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F5B4 it is the complementary color #6C0A4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F5B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93F5B4 shade: #98F5AF, #A9FFC2, #BAFFD5, #CBFFE8 and #DCFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F5B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93F5B4 shade: #93F5B4, #82E3A1, #71D18E, #60BF7B and #4FAD68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93F5B4 shade: #93F5B4, #93F59A, #A7F593, #C1F593 and #DBF593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93F5B4 shade: #93F5B4, #93F5CE, #93F5E8, #93E6F5 and #93CCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93F5B4 shade matches the following richer shades: #93F5B4 and #8AFEB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93F5B4 shade: #93F5B4, #9DEBB7, #A6E2BA, #B0D8BD and #B9CFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93F5B4 shade: #A7F593, #93F59A, #93F5B4, #93F5CE and #93F5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93F5B4 shade: #48EE80, #6DF19A, #93F5B4, #B9F8CE and #DFFCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93F5B4 shade: #93F5B4, #93C1F5 and #F5939A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93F5B4 shade: #93F5B4, #B493F5 and #F5B493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93F5B4 shade: #93F5B4, #93C1F5, #F593D4 and #F5C793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93F5B4 shade: #93F5B4, #93A3F5, #F593D4 and #F5E493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

Complementary color

CMYK 0 / 91 / 31 / 58

HEX #6C0A4B

RGB 108 10 75

HSL 320.2, 0.83%, 0.23%

LAB 23.38, 45.3, -12.27

 

CMYK 38 / 0 / 29 / 4

HEX #98F5AF

RGB 152 245 175

HSL 134.84, 0.82%, 0.78%

LAB 89.43, -42.01, 25.2

 

CMYK 34 / 0 / 24 / 0

HEX #A9FFC2

RGB 169 255 194

HSL 137.44, 1%, 0.83%

LAB 93.39, -38.18, 21.09

 

CMYK 27 / 0 / 16 / 0

HEX #BAFFD5

RGB 186 255 213

HSL 143.48, 1%, 0.86%

LAB 94.64, -29.65, 13.26

 

CMYK 20 / 0 / 9 / 0

HEX #CBFFE8

RGB 203 255 232

HSL 153.46, 1%, 0.9%

LAB 96.01, -20.88, 5.59

 

CMYK 14 / 0 / 2 / 0

HEX #DCFFFB

RGB 220 255 251

HSL 173.14, 1%, 0.93%

LAB 97.51, -11.96, -1.88

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 43 / 0 / 29 / 11

HEX #82E3A1

RGB 130 227 161

HSL 139.18, 0.63%, 0.7%

LAB 83.05, -42.78, 23.52

 

CMYK 46 / 0 / 32 / 18

HEX #71D18E

RGB 113 209 142

HSL 138.13, 0.51%, 0.63%

LAB 76.72, -43, 24.67

 

CMYK 50 / 0 / 36 / 25

HEX #60BF7B

RGB 96 191 123

HSL 137.05, 0.43%, 0.56%

LAB 70.3, -43.18, 25.9

 

CMYK 54 / 0 / 40 / 32

HEX #4FAD68

RGB 79 173 104

HSL 135.96, 0.37%, 0.49%

LAB 63.79, -43.28, 27.22

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 0 / 37 / 4

HEX #93F59A

RGB 147 245 154

HSL 124.29, 0.83%, 0.77%

LAB 88.85, -46.91, 35

 

CMYK 32 / 0 / 40 / 4

HEX #A7F593

RGB 167 245 147

HSL 107.76, 0.83%, 0.77%

LAB 89.69, -41.8, 39.74

 

CMYK 21 / 0 / 40 / 4

HEX #C1F593

RGB 193 245 147

HSL 91.84, 0.83%, 0.77%

LAB 91.12, -33.02, 41.87

 

CMYK 11 / 0 / 40 / 4

HEX #DBF593

RGB 219 245 147

HSL 75.92, 0.83%, 0.77%

LAB 92.78, -23.61, 44.34

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 0 / 16 / 4

HEX #93F5CE

RGB 147 245 206

HSL 156.12, 0.83%, 0.77%

LAB 89.84, -37.49, 9.78

 

CMYK 40 / 0 / 5 / 4

HEX #93F5E8

RGB 147 245 232

HSL 172.04, 0.83%, 0.77%

LAB 90.48, -31.82, -2.82

 

CMYK 40 / 6 / 0 / 4

HEX #93E6F5

RGB 147 230 245

HSL 189.18, 0.83%, 0.77%

LAB 86.7, -21.48, -15.24

 

CMYK 40 / 17 / 0 / 4

HEX #93CCF5

RGB 147 204 245

HSL 205.1, 0.83%, 0.77%

LAB 79.6, -8.17, -25.98

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 46 / 0 / 30 / 0

HEX #8AFEB1

RGB 138 254 177

HSL 140.17, 0.98%, 0.77%

LAB 91.44, -49.36, 26.84

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 33 / 0 / 22 / 8

HEX #9DEBB7

RGB 157 235 183

HSL 140, 0.66%, 0.77%

LAB 87, -34.6, 17.76

 

CMYK 27 / 0 / 18 / 11

HEX #A6E2BA

RGB 166 226 186

HSL 140, 0.51%, 0.77%

LAB 85.02, -27.05, 13.48

 

CMYK 19 / 0 / 13 / 15

HEX #B0D8BD

RGB 176 216 189

HSL 139.5, 0.34%, 0.77%

LAB 82.92, -18.38, 9

 

CMYK 11 / 0 / 7 / 19

HEX #B9CFC0

RGB 185 207 192

HSL 139.09, 0.19%, 0.77%

LAB 81.15, -10.25, 4.93

 

CMYK 32 / 0 / 40 / 4

HEX #A7F593

RGB 167 245 147

HSL 107.76, 0.83%, 0.77%

LAB 89.69, -41.8, 39.74

 

CMYK 40 / 0 / 37 / 4

HEX #93F59A

RGB 147 245 154

HSL 124.29, 0.83%, 0.77%

LAB 88.85, -46.91, 35

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 0 / 16 / 4

HEX #93F5CE

RGB 147 245 206

HSL 156.12, 0.83%, 0.77%

LAB 89.84, -37.49, 9.78

 

CMYK 40 / 0 / 5 / 4

HEX #93F5E8

RGB 147 245 232

HSL 172.04, 0.83%, 0.77%

LAB 90.48, -31.82, -2.82

 

CMYK 70 / 0 / 46 / 7

HEX #48EE80

RGB 72 238 128

HSL 140.24, 0.83%, 0.61%

LAB 84.01, -65.52, 41.09

 

CMYK 55 / 0 / 36 / 5

HEX #6DF19A

RGB 109 241 154

HSL 140.45, 0.83%, 0.69%

LAB 86.25, -55.15, 31.3

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 25 / 0 / 17 / 3

HEX #B9F8CE

RGB 185 248 206

HSL 140, 0.82%, 0.85%

LAB 92.53, -27.94, 13.86

 

CMYK 12 / 0 / 8 / 1

HEX #DFFCE8

RGB 223 252 232

HSL 138.62, 0.83%, 0.93%

LAB 96.47, -13.06, 6.4

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 21 / 0 / 4

HEX #93C1F5

RGB 147 193 245

HSL 211.84, 0.83%, 0.77%

LAB 76.64, -2.29, -30.52

 

CMYK 0 / 40 / 37 / 4

HEX #F5939A

RGB 245 147 154

HSL 355.71, 0.83%, 0.77%

LAB 71.29, 37.66, 12.26

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 27 / 40 / 0 / 4

HEX #B493F5

RGB 180 147 245

HSL 260.2, 0.83%, 0.77%

LAB 67.4, 32.34, -44.7

 

CMYK 0 / 27 / 40 / 4

HEX #F5B493

RGB 245 180 147

HSL 20.2, 0.83%, 0.77%

LAB 78.56, 19.54, 26.11

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 21 / 0 / 4

HEX #93C1F5

RGB 147 193 245

HSL 211.84, 0.83%, 0.77%

LAB 76.64, -2.29, -30.52

 

CMYK 0 / 40 / 13 / 4

HEX #F593D4

RGB 245 147 212

HSL 320.2, 0.83%, 0.77%

LAB 72.91, 45.61, -17.5

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 40 / 33 / 0 / 4

HEX #93A3F5

RGB 147 163 245

HSL 230.2, 0.83%, 0.77%

LAB 68.74, 14.38, -42.77

 

CMYK 0 / 40 / 13 / 4

HEX #F593D4

RGB 245 147 212

HSL 320.2, 0.83%, 0.77%

LAB 72.91, 45.61, -17.5

 

CMYK 0 / 7 / 40 / 4

HEX #F5E493

RGB 245 228 147

HSL 49.59, 0.83%, 0.77%

LAB 90.32, -5.33, 41.59

 

Description

Color code: HEX #93F5B4 | qconv.com Color code: HEX #93F5B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 245 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 245 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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