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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C0D1 it is the complementary color #6C3F2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C0D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C0D1 shade: #98C0CC, #A9D2DF, #BAE4F2, #CBF6FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C0D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C0D1 shade: #93C0D1, #82AEBE, #719CAB, #608A98 and #4F7885

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C0D1 shade: #93C0D1, #93AFD1, #939FD1, #9893D1 and #A993D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C0D1 shade: #93C0D1, #93AFD1, #939FD1 and #9393D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C0D1 shade matches the following richer shades: #93C0D1, #87C5DD, #7BCBE9 and #6ED1F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C0D1 shade: #93C0D1, #A0BAC4, #ACB5B8, #B9AFAB and #C5A99F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C0D1 shade: #93D1C0, #93D1D1, #93C0D1, #93B0D1 and #93A0D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C0D1 shade: #5A9EB8, #77AFC4, #93C0D1, #B0D1DD and #CDE2E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C0D1 shade: #93C0D1, #B093D1 and #D1C893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C0D1 shade: #93C0D1, #D193C0 and #C0D193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C0D1 shade: #93C0D1, #B093D1, #D1A493 and #B4D193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C0D1 shade: #93C0D1, #C293D1, #D1A493 and #A2D193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

Complementary color

CMYK 0 / 42 / 57 / 58

HEX #6C3F2E

RGB 108 63 46

HSL 16.45, 0.4%, 0.3%

LAB 31.67, 17.72, 18.73

 

CMYK 25 / 6 / 0 / 20

HEX #98C0CC

RGB 152 192 204

HSL 193.85, 0.34%, 0.7%

LAB 75.29, -10.54, -10.39

 

CMYK 24 / 6 / 0 / 13

HEX #A9D2DF

RGB 169 210 223

HSL 194.44, 0.46%, 0.77%

LAB 81.76, -10.54, -10.85

 

CMYK 23 / 6 / 0 / 5

HEX #BAE4F2

RGB 186 228 242

HSL 195, 0.68%, 0.84%

LAB 88.13, -10.55, -11.3

 

CMYK 20 / 4 / 0 / 0

HEX #CBF6FF

RGB 203 246 255

HSL 190.38, 1%, 0.9%

LAB 94.24, -11.83, -8.89

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 32 / 8 / 0 / 25

HEX #82AEBE

RGB 130 174 190

HSL 196, 0.32%, 0.63%

LAB 68.56, -10.81, -12.93

 

CMYK 34 / 9 / 0 / 33

HEX #719CAB

RGB 113 156 171

HSL 195.52, 0.26%, 0.56%

LAB 61.85, -10.78, -12.5

 

CMYK 37 / 9 / 0 / 40

HEX #608A98

RGB 96 138 152

HSL 195, 0.23%, 0.49%

LAB 55, -10.74, -12.06

 

CMYK 41 / 10 / 0 / 48

HEX #4F7885

RGB 79 120 133

HSL 194.44, 0.25%, 0.42%

LAB 47.99, -10.68, -11.62

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 30 / 16 / 0 / 18

HEX #93AFD1

RGB 147 175 209

HSL 212.9, 0.4%, 0.7%

LAB 70.5, -1.72, -20.36

 

CMYK 30 / 24 / 0 / 18

HEX #939FD1

RGB 147 159 209

HSL 228.39, 0.4%, 0.7%

LAB 66.22, 7.18, -26.91

 

CMYK 27 / 30 / 0 / 18

HEX #9893D1

RGB 152 147 209

HSL 244.84, 0.4%, 0.7%

LAB 63.46, 15.5, -31.13

 

CMYK 19 / 30 / 0 / 18

HEX #A993D1

RGB 169 147 209

HSL 261.29, 0.4%, 0.7%

LAB 64.89, 20.67, -28.81

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 30 / 16 / 0 / 18

HEX #93AFD1

RGB 147 175 209

HSL 212.9, 0.4%, 0.7%

LAB 70.5, -1.72, -20.36

 

CMYK 30 / 24 / 0 / 18

HEX #939FD1

RGB 147 159 209

HSL 228.39, 0.4%, 0.7%

LAB 66.22, 7.18, -26.91

 

CMYK 30 / 30 / 0 / 18

HEX #9393D1

RGB 147 147 209

HSL 240, 0.4%, 0.7%

LAB 63.07, 14.02, -31.76

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 39 / 11 / 0 / 13

HEX #87C5DD

RGB 135 197 221

HSL 196.74, 0.56%, 0.7%

LAB 76.26, -13.79, -18.23

 

CMYK 47 / 13 / 0 / 9

HEX #7BCBE9

RGB 123 203 233

HSL 196.36, 0.71%, 0.7%

LAB 77.76, -16.67, -22.46

 

CMYK 55 / 15 / 0 / 4

HEX #6ED1F6

RGB 110 209 246

HSL 196.32, 0.88%, 0.7%

LAB 79.37, -18.89, -27.02

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 18 / 5 / 0 / 23

HEX #A0BAC4

RGB 160 186 196

HSL 196.67, 0.23%, 0.7%

LAB 73.92, -6.68, -8.02

 

CMYK 7 / 2 / 0 / 28

HEX #ACB5B8

RGB 172 181 184

HSL 195, 0.08%, 0.7%

LAB 73.08, -2.54, -2.62

 

CMYK 0 / 5 / 8 / 27

HEX #B9AFAB

RGB 185 175 171

HSL 17.14, 0.09%, 0.7%

LAB 72.17, 2.86, 3.32

 

CMYK 0 / 14 / 19 / 23

HEX #C5A99F

RGB 197 169 159

HSL 15.79, 0.25%, 0.7%

LAB 71.38, 8.58, 8.92

 

CMYK 30 / 0 / 8 / 18

HEX #93D1C0

RGB 147 209 192

HSL 163.55, 0.4%, 0.7%

LAB 79.39, -23.36, 2.09

 

CMYK 30 / 0 / 0 / 18

HEX #93D1D1

RGB 147 209 209

HSL 180, 0.4%, 0.7%

LAB 79.85, -19.59, -6.34

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 30 / 16 / 0 / 18

HEX #93B0D1

RGB 147 176 209

HSL 211.94, 0.4%, 0.7%

LAB 70.77, -2.26, -19.95

 

CMYK 30 / 23 / 0 / 18

HEX #93A0D1

RGB 147 160 209

HSL 227.42, 0.4%, 0.7%

LAB 66.48, 6.62, -26.5

 

CMYK 51 / 14 / 0 / 28

HEX #5A9EB8

RGB 90 158 184

HSL 196.6, 0.4%, 0.54%

LAB 61.73, -14.28, -20.11

 

CMYK 39 / 11 / 0 / 23

HEX #77AFC4

RGB 119 175 196

HSL 196.36, 0.39%, 0.62%

LAB 68.44, -12.88, -16.48

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 20 / 5 / 0 / 13

HEX #B0D1DD

RGB 176 209 221

HSL 196, 0.4%, 0.78%

LAB 81.87, -8.35, -9.58

 

CMYK 12 / 3 / 0 / 9

HEX #CDE2E9

RGB 205 226 233

HSL 195, 0.39%, 0.86%

LAB 88.57, -5.56, -5.79

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 16 / 30 / 0 / 18

HEX #B093D1

RGB 176 147 209

HSL 268.06, 0.4%, 0.7%

LAB 65.52, 22.86, -27.79

 

CMYK 0 / 4 / 30 / 18

HEX #D1C893

RGB 209 200 147

HSL 51.29, 0.4%, 0.7%

LAB 80.16, -4.99, 27.7

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 0 / 30 / 8 / 18

HEX #D193C0

RGB 209 147 192

HSL 316.45, 0.4%, 0.7%

LAB 68.19, 30.37, -13.95

 

CMYK 8 / 0 / 30 / 18

HEX #C0D193

RGB 192 209 147

HSL 76.45, 0.4%, 0.7%

LAB 81.24, -16.05, 28.92

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 16 / 30 / 0 / 18

HEX #B093D1

RGB 176 147 209

HSL 268.06, 0.4%, 0.7%

LAB 65.52, 22.86, -27.79

 

CMYK 0 / 22 / 30 / 18

HEX #D1A493

RGB 209 164 147

HSL 16.45, 0.4%, 0.7%

LAB 71.02, 14.15, 15.16

 

CMYK 14 / 0 / 30 / 18

HEX #B4D193

RGB 180 209 147

HSL 88.06, 0.4%, 0.7%

LAB 80.41, -20.48, 27.65

 

CMYK 30 / 8 / 0 / 18

HEX #93C0D1

RGB 147 192 209

HSL 196.45, 0.4%, 0.7%

LAB 75.14, -10.84, -13.35

 

CMYK 7 / 30 / 0 / 18

HEX #C293D1

RGB 194 147 209

HSL 285.48, 0.4%, 0.7%

LAB 67.23, 28.59, -25

 

CMYK 0 / 22 / 30 / 18

HEX #D1A493

RGB 209 164 147

HSL 16.45, 0.4%, 0.7%

LAB 71.02, 14.15, 15.16

 

CMYK 22 / 0 / 30 / 18

HEX #A2D193

RGB 162 209 147

HSL 105.48, 0.4%, 0.7%

LAB 79.26, -26.88, 25.91

 

Description

Color code: HEX #93C0D1 | qconv.com Color code: HEX #93C0D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 192 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 192 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 8 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 8% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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