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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C71F it is the complementary color #6C38E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C71F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C71F shade: #98C71A, #A9D92D, #BAEB40, #CBFD53 and #DCFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C71F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C71F shade: #93C71F, #82B50C, #71A300, #609100 and #4F7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C71F shade: #92C61E, #BFC61E, #C6A01E, #C6721E and #C6451E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C71F shade: #92C61E, #65C61E, #38C61E, #1EC632 and #1EC660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C71F shade matches the following richer shades: #92C61E and #99D90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C71F shade: #92C61E, #8BB331, #84A144, #7D8E56 and #767C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C71F shade: #C69F1E, #C0C61E, #94C61E, #67C61E and #3AC61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C71F shade: #5D7F13, #78A219, #92C61E, #A8DE30 and #B7E453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C71F shade: #93C71F, #1EC672 and #B51EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C71F shade: #93C71F, #1E94C6 and #C61E94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C71F shade: #93C71F, #1EC672, #511EC6 and #C61E72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C71F shade: #93C71F, #1EC6A5, #511EC6 and #C61E40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

Complementary color

CMYK 52 / 75 / 0 / 12

HEX #6C38E0

RGB 108 56 224

HSL 258.57, 0.73%, 0.55%

LAB 40.24, 60.1, -76.96

 

CMYK 24 / 0 / 87 / 22

HEX #98C71A

RGB 152 199 26

HSL 76.3, 0.77%, 0.44%

LAB 74.57, -36.99, 71.03

 

CMYK 22 / 0 / 79 / 15

HEX #A9D92D

RGB 169 217 45

HSL 76.74, 0.69%, 0.51%

LAB 80.88, -37.8, 72.41

 

CMYK 21 / 0 / 73 / 8

HEX #BAEB40

RGB 186 235 64

HSL 77.19, 0.81%, 0.59%

LAB 87.11, -38.44, 72.84

 

CMYK 20 / 0 / 67 / 1

HEX #CBFD53

RGB 203 253 83

HSL 77.65, 0.98%, 0.66%

LAB 93.26, -38.94, 72.68

 

CMYK 14 / 0 / 60 / 0

HEX #DCFF66

RGB 220 255 102

HSL 73.73, 1%, 0.7%

LAB 95.03, -32.11, 67.47

 

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

CMYK 28 / 0 / 93 / 29

HEX #82B50C

RGB 130 181 12

HSL 78.11, 0.88%, 0.38%

LAB 67.89, -37.86, 67.33

 

CMYK 31 / 0 / 100 / 36

HEX #71A300

RGB 113 163 0

HSL 78.4, 1%, 0.32%

LAB 61.4, -36.68, 63.37

 

CMYK 34 / 0 / 100 / 43

HEX #609100

RGB 96 145 0

HSL 80.28, 1%, 0.28%

LAB 54.8, -35.28, 57.87

 

CMYK 38 / 0 / 100 / 50

HEX #4F7F00

RGB 79 127 0

HSL 82.68, 1%, 0.25%

LAB 48.06, -33.84, 52.26

 

CMYK 26 / 0 / 85 / 22

HEX #92C61E

RGB 146 198 30

HSL 78.57, 0.74%, 0.45%

LAB 73.93, -38.77, 69.5

 

CMYK 4 / 0 / 85 / 22

HEX #BFC61E

RGB 191 198 30

HSL 62.5, 0.74%, 0.45%

LAB 77.02, -20.35, 73.35

 

CMYK 0 / 19 / 85 / 22

HEX #C6A01E

RGB 198 160 30

HSL 46.43, 0.74%, 0.45%

LAB 67.46, 2.35, 65.67

 

CMYK 0 / 42 / 85 / 22

HEX #C6721E

RGB 198 114 30

HSL 30, 0.74%, 0.45%

LAB 56.22, 27.38, 56.26

 

CMYK 0 / 65 / 85 / 22

HEX #C6451E

RGB 198 69 30

HSL 13.93, 0.74%, 0.45%

LAB 47.44, 49.68, 48.75

 

CMYK 26 / 0 / 85 / 22

HEX #92C61E

RGB 146 198 30

HSL 78.57, 0.74%, 0.45%

LAB 73.93, -38.77, 69.5

 

CMYK 49 / 0 / 85 / 22

HEX #65C61E

RGB 101 198 30

HSL 94.64, 0.74%, 0.45%

LAB 71.72, -54.4, 66.73

 

CMYK 72 / 0 / 85 / 22

HEX #38C61E

RGB 56 198 30

HSL 110.71, 0.74%, 0.45%

LAB 70.4, -65.15, 65.06

 

CMYK 85 / 0 / 75 / 22

HEX #1EC632

RGB 30 198 50

HSL 127.14, 0.74%, 0.45%

LAB 70.1, -67.4, 58.86

 

CMYK 85 / 0 / 52 / 22

HEX #1EC660

RGB 30 198 96

HSL 143.57, 0.74%, 0.45%

LAB 70.53, -62.12, 39.68

 

CMYK 26 / 0 / 85 / 22

HEX #92C61E

RGB 146 198 30

HSL 78.57, 0.74%, 0.45%

LAB 73.93, -38.77, 69.5

 

CMYK 29 / 0 / 94 / 15

HEX #99D90C

RGB 153 217 12

HSL 78.73, 0.9%, 0.45%

LAB 79.85, -44.77, 77.39

 

CMYK 26 / 0 / 85 / 22

HEX #92C61E

RGB 146 198 30

HSL 78.57, 0.74%, 0.45%

LAB 73.93, -38.77, 69.5

 

CMYK 22 / 0 / 73 / 30

HEX #8BB331

RGB 139 179 49

HSL 78.46, 0.57%, 0.45%

LAB 67.98, -32.02, 58.36

 

CMYK 18 / 0 / 58 / 37

HEX #84A144

RGB 132 161 68

HSL 78.71, 0.41%, 0.45%

LAB 62.35, -24.77, 44.29

 

CMYK 12 / 0 / 39 / 44

HEX #7D8E56

RGB 125 142 86

HSL 78.21, 0.25%, 0.45%

LAB 56.46, -15.89, 27.82

 

CMYK 5 / 0 / 15 / 51

HEX #767C69

RGB 118 124 105

HSL 78.95, 0.08%, 0.45%

LAB 51.02, -5.91, 9.62

 

CMYK 0 / 20 / 85 / 22

HEX #C69F1E

RGB 198 159 30

HSL 46.07, 0.74%, 0.45%

LAB 67.2, 2.88, 65.45

 

CMYK 3 / 0 / 85 / 22

HEX #C0C61E

RGB 192 198 30

HSL 62.14, 0.74%, 0.45%

LAB 77.09, -19.93, 73.44

 

CMYK 25 / 0 / 85 / 22

HEX #94C61E

RGB 148 198 30

HSL 77.86, 0.74%, 0.45%

LAB 74.05, -37.99, 69.65

 

CMYK 48 / 0 / 85 / 22

HEX #67C61E

RGB 103 198 30

HSL 93.93, 0.74%, 0.45%

LAB 71.8, -53.79, 66.83

 

CMYK 71 / 0 / 85 / 22

HEX #3AC61E

RGB 58 198 30

HSL 110, 0.74%, 0.45%

LAB 70.44, -64.8, 65.11

 

CMYK 27 / 0 / 85 / 50

HEX #5D7F13

RGB 93 127 19

HSL 78.89, 0.74%, 0.29%

LAB 48.95, -27.59, 49.25

 

CMYK 26 / 0 / 85 / 36

HEX #78A219

RGB 120 162 25

HSL 78.39, 0.73%, 0.37%

LAB 61.57, -32.85, 59.4

 

CMYK 26 / 0 / 85 / 22

HEX #92C61E

RGB 146 198 30

HSL 78.57, 0.74%, 0.45%

LAB 73.93, -38.77, 69.5

 

CMYK 24 / 0 / 78 / 13

HEX #A8DE30

RGB 168 222 48

HSL 78.62, 0.73%, 0.53%

LAB 82.26, -40.29, 72.81

 

CMYK 20 / 0 / 64 / 11

HEX #B7E453

RGB 183 228 83

HSL 78.62, 0.73%, 0.61%

LAB 85.09, -35.26, 63.75

 

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

CMYK 85 / 0 / 42 / 22

HEX #1EC672

RGB 30 198 114

HSL 150, 0.74%, 0.45%

LAB 70.79, -59.08, 30.95

 

CMYK 9 / 85 / 0 / 22

HEX #B51EC6

RGB 181 30 198

HSL 293.93, 0.74%, 0.45%

LAB 45.4, 74.69, -53.15

 

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

CMYK 85 / 25 / 0 / 22

HEX #1E94C6

RGB 30 148 198

HSL 197.86, 0.74%, 0.45%

LAB 57.59, -13.41, -34.52

 

CMYK 0 / 85 / 25 / 22

HEX #C61E94

RGB 198 30 148

HSL 317.86, 0.74%, 0.45%

LAB 45.73, 70.9, -22.82

 

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

CMYK 85 / 0 / 42 / 22

HEX #1EC672

RGB 30 198 114

HSL 150, 0.74%, 0.45%

LAB 70.79, -59.08, 30.95

 

CMYK 59 / 85 / 0 / 22

HEX #511EC6

RGB 81 30 198

HSL 258.21, 0.74%, 0.45%

LAB 31.24, 60.74, -76.85

 

CMYK 0 / 85 / 42 / 22

HEX #C61E72

RGB 198 30 114

HSL 330, 0.74%, 0.45%

LAB 44.45, 67.29, -3.98

 

CMYK 26 / 0 / 84 / 22

HEX #93C71F

RGB 147 199 31

HSL 78.57, 0.73%, 0.45%

LAB 74.28, -38.79, 69.61

 

CMYK 85 / 0 / 17 / 22

HEX #1EC6A5

RGB 30 198 165

HSL 168.21, 0.74%, 0.45%

LAB 71.81, -47.72, 5.21

 

CMYK 59 / 85 / 0 / 22

HEX #511EC6

RGB 81 30 198

HSL 258.21, 0.74%, 0.45%

LAB 31.24, 60.74, -76.85

 

CMYK 0 / 85 / 68 / 22

HEX #C61E40

RGB 198 30 64

HSL 347.86, 0.74%, 0.45%

LAB 43.22, 63.73, 25.5

 

Description

Color code: HEX #93C71F | qconv.com Color code: HEX #93C71F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 199 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 199 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 84 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 84% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - PSDFAN - Adobe Photo...
Link: http://psd.fanextra.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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