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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93DF53 it is the complementary color #6C20AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93DF53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93DF53 shade: #98DF4E, #A9F161, #BAFF74, #CBFF87 and #DCFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93DF53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93DF53 shade: #93DF53, #82CD40, #71BB2D, #60A91A and #4F9707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93DF53 shade: #92DF52, #B8DF52, #DEDF52, #DFB952 and #DF9352

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93DF53 shade: #92DF52, #6DDF52, #52DF5E, #52DF84 and #52DFAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93DF53 shade matches the following richer shades: #92DF52 and #91EF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93DF53 shade: #92DF52, #94CE63, #95BE73, #97AD84 and #989D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93DF53 shade: #DFDF52, #B9DF52, #94DF52, #6EDF52 and #52DF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93DF53 shade: #69BC22, #7DD82F, #92DF52, #A8E575 and #BEEC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93DF53 shade: #93DF53, #52DFB9 and #DF52CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93DF53 shade: #93DF53, #5294DF and #DF5294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93DF53 shade: #93DF53, #52DFB9, #9D52DF and #DF5278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93DF53 shade: #93DF53, #52DADF, #9D52DF and #DF5752

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

Complementary color

CMYK 37 / 81 / 0 / 33

HEX #6C20AC

RGB 108 32 172

HSL 272.57, 0.69%, 0.4%

LAB 32.26, 56.98, -59.65

 

CMYK 32 / 0 / 65 / 13

HEX #98DF4E

RGB 152 223 78

HSL 89.38, 0.69%, 0.59%

LAB 81.84, -44.81, 61.75

 

CMYK 30 / 0 / 60 / 5

HEX #A9F161

RGB 169 241 97

HSL 90, 0.84%, 0.66%

LAB 88.07, -45.01, 60.99

 

CMYK 27 / 0 / 55 / 0

HEX #BAFF74

RGB 186 255 116

HSL 89.78, 1%, 0.73%

LAB 93.11, -43.39, 58.75

 

CMYK 20 / 0 / 47 / 0

HEX #CBFF87

RGB 203 255 135

HSL 86, 1%, 0.76%

LAB 94.3, -35.44, 51.74

 

CMYK 14 / 0 / 40 / 0

HEX #DCFF9A

RGB 220 255 154

HSL 80.79, 1%, 0.8%

LAB 95.61, -27.17, 44.55

 

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

CMYK 37 / 0 / 69 / 20

HEX #82CD40

RGB 130 205 64

HSL 91.91, 0.59%, 0.53%

LAB 75.31, -45.89, 60.02

 

CMYK 40 / 0 / 76 / 27

HEX #71BB2D

RGB 113 187 45

HSL 91.27, 0.61%, 0.45%

LAB 68.93, -45.47, 60.16

 

CMYK 43 / 0 / 85 / 34

HEX #60A91A

RGB 96 169 26

HSL 90.63, 0.73%, 0.38%

LAB 62.45, -44.8, 59.43

 

CMYK 48 / 0 / 95 / 41

HEX #4F9707

RGB 79 151 7

HSL 90, 0.91%, 0.31%

LAB 55.9, -43.79, 57.25

 

CMYK 35 / 0 / 63 / 13

HEX #92DF52

RGB 146 223 82

HSL 92.77, 0.69%, 0.6%

LAB 81.56, -46.57, 59.74

 

CMYK 17 / 0 / 63 / 13

HEX #B8DF52

RGB 184 223 82

HSL 76.6, 0.69%, 0.6%

LAB 83.74, -32.65, 62.74

 

CMYK 0 / 0 / 63 / 13

HEX #DEDF52

RGB 222 223 82

HSL 60.43, 0.69%, 0.6%

LAB 86.46, -17.46, 66.44

 

CMYK 0 / 17 / 63 / 13

HEX #DFB952

RGB 223 185 82

HSL 43.83, 0.69%, 0.6%

LAB 76.68, 2.28, 55.97

 

CMYK 0 / 34 / 63 / 13

HEX #DF9352

RGB 223 147 82

HSL 27.66, 0.69%, 0.6%

LAB 67.4, 22.52, 45.51

 

CMYK 35 / 0 / 63 / 13

HEX #92DF52

RGB 146 223 82

HSL 92.77, 0.69%, 0.6%

LAB 81.56, -46.57, 59.74

 

CMYK 51 / 0 / 63 / 13

HEX #6DDF52

RGB 109 223 82

HSL 108.51, 0.69%, 0.6%

LAB 79.97, -57.99, 57.54

 

CMYK 63 / 0 / 58 / 13

HEX #52DF5E

RGB 82 223 94

HSL 125.11, 0.69%, 0.6%

LAB 79.26, -63.17, 51.32

 

CMYK 63 / 0 / 41 / 13

HEX #52DF84

RGB 82 223 132

HSL 141.28, 0.69%, 0.6%

LAB 79.75, -57.66, 33.66

 

CMYK 63 / 0 / 24 / 13

HEX #52DFAA

RGB 82 223 170

HSL 157.45, 0.69%, 0.6%

LAB 80.44, -50.22, 14.95

 

CMYK 35 / 0 / 63 / 13

HEX #92DF52

RGB 146 223 82

HSL 92.77, 0.69%, 0.6%

LAB 81.56, -46.57, 59.74

 

CMYK 39 / 0 / 72 / 6

HEX #91EF42

RGB 145 239 66

HSL 92.6, 0.84%, 0.6%

LAB 86.08, -54.6, 70.43

 

CMYK 35 / 0 / 63 / 13

HEX #92DF52

RGB 146 223 82

HSL 92.77, 0.69%, 0.6%

LAB 81.56, -46.57, 59.74

 

CMYK 28 / 0 / 52 / 19

HEX #94CE63

RGB 148 206 99

HSL 92.52, 0.52%, 0.6%

LAB 76.88, -36.81, 46.86

 

CMYK 22 / 0 / 39 / 25

HEX #95BE73

RGB 149 190 115

HSL 92.8, 0.37%, 0.6%

LAB 72.53, -27, 33.51

 

CMYK 13 / 0 / 24 / 32

HEX #97AD84

RGB 151 173 132

HSL 92.2, 0.2%, 0.6%

LAB 68.12, -15.21, 18.59

 

CMYK 3 / 0 / 6 / 38

HEX #989D94

RGB 152 157 148

HSL 93.33, 0.04%, 0.6%

LAB 64.1, -3.51, 4.07

 

CMYK 0 / 0 / 63 / 13

HEX #DFDF52

RGB 223 223 82

HSL 60, 0.69%, 0.6%

LAB 86.54, -17.05, 66.54

 

CMYK 17 / 0 / 63 / 13

HEX #B9DF52

RGB 185 223 82

HSL 76.17, 0.69%, 0.6%

LAB 83.81, -32.26, 62.82

 

CMYK 34 / 0 / 63 / 13

HEX #94DF52

RGB 148 223 82

HSL 91.91, 0.69%, 0.6%

LAB 81.66, -45.89, 59.88

 

CMYK 51 / 0 / 63 / 13

HEX #6EDF52

RGB 110 223 82

HSL 108.09, 0.69%, 0.6%

LAB 80.01, -57.72, 57.59

 

CMYK 63 / 0 / 59 / 13

HEX #52DF5C

RGB 82 223 92

HSL 124.26, 0.69%, 0.6%

LAB 79.24, -63.4, 52.18

 

CMYK 44 / 0 / 82 / 26

HEX #69BC22

RGB 105 188 34

HSL 92.34, 0.69%, 0.44%

LAB 68.81, -49.12, 63.21

 

CMYK 42 / 0 / 78 / 15

HEX #7DD82F

RGB 125 216 47

HSL 92.31, 0.68%, 0.52%

LAB 78.27, -53.07, 68.6

 

CMYK 35 / 0 / 63 / 13

HEX #92DF52

RGB 146 223 82

HSL 92.77, 0.69%, 0.6%

LAB 81.56, -46.57, 59.74

 

CMYK 27 / 0 / 49 / 10

HEX #A8E575

RGB 168 229 117

HSL 92.68, 0.68%, 0.68%

LAB 84.82, -38.11, 48.16

 

CMYK 19 / 0 / 36 / 7

HEX #BEEC98

RGB 190 236 152

HSL 92.86, 0.69%, 0.76%

LAB 88.55, -29.23, 36.02

 

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

CMYK 63 / 0 / 17 / 13

HEX #52DFB9

RGB 82 223 185

HSL 163.83, 0.69%, 0.6%

LAB 80.78, -46.8, 7.51

 

CMYK 0 / 63 / 9 / 13

HEX #DF52CC

RGB 223 82 204

HSL 308.09, 0.69%, 0.6%

LAB 58.11, 68.34, -36.02

 

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

CMYK 63 / 34 / 0 / 13

HEX #5294DF

RGB 82 148 223

HSL 211.91, 0.69%, 0.6%

LAB 60.16, 1.98, -44.4

 

CMYK 0 / 63 / 34 / 13

HEX #DF5294

RGB 223 82 148

HSL 331.91, 0.69%, 0.6%

LAB 55.95, 60.77, -6.92

 

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

CMYK 63 / 0 / 17 / 13

HEX #52DFB9

RGB 82 223 185

HSL 163.83, 0.69%, 0.6%

LAB 80.78, -46.8, 7.51

 

CMYK 30 / 63 / 0 / 13

HEX #9D52DF

RGB 157 82 223

HSL 271.91, 0.69%, 0.6%

LAB 50.13, 56.29, -60.05

 

CMYK 0 / 63 / 46 / 13

HEX #DF5278

RGB 223 82 120

HSL 343.83, 0.69%, 0.6%

LAB 55.15, 57.86, 8.46

 

CMYK 34 / 0 / 63 / 13

HEX #93DF53

RGB 147 223 83

HSL 92.57, 0.69%, 0.6%

LAB 81.62, -46.15, 59.41

 

CMYK 63 / 2 / 0 / 13

HEX #52DADF

RGB 82 218 223

HSL 182.13, 0.69%, 0.6%

LAB 80.33, -34.76, -13.37

 

CMYK 30 / 63 / 0 / 13

HEX #9D52DF

RGB 157 82 223

HSL 271.91, 0.69%, 0.6%

LAB 50.13, 56.29, -60.05

 

CMYK 0 / 61 / 63 / 13

HEX #DF5752

RGB 223 87 82

HSL 2.13, 0.69%, 0.6%

LAB 55.19, 52.77, 30.79

 

Description

Color code: HEX #93DF53 | qconv.com Color code: HEX #93DF53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 223 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 223 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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